So I wasn’t sure that I wanted to write about shooting this location (especially since my last post was about finding local subjects) but I’ve shot a few waterfalls around the world, and plenty at home in the UK, so I thought I might offer some small, meagre insights into capturing their spectacle. Even if the insights aren’t useful to you it may stand alone as a fluff postcard piece. Niagara Falls, whose popularity is undoubtedly due in part to their easy accessibility, are not the most spectacular waterfalls I’ve ever seen. But I did spend a few hours here (on the Canadian side) looking for evermore interesting shots and, of course, in the changing light throughout the day.
The concept of personal style is a fundamental topic in all art, not just photography. Everyone has their own way of seeing the world, and everything that people create is based upon this underlying uniqueness. In terms of photography, though, even mentioning personal style can seem strange — since our work is inherently based upon the real world, is it even possible to have a unique style? This question is especially relevant for fields like landscape and wildlife photography, which often rely 100% on the scene that nature presents to you, rather than any elements you add yourself. How can you insert your own personality into an image that mirrors the way the world actually looked at one point in time? It’s a complex question. Things get even trickier if you look into all the features that must be copied perfectly in order to produce a convincing forgery (or a benign imitation) of another photographer’s personal style — and, even further, the implications of analyzing and imitating your own personal style.
Well, Postcards From The Woods just didn’t seem appropriate. It’s not all foreign travel for Alpha Whiskey, though (well, mostly it is). Sometimes I’m happy to amble through the forest on a bright and breezy weekend afternoon. And while it was more about the walk than the photography I thought I would try to demonstrate how even the most ordinary of environments can provide interesting photographic opportunities. We can all marvel at stunning vistas captured from a mountaintop at sunrise but that’s been done to death. Real creativity comes from challenging yourself to reveal something different from the places and subjects you see everyday. I’m not claiming to have that creativity myself but I’m willing to give it a try.
With so many new cameras being released each year that allow capturing images in RAW format using different compression levels, bit-rates and other proprietary data, it is becoming increasingly difficult for post-processing software to keep up with all the changes and provide full support for RAW formats. Although camera manufacturers have been bundling their own image converters, such tools are often underdeveloped, buggy and lack the necessary features to be able to rely on them for post-processing images. Despite the fact that some post-processing software tools as Adobe Lightroom and Capture One provide frequent updates to support new cameras, it is getting practically impossible to provide full support for every new camera and RAW format features. It is time for camera manufacturers to come up with a single universal RAW format that can be easily supported by all post-processing software and we as consumers need to push camera manufacturers to adopt this format.
In this article, I will show you how you can remove unused modules and sub-modules in Lightroom. Although Adobe Photoshop Lightroom comes with a lot of features, many photographers including myself, have particular modules and sub-modules that never get utilized. Instead of having such modules take up the precious space and clutter up the user interface, it might be a good idea to hide them from your view completely.
A path to the discovery of self. We’ve all seen it. Photographs pour fourth like a never-ending stream as wave after wave of photographers visit the same tired spots trying to put down their mark. Every photo seems to literally vibrate with dramatic lines, amped color, and skies ablaze with crimson light. Enough already!
In this article, I would like to give you some tips on photographing dragonflies with minimal gear. I’m an amateur landscape and wildlife photographer from France. I graduated in ecology (biodiversity management and biology of conservation) last year before I decided to leave to New Zealand for a one-year trip. I discovered landscape and astrophotography in this beautiful country, but I feel like I sometimes need to get back to wildlife photography which is what I was first interested in. Because of my studies, I spent a lot of time in the field working on insects and especially dragonflies, learning how they live, observing their behavior and understanding the importance of their preservation.
Adobe Lightroom is a massive, lumbering behemoth of photography software with enough functions and processes to make any photographer go crazy. At the simplest level, though, Lightroom was created to help you do just three things: sort your photos, post-process them, and export them. On Photography Life alone, we already have more than 100 articles about Lightroom — the equivalent of several books — and other websites have countless more. Clearly, it’s an important topic to learn, whether you’re just starting out or you’re an advanced photographer. In this guide, I will go over the process of using Lightroom for beginners, from start to finish, including tips on the topics that tend to confuse people the most.
For our readers in Israel, I will be teaching a class on landscape photography next Thursday, May 4th at Galitz School of Photography at 6:30 PM. It will be a free event that is open to everyone, so if you would like to participate, please make sure to sign up right here. The auditorium has limited space, so I encourage to sign up sooner than later! In this lecture, I will be going over light, framing and composition, so the material is a bit more advanced. However, I will do my best to keep everything as simple as possible, so that photographers of all levels can benefit from the presented material. In addition to the lecture, I will also be doing a photo walk the following day on Friday, on May 5th to meet our readers from Israel and have a chance to take pictures and dine at a local restaurant after the walk. It is also a free event, so everyone is welcome to come and join us!
Like many folks I often ‘lose myself’ when I’m exploring, camera in hand. How and why certain things catch my eye is something I’ve never questioned. Trusting my creative impulses adds to the adventure. My wife and I spent a week exploring the Saanich Peninsula in British Columbia in early April. This article shares some of the eclectic collection of images captured during our meanderings, as well as some of the techniques used to create the photographs in this article.