Wait…wait…nope, it’s gone. I really can’t remember what spurred me to purchase a fisheye lens of all things. Alpha Whiskey’s the last person on Earth to suffer GAS (or even gas) and I spend not a single, solitary second of my day salivating over gear. Heck, my camera is 5 year-old technology, positively prehistoric to the insecure masses scrambling over each other to reach the latest product rumour. (Run faster!)
A year and a half ago my family moved from the suburbs of Washington D.C. to Houston, TX. The move came at a good time for me because I was about to enter my final year of college, and I was not spending much time at home. Moving can be stressful, but I quickly learned that Houston is a vibrant city with plenty of photographic opportunities. During the summer of 2016 I posted my first guest article about cityscape and architecture in Pittsburgh, PA. This post will mirror that one as I share my experiences photographing iconic scenes of Houston while imparting some knowledge I learned along the way.
After a few delays, Nikon decided to officially cancel the DL Series of premium compact cameras citing profitability concerns. Sadly, despite the strong set of features these cameras offered for their prices, some of us saw this coming. And based on current market conditions and the serious losses incurred by Nikon in the past few years, the situation is not looking particularly good for the company, which has announced that it will let around 1,000 of its 25,000 workers go in order to restructure its workforce during the difficult times…
Ever since it was introduced back in 1993, the DC Nikkor 105mm f/2 DC has been a classic – it was one of the most favored lenses for film portrait photographers and when digital came about, many photographers continued using the stellar lens to create stunning portraits. It took Nikon 23 years to bring out an update in the form of the Nikon AF-S NIKKOR 105mm f/1.4E ED – a drastically different lens in every way. Although Nikon decided to eliminate the de-focus control feature on the new 105mm, the biggest change is in fact the maximum aperture: at f/1.4, it is a much brighter lens compared to its predecessor. A full stop brighter, which is a huge difference for a portrait lens of this class. With this update, Nikon claimed another “world’s first” title, since no other manufacturer has ever been able to make a 105mm telephoto lens with such a wide aperture. In this Nikon 105mm f/1.4E review, I will detail my personal experience with the lens and compare it to both 105mm f/2 DC and 85mm f/1.4G.
There’s an old saying that “time flies when you’re having fun”. That must be true since the past three years for me here at Photography Life have gone by at supersonic speeds.
If you want to take your photos to another level, camera equipment is a natural place to look. It’s a very tangible part of photography; we work with our gear constantly. In fact, new equipment often does help you capture certain photos more easily, or it improves the technical quality of the images you take. However, it’s easy to get swept away in this marketing message and forget that there are other, better ways to improve your photos — techniques that don’t require new equipment to put into practice, and tips that are applicable to every photographer.
This week is an exciting week for Sony mirrorless fans, because two more lenses have joined the native FE mount in the form of FE 100mm f/2.8 STF GM and 85mm f/1.8. While Sony has already brought out the stellar 85mm f/1.4 GM lens last year, it is an expensive pro-grade lens, so there was a gap to fill for an enthusiast-grade lens and that’s what the 85mm f/1.8 is all about. At $599, it is a third of the price of its big GM brother, so it will be an appealing choice for portrait photographers on a tight budget. The Sony FE 100mm f/2.8 STF GM joins the ranks of high-end GM lenses that are designed to deliver outstanding contrast, sharpness and other optical characteristics with the latest and greatest technology the company has to offer. Although it has a relatively slow aperture of f/2.8 (for a portrait lens), it is also designed specifically for portrait photography, since it is the first Sony FE lens to feature a sophisticated optical design that incorporates “Smooth Trans Focus” technology that uses apodization filter, similar to the Fuji’s 56mm f/1.2 APD lens. Sony promises very smooth and pleasing bokeh, so it will be interesting to see how the rendering of the lens would compare to its 85mm f/1.4 GM lens.
It is always exciting to see great lens announcements, because lenses play such a huge role in making images and making them appear special. This week we have seen two such announcements from Tamron. Without a doubt, the most exciting announcement is the Tamron SP 70-200mm f/2.8 Di VC USD G2 designed for full-frame cameras from both Nikon and Canon. I am personally intrigued by the Tamron SP 70-200mm f/2.8, since that lens is going to retail for a mere $1,299 – that’s less than half the price of what Nikon sells its high-end Nikkor 70-200mm f/2.8E FL VR for! I don’t know how Tamron managed to price its 70-200mm so low, but at this price, I almost wonder what corners Tamron had to cut to make it happen. After reviewing its MTF charts and other lens specifications, I could not really find any…
One of the features of Lightroom that I use the most often and has probably saved me more time than any other step in my editing process is creating and using develop presets. A develop preset is simply a group of adjustments that all get applied to an image at the same time. By default, Lightroom includes a variety of presets, but you can also create your own if you want something more personalized. In this post I’ll show you the process of creating a Lightroom develop preset, as well as how to modify an existing develop preset.
A number of our readers have been asking our team about our recommendations on different mirrorless cameras. With so many different options on the market today, choosing a mirrorless system can get very confusing. In this particular article, I would like to start off by comparing mirrorless camera systems that are available today from different manufacturers. This below charts will be updated periodically with new / updated information. Please note that the below comparisons are only for mirrorless interchangeable lens cameras. Discontinued systems such as Pentax K-01, Ricoh GXR, Pentax Q and Samsung NX have been removed. The list is sorted alphabetically and had to be split into two parts to fit. Also, please keep in mind that some of the benchmarks presented in this article are very subjective, based on our and our readers’ prior experience using the cameras. I have also published an article comparing mirrorless systems, where I go into a lot more detail about lenses and other important considerations.