Having just spent almost two weeks conducting a workshop in Jordan, I wanted to share a few images that I was able to capture during this incredible trip. We spent a total of 11 days touring and photographing this stunning country and although I have not yet had a chance to properly edit most of my images, I was able to go through a number of them using my portable laptop that I have been carrying around when traveling. Right after the workshop, I decided to tour Turkey for a week and explore both Istanbul and Cappadocia for future photographic opportunities, which is why I have not been able to post anything on the website. I will be posting images from Turkey after I get back home and catch up with some work. In the meantime, I hope you enjoy a photographic tour of Jordan!
These past couple weeks have been a roller coaster for photography software. For some companies, the past couple years have been a roller coaster, too — Nik software in particular. In May of 2017, Google (which had owned Nik software since 2012) announced they were ceasing new developments on the program. No new features, bug fixes, or guaranteed support for updated operating systems. That happened just a couple months after making the software completely free. Justifiably, Google’s decision to end developments disappointed many photographers who relied on the software, and who happily would have paid for further updates. Today, though, there is some cautiously good news: DxO, the company behind DxO OpticsPro (which — also as of today — is now called DxO PhotoLab), announced that they bought Nik from Google. On top of that, they announced the development of a new version of the Nik Collection planned for mid-2018. If you use Nik software as part of your workflow, what does this mean for you?
Following Adobe’s announcement of two new versions of Lightroom, there has been some confusion about the exact purpose of each one. Many photographers on Adobe’s subscription plan are looking forward to using the new version of Lightroom and gaining the most recent feature set. But, which one is the new version? The two new options are called “Lightroom Classic” and “Lightroom CC,” and they’re quite different from one another. In fact, I suspect that many photographers won’t even use Lightroom CC at all, and they’ll stick entirely to Lightroom Classic. Below, I’ll outline the differences between the two.
Four years is a long time in the digital realm. In the past four years, new products, services, and software have uprooted many parts of the old world and put something new in its place. It also is enough time — as many people suspected, but wasn’t confirmed until today — for a company to break a promise. I’m talking about Adobe, with their new release of two separate versions of Lightroom: a split “Lightroom CC” and “Lightroom Classic CC.” Both of them are subscription only, which runs counter to Adobe’s own words during the release of Lightroom 5: “Future versions of Lightroom will be made available via traditional perpetual licenses indefinitely” (source). Although it helps to define indefinitely just to be sure — dictionary.com says “ Below, I’ll dive into some new features in these Lightroom releases. I’ll also provide some suggestions if, like me, you are against the idea of monthly payments in order to access a catalog-based editing software (which makes you keep paying if you want the ability to re-edit your old photos).
In this in-depth field review, we are going to have a look at the new Nikon wide-angle DX lens Nikkor 10-20mm f/4.5 – f/5.6 AF-P ED VR, which was launched in June 2017. This lens was announced among two other professional wide-angle lenses (FX Nikkor Fisheye 8-15mm and FX Prime Nikkor 28mm f/1.4). While those bigger brothers raised a lot of expectation for full-frame shooters, the plastic entry level 10-20mm DX lens hardly caused any excitement. In this review I will show that this lens deserves the attention of both amateur and semi-professional photographers.
There are no times of day more famous for photography than “Golden Hour” — sunrise and sunset. Although great light can happen at any time, the edges of the day are perhaps the most consistent sources of inspiration you can find. Still, just because they’re beautiful doesn’t mean they’re easy to photograph. In this article, I’ll cover some suggestions for capturing sunrise and sunset as well as possible, including tips for exposure, creativity, and post-processing.
The Nikon D850 is perhaps one of the most advanced DSLRs made by Nikon to date. As a result, it comes with a lot of controls and menu settings that might be confusing for many photographers out there. In this article, I will provide information on what settings I personally use and shortly explain what some of the camera buttons and controls do. Please do keep in mind that while these work for me, it does not mean that everyone else should be shooting with exactly the same settings. The below information is provided as a guide for those who struggle with the camera and just want to get started with an understanding of the camera and its many features.
It is no secret that the fall / autumn season attracts many photographers to the most scenic locations of the world. Photographing fall foliage is a rewarding experience, as it presents very unique opportunities when capturing the transformation of otherwise boring locations into stunning displays of color. I have been photographing fall colors for many years now and I have been fortunate to acquire some knowledge on what specific tools and photography techniques work best in the field. Having just come back from a fall photography workshop in southwest Colorado, where I had a chance to spend time with some amazing photographers from all over the US, I wanted to share a few tips with our readers on how to best capture fall foliage.
When my wife and I are out and about on a photography tour I like to let my mind wander and keep my eyes ‘fresh’ so I don’t get too locked in on one particular type of image composition. We recently spent a couple of weeks in Nova Scotia doing some field work for an eBook project. Since the emphasis of that endeavour is landscape, seascape and shoreline photography we did focus the majority of our time on those subjects. As a result, visits to Peggy’s Cove, Lunenburg, and many small, seaside communities were on our itinerary. Many of the images captured were fairly complex scenes as could be expected. This article shares a couple of dozen photographs that highlight some of the simplicity, patterns and details in Nova Scotia that we experienced and included in some images.
Backpacks are a sore spot for many photographers. Personally, I’ve owned so many different types over the years that I truly can’t remember them all. I know photographers who have entire gear closets filled with bags, and nothing else. The problem here, I think, is that bags look amazing online (or in a store) — seeing them, reading reviews, and even trying it on for a few minutes — but then reality kicks in a few weeks later, and you realize that your new purchase isn’t all that spectacular. That brings me to the company Peak Design. I’m sure you’ve heard of them; they made headlines a couple years ago after fundraising millions of dollars on Kickstarter for their lineup of bags. We haven’t yet reviewed one of their bags on Photography Life, so, when they reached out to send a copy for testing, I decided to see how it measures up. This review specifically covers the 20 liter version of the “Everyday Backpack.” So, does it live up to the hype? Can you finally clean out your closet of bags and turn it into something more productive? The answers are more nuanced than you might think.