While I wait until quarterly data is available from CIPA to do full camera market updates on my photography blog, I thought Photography Life readers may like to have a quick look at how 2017 is shaping up for the digital camera market. The charts in this short article are based on April YTD 2017 CIPA statistics. I’ve included YTD actuals for 2017 as well as my market estimates for 2017. These estimates were calculated after examining some basic trends that the camera market has been demonstrating for the past decade.
Today Nikon revealed three new lenses: AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED, AF-S NIKKOR 28mm f/1.4E ED and AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR. While the latter 10-20mm f/4.5-5.6G VR is an addition to the DX line-up of lenses, the 8-15mm f/3.5-4.5E Fisheye and the 28mm f/1.4E lenses are pro-grade lenses designed specifically for full-frame cameras. Let’s take a look at these three lenses in more detail.
In the second of a series of follow-up articles to The Quality of Light, I have posted this article to share a series of photographs (along with the thought processes behind them) that captures the quintessence of a well-known and spectacular light display, often referred to as the ‘Second Sunset’. As with many of my previous articles, my goal with this post is to encourage my fellow photographers to be inspired by light, composition, and mood, to spur them to explore their creative potential, and to get out and make beautiful photographs.
Here’s some worrying news: Google just abandoned Nik’s software suite — the same Nik suite that it bought five years ago, and the same Nik suite that it started offering for free in March of 2016. What does this mean for the world of photography software? One discontinued product might not seem like a big deal, and you may not even be a Nik user, but this development should worry any digital photographer.
Whether you are traveling domestically or internationally, there is always a chance that you might get mugged or get your camera equipment stolen. As photographers, we tend to explore remote locations, some of which might be unsafe to visit. Unfortunately, many thieves and muggers know the value of camera gear and they often target photographers and photo businesses, since they can quickly resell the stolen goods and make a ton of money. After traveling to a number of different countries, I decided to share a few tips on keeping your camera gear safe when traveling that I gathered myself and from our readers who were generous enough to share them with us.
This is an in-depth review of the flagship Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR lens that was released in October of 2016. Every seven to ten years, Nikon updates its top-of-the-line lenses with the most current technology and tries to push the performance envelope to a whole new level. After a long wait, Nikon finally delivered the new generation 70-200mm f/2.8E FL ED VR in a lighter and more versatile package. Nikon completely redesigned the lens from the ground up, featuring a fluorite lens element to make it roughly 100 grams lighter, an “E” type electronic diaphragm, an updated Vibration Reduction / Image Stabilization mechanism and a drastically different optical formula featuring a total of 22 elements to deliver superior sharpness across the frame. The lens elements have also been treated with all the latest lens coating technologies, including Nano Crystal Coat and fluorine coating in order to reduce ghosting and flare, as well as repel dust and moisture from its front element. Based on user feedback, Nikon also took care of the focus breathing issue that was present on the VR II version of the lens. Ever since the lens was introduced to the market, I have had a chance to shoot with a couple of samples of the Nikon 70-200mm f/2.8E FL VR, so my experience and review are based on many months of shooting with this lens.
I recently decided to upgrade from my current infrared-converted Nikon D7100 to a Nikon D7200, taking advantage of Kolari Vision‘s Anti-Reflective coated glass (article to follow). In the process, I once again considered my filter choices. Although I had some decent results from a 665nm filter from another infrared conversion house, I was not satisfied with the overall results and had Kolari Vision swap the 665nm out and install a 720nm filter. I always thought the 720nm filter provided the best overall balance of bright white vegetation and false color processing capabilities, but admit suffering from occasional bouts of ICE – Infrared Color Envy. Some of the photos taken with the 590nm filter are… well… rather gaudy. But I have also come across some that are jaw-droppingly gorgeous.
Life is an ever-changing adventure. We are each faced with our own unique set of opportunities and challenges. Sometimes it can be difficult to navigate our journey through the day-to-day turmoil we often face. Competing priorities. Unforeseen events and twists of fate. Moments of adulation. Periods of self-doubt. They can all be potentially found on the life roads on which we travel. Regardless of the paths, all roads do eventually end.
Losing irreplaceable images might just be every photographer’s worst nightmare. Fortunately, there are a few easy steps you can take to help prevent image loss. Almost all of these steps can be implemented right away with little to no cost or change to your overall workflow. While they might seem a little excessive, the resulting additional protection for your images should outweigh any inconvenience or minor cost. [Read more…]
As people look at photos on smaller and smaller screens, there has been a growing trend towards taking photos that are more and more minimalist. Especially on platforms like Instagram, minimalism is exploding; it’s everywhere, and it has been for a while now. There are some pros and cons of minimalism, and I have mixed feelings about how common this trend has become, but there’s no denying its popularity. In this article, I’ll cover some of the main reasons you’d want to capture minimalist photos, along with some tips for using this style of photography as effectively as possible.