During the past several weeks, we’ve been mostly talking about equipment and all sorts of technical aspects of digital photography. We’ve covered the Nikon D810, talked about its dynamic range, discussed the sRAW format, reviewed the Canon 6D and suggested settings for different cameras. We reviewed the Nikon D750 and even the flagship D4 and D4s cameras. I won’t even mention all the ISO comparisons and new equipment impressions. There were plenty more articles and you know what? You liked them. A lot. Which is a huge compliment for us, because of all the effort it took us to prepare them. Having said that, we could not help but notice just how much you liked them… And, at some point, I even thought – perhaps a little too much? Don’t throw stones at me, but are cameras and software always the right aspects of photography to focus on? Alright, saying it’s the wrong one to focus on is perhaps a little too naive. After all, if we did not use our equipment (and to use it one must first learn how to), we would not be able to enjoy photography. And yet it may be that, after so many technical articles, there is something righter (forgive me for coming up with words as I go) that deserves our attention. It may be that we need to balance out the sRAW talk with composition, the camera choices with actual photography. It may be that we need a week of photography and not a single review published. What do you say?
Although the megapixel race has been going on since digital cameras had been invented, the last few years in particular have seen a huge increase […]
Let me first be clear. Anyone who knows me well would tell you I’m not a materialist and money is not my primary aspiration. I […]
Just as the market is once again graced with higher resolution cameras, so too is the Internet awash with salivating consumers desperate to lap them […]
Having spent quite a bit of time talking to many other photographers, one of the discussions that comes up every once in a while has […]
A comprehensive review of the Canon 7D Mark II DSLR with image samples, detailed analysis and comparisons to other cameras by Nasim Mansurov
Exactly after two years since the Nikon D4 announcement, Nikon made the D4s public at the 2014 Consumer Electronics Show (CES) on January 6, 2014. Although the camera was not ready for a full announcement, Nikon wanted to have something to show at the CES, so it only hinted about the development of the camera and its intentions to preview it. The camera was officially announced at the end of February and the first units started to ship shortly after in March. The Nikon D4s is a modest upgrade over the D4, with very slight ergonomic changes, expanded ISO range, faster image processor, faster wired / Ethernet speed, improved battery capacity and a bunch of new firmware options. As an incremental update, the Nikon D4s basically solidified the already superb D4 and made it even better.
In my recent Street Photography in Greece article I mentioned that I used DxO ViewPoint 2 to apply perspective adjustments to many of my street photography images. A number of readers contacted me outside of the discussion forum and asked me if I could demonstrate a couple of common adjustments that I do with this software as they were unfamiliar with it.
It has been close to three years since Nikon announced the D4 and our readers might be wondering why I am only now reviewing the camera, especially given the fact that it has already been replaced by the Nikon D4s. While working on the D4s review, I thought that it would be a good idea to revisit the older D4 – better late than never! Since the camera came out, I have used it on several occasions for both personal and business needs, and a number of our team members have owned or still own the D4. Hence, the information and images that I gathered for this review represent a collective effort between our team at Photography Life.
Waterproof, shockproof, mirrorless and with a 14mp sensor larger than most point-and-shoot sensors, the Nikon 1 AW1 (MSRP $799.95) is the only camera in its class. It seemed an ideal choice for a photographer with a bad case of pixelitis who was going to ride an overgrown innertube down the raging rapids of the Grand Canyon. To quote from Nikonusa.com: “At last, stunning images from a camera you don’t need to baby. From kayaking to mountain climbing, keep the rugged Nikon 1 AW1 by your side. Waterproof to 49 feet without a bulky protective housing—carry it rafting, swimming or snorkeling.” Okay.
Like most photographers I have a few different gear bags and none of them seems to be the perfect solution to meet all of my needs. I further compound this problem by buying more gear, then kicking myself in the butt when my storage and transport issues get even more complicated.
After a long battle with cancer, legendary Swiss photographer René Burri passed away today at the age of 81 in Zurich. If you are not familiar with René Burri’s work, he was the photographer that captured such famous people as Che Guevara, Pablo Picasso, Winston Churchill, Richard Nixon and make others. He covered wars and conflicts with his storytelling imagery and created some of the most iconic images in photography history. You can read more about René Burri on this Wikipedia article. He worked for Magnum since 1956 and you can see a lot of his work on this page at Magnum Photos.
It is not the holiday season yet and we are already getting those hard to resist deals. Today’s deal is for the newly announced Nikon D750 (read our extensive review), which you can get together with the Nikkor 24-120mm f/4G VR lens (see our review) for $2,996.95 at B&H Photo Video and other retailers. The D750 body only costs $2,299 and the lens goes for $1,299, so that’s an instant $600 discount on the bundle.
I have been testing the autofocus capabilities of the Nikon D750 during this weekend with several lens and TC (teleconverter) combinations to see how well the camera will perform in terms of accuracy and AF reliability. The first lens that I tested out was the new Nikkor 400mm f/2.8E VR lens, which I used with and without teleconverters. I am planning to review this lens later this year, so I needed to get as many image samples as possible in different situations, with all three Nikon TCs. Like the 800mm f/5.6E VR monster, the 400mm f/2.8E VR is a stellar lens with amazing optics, but also with a very hefty price tag of $12K. So it is definitely not a lens for everyone! As expected, the lens performed amazingly well with top notch sharpness and microcontrast, stunning colors and super fast and accurate autofocus. However, the biggest surprise was how hand-holdable it has gotten compared to the previous version, thanks to fluorite elements and the much lighter build. Here is a photo of a wood duck that I captured hand-held:
Many people who own Nikon 1 camera gear have an interest in close up photography. Unfortunately at the time of writing of this article there was no 1 Nikon macro lens available. Photographers can use their DX or FX Nikkor macro lenses on their Nikon 1 bodies by using an FT-1 adapter. I’ve done this in the past with my Nikkor 105mm Micro f/2.8 and found that the resulting set-up felt unbalanced as the lens dwarfed my V2 body. The autofocus on my macro lens tended to hunt quite a bit when used with the FT-1 I for close up work. As a result I typically used it on a tripod and manually focused the lens.