I am in the process of reviewing the Canon 7D Mark II for which I had to borrow the Nikon D7100 to compare image quality and other camera features, so I thought doing an article on the recommended settings for the D7100 would be useful to our readers. Although the Nikon D7100 is not a direct competitor to the 7D Mark II (many are still waiting for a D300S replacement), it is still a solid camera that is used for a variety of different needs by many photographers. And despite its crippled buffer capacity, the D7100 is often used for both wildlife and sports photography needs. Since the camera is rather sophisticated in terms of its capabilities and features, having many different menu and settings, it can look rather overwhelming for a beginner. In this article, I want to provide some information on what I personally use and shortly explain what some of the important settings do. Please do keep in mind that while these work for me, it does not mean that everyone else should be shooting with exactly the same settings. The below information is provided as a guide for those who just want to get started with a basic understanding of the camera and its many features.
Back in September last year, Tamron announced the development of a rather interesting wide-angle lens. Not only does it feature a very useful focal length range for landscapes, architecture and documentary style photography, but also allows a fairly wide aperture of f/2.8 and image stabilization. The lens has now been officially released in three mounts – Nikon, Canon and Sony (Vibration Correction is omitted for Sony variant). At a fairly reasonable price of $1200, it ever so slightly undercuts the Nikkor 16-35mm f/4 VR lens (which also happens to be slower), significantly undercuts Canon’s 16-35mm f/2.8L II lens and matches the cost of the 16-35mm f/4L IS.
We are once again happy to announce the Colorado Fall Colors Workshop, which will be taking place in one of the most picturesque locations in the world, in the San Juan Mountains of Colorado. A number of our readers have been inquiring about this workshop already, so after working out the schedule, I decided to open up the registration and provide some details about the workshop. This photography workshop will take place from September 24-27, so we are adding an extra day to the workshop to see and photograph more beautiful locations in the area. Get ready to learn a lot, shoot a lot and enjoy quality time with like-minded people that share your passion. And best of all, we will be doing it in a vacation-style environment, not in a typical hotel!
UPDATE: WORKSHOP IS FULL
What little I saw of New York was as overwhelming as I thought it would be. And then some. But that is not where it all started for me, oh no. See, my dear readers, I have an embarrassing secret to tell you. For some of you, it will not be in any way special, whilst others will find it mildly amusing. Certainly, when one of the friendliest and most fun people I met in New York, a brilliant guy named Mark, heard me say it, his immediate response was – “I don’t know how to talk to you.” I laughed and for a while, he just stared at me in surprise. Wholeheartedly hoping the same fate will not strike you, here is the ever so slightly shocking truth – this trip was not only my first trip to New York. Or the US. Or somewhere to the West of Lithuania. It was also, among all these things, my first ever flight. In other words, my first ever big trip just happened to be to New York City, by plane, over eight thousand kilometers away from home – that’s five thousand miles – and every single bit of it, every moment, was new and special to me.
Oh my, the things I am about to write now…
What do you think is the possibility, when you are choosing and sorting images based on the JPEG previews, that you are going to discard the better-quality image, and keep the lesser-quality one? Let’s take a look at a typical “training” shot for a holiday – noon of a sunny day, blue Ionian sea, bright white limestone pebbles, bushes with dark-green, high-detail leaves (which lose all detail if the shot is underexposed), deep shadows under the bushes. These types of scenes typically have a very wide dynamic range. We will see later, however, that the real range of the shot we are examining is pretty much only 8 EV, if the exposure is technically correct.
It always amazes me how I can live in an area for so long and be completely unaware of some fascinating image subjects. Thanks to Ray Miller, a local Photography Life reader, I had the chance to photograph a small group of Tundra Swans in their winter migration home on the Niagara River in Ontario.
After having some experience with seabirds in Scotland, Norway, Canada and Alaska we wanted to watch and photograph penguins in Antarctica and the sub Antarctic islands: But how to get there? There is no possibility of individual travel in and around this huge continent. So after some research we decided to use a cruise ship as a base for our travel plans. Fortunately in 1993 we were asked to share a book project on Antarctica by a German (Munich based) publisher. They had already sent a photographer to Antarctica and needed text material on nature, ecology and species accounts. Both of our studies we cramped with scientific stuff on exactly these topics. So we did half of the books text. The other half – a text essay – was done by a well known travel author. This book appeared during spring 1994 sold very well. So we used it to appeal for jobs as bilingual biology and geography lecturers on the German- an US-managed ship “World Discoverer.” We were invited to come to the agency in Hamburg and… we got our favourite trips!
There is so much duality in photography. On one hand, it’s the light and the subject, it’s the story we tell and the story the viewer sees, it’s a feeling, an emotion, a state, a symbol, a metaphor. Sounds poetic, doesn’t it? On the other hand, it’s pure science, every single bit of it – from the said light traveling through a complex lens design, all the way to the scene being imprinted whether on a piece of light-sensitive film or, temporarily, on a digital sensor. And that scientific part of photography brings all sorts of terms with it, terms that may not be necessary for the creative process, but as far as skillful execution goes, you can’t do without understanding them for very long. A painter needs to know his brushes at some point, right?
And so we are back to covering basics, something you surely must have noticed. In this article, I will talk about yet another, confusing-at-first-encounter term used in photography, more specifically – exposure stops. I will try to explain what they are and how stops of different exposure parameters – shutter speed, aperture and ISO sensitivity – correlate, as well as give you examples of what are considered to be regular stop values of each parameter, and what are full, half and third-stops.
As photographers who regularly visit photography web sites and blogs, we all seem to be driven by very personal commitments to learn new things and to improve. Over the years I’ve been using my own ‘rule of thirds’ – not as a composition technique – but as an approach to help me direct my own development efforts when it comes to photography. As is often said, “So much to learn, and so little time!” Basically my “rule of thirds” focuses on three factors that are always involved when creating images and can also help guide our development as photographers:
I know it is a last minute announcement, but if anyone in San Francisco area is interested in joining me for night photography tonight, we will be meeting in the parking area of the Treasure Island at 7 PM. We will start at Bay Bridge, then head over to other places to photograph the city. I was hoping to meet for a photo walk this coming weekend, but my wife will be arriving on Friday and we already have plans for the weekend…
So if anyone is up for it, leave a comment below. If you want to exchange contact info, use the Contact Us form please. Looking forward for some fun tonight! And some have already asked me, but there is no fee/cost to come! Don’t forget to bring your photos for some critique, if you are open for that of course :)
I will be heading out to Yosemite tomorrow and will be back on Friday evening. If anyone wants to join me, I will drive – have space for 3 in my car. Planning to do some landscape photography and will do my best to help you out with your photography (for free of course!). Let me know if you are interested – hotel rates are very reasonable right now (got my room for $69 per night). I apologize for posting this so late and I hope to see you guys tonight!