Well, it was a pretty long drive back but my friend and I made excellent time. From Eastern Slovakia (where most of these shots are from) through the Czech Republic (where my friend is from), Germany, Holland, Belgium, France and then finally back home in the UK, we made it back home in just over 15 hours. And when you’re speeding along endless miles of motorways that all look the same there isn’t much opportunity to shoot anything.
If you are buying your first DSLR camera, the available options that are out there can be pretty overwhelming. In this article, I’d like to walk you through the important similarities and differences between a few of Canon’s entry level DSLR cameras, currently the Canon EOS Rebel SL1/100D, Canon EOS Rebel T5/1200D, Canon EOS Rebel T5i/700D and Canon EOS Rebel T6i/750D. While this won’t be an in-depth technical review, it will be a practical, hands on review that should give you enough information to make an informed decision about which of these cameras will work the best for your current needs.
Our friends at LibRaw are joining our video course promotion by offering an exclusive discount for PL readers – 25% off the software! This is a time-limited offer to give you access to the fastest and best (in our opinion) RAW viewing and culling software on the market – the deal is only good until August 15, 2016, so act quick to get this amazing tool. In addition, everyone who has purchased our video courses will be receiving a permanent 30% discount, which is awesome! If you have bought the course, you were probably amazed by how quick one can go through hundreds of RAW images using FastRawViewer directly from the memory card and leave only the images intended to be imported into post-processing software like Lightroom. It is a huge time saver for me personally, which is why I have been advocating the use of the software to our readers.
Like many folks after I’ve been working hard, either physically or mentally, I like to grab a camera and relax by capturing a few images. This afternoon I finished building a ‘honey-do’ project in the backyard and I had a little bit of available time. So, I grabbed one of my cameras and headed off to Hendrie Valley where I spent an interesting hour capturing some images of birds in flight.
We are happy to announce the third place winner of our PL + KeepSnap contest/giveaway. Big thanks to everyone who voted! It looks like the majority of those who participated in the poll favored the following portrait of a biker in a forest:
After a week in Ireland, I have seen some incredible sights. This is a beautiful country, and the people are incredibly warm and welcoming. Although most days here have been rainy, I’ve tried to make the most of foggy landscapes and simply enjoy my time in such a unique place. However, the weather has made it difficult to take colorful sunrise and sunset photos, which is a bit unfortunate — it is no secret that golden hour is a wonderful time to take pictures. Still, there has been one incredible morning for photography so far. In just a few minutes, the sky turned from a dull sheet of gray into a magnificent show of color, and a rainbow appeared during the best light. In this article, I’ll cover the entire story and thought process behind my favorite photo from this beautiful sunrise.
For most folks who enjoy photographing wildlife in general, and birds-in-flight in particular, having additional ‘reach’ with their gear is always preferred. I was out yesterday morning attempting to capture some Purple Martin in flight and came to the realization that sometimes shorter is better.
I arrived in Ireland a couple days ago, and I have been taking plenty of photos along the way. I’ll post them in future articles, but there is something more important to discuss for now: the dangerous, idiotic behavior I saw at the Cliffs of Moher.
I never did completely lose faith. I think in the end it was probably just myself, Thom Hogan and one or two others – the true believers. Nikon would give us a legitimate successor to the D300S. I think that the many who told us to give up and move on to FX because DX is dead, or that the D7200 was the real D300S replacement, perhaps missed the point. The D7200 is an absolutely excellent camera, but I have always thought it pretty obvious that Nikon was holding back on the D7x00 series. And as far as moving on to FX, well we were already there shooting D4s, D800s, etc., but looking back to DX for the potential advantages that a smaller format, high-performance body could bring to shooting wildlife and other action. There was room at the top of the DX model lineup for a specialist camera and now we have it – the
D400 D500. Nevertheless, I was caught off-guard, along with most people I think, when the D500 was announced alongside the D5 in early 2016. We all knew the D5 was coming, but just how did Nikon manage to keep the D500 a secret?
Suppose you have read somewhere that the dynamic range of your camera at a certain ISO setting is 11 stops. And here comes the immediate question – how can one use such a treasure to its full potential? Optimal exposure for RAW is the answer. But now we need to explain what we mean when we say, “optimal exposure for RAW”. Let’s start with one of the problems, which arises as a result of non-optimal exposure for RAW. Here is a typical wide dynamic range low-light scene. According to Sekonic spot-meter, it is wider than 11 stops: