For as long as I can remember, ever since I bought my first DSLR I’ve been looking for “the perfect” casual camera backpack. For me, that means a backpack that I can take anywhere, that’s easy to use, carries enough gear for a long walk or casual hike, has room to carry non-photography items and isn’t too big and bulky. When I saw the USA Gear S17 (which I’ll just call the S17 from now on), I knew it had the potential to be a camera backpack that I’d use on a regular basis.
We are continuing our series on how to choose and buy computer hardware for photography needs and today we will be providing suggestions on what Apple laptops are worth looking into. First, we will do a quick overview of the Apple line of MacBooks, then we will provide our top recommendations for doing post-processing work. This article has been written in collaboration with our team members who use Apple’s MacBook products exclusively and extensively for their photography work.
Aperture is a confusing topic for beginners in photography – it controls so many variables in your images, from exposure to depth of field, which can make it quite difficult to grasp initially. To make matters worse, the F-numbers of aperture are backwards from what you may expect! A small aperture is a large F-number, and a large aperture is a small F-number. I certainly was confused by aperture when I first started taking pictures, and it took me quite a while to really understand how it works. Nasim already covered aperture in-depth for beginners, but I wanted to pass along a quick diagram that I made – hopefully something that you will find useful. This chart covers the most important effects of aperture in photography, as well as common terms that photographers use to describe their settings.
Big thanks to everyone who participated in our recent ZTE Spro 2 review and giveaway! We love giving out prizes to our readers and this time we have a superb prize – a great portable projector and a mobile hotspot worth $500. Our random number generator gave us five comments from which we will be picking a winner.
Better technique and appropriate gear can help you take better photos, but that will only take you so far. To reach the next level in this pursuit you need to become a student of photography.
A student of photography is somebody who dives into the pool of photo history, soaks in the images of the masters, and seeks out the best work and wisdom of his or her contemporaries. A good student realizes that observing the work of others is crucial to one’s own development as an artist, not to copy those he or she studies, but to discover his or her own eye. I’m a ruthless tech geek, soaking in as much info as I can about reciprocity failure, signal to noise ratios, circles of confusion and the like. But I spend just as much time pouring over photo books from the great photographers. The kind of books I’m talking about don’t have exposure metadata listed with the pictures. That isn’t important – only the emotional impact of the image counts. A good photo makes you wonder about the subject, not the exposure settings.
When it comes to photo editing, both PC and Mac platforms can be very powerful and highly capable, with each having its own list of pros and cons. Choosing one platform over the other can be a difficult choice, because there are so many different aspects and variables to consider. Hardware, software, operating system, cost, design / aesthetics, simplicity, ease of use, stability, upgrade options, resale value, size and weight are some of the factors one might look into on both PCs and Macs to make the ultimate choice. And what makes it even tougher, is that some of these factors can carry very different weights. For example, cost and hardware are often the two major factors that influence purchasing decisions the most. So let’s take a look at a number of above-mentioned factors and see which platform is potentially a better choice for photography needs.
We have written quite a bit about building PCs here at Photography Life, but sadly, we have not given nearly as much attention to Macs. Part of the reason is the platform of choice – a few of the PL’s team members have been using PCs for many years, including myself, and as a result, we have not had a chance to write much about Apple products. But things will hopefully change going forward. Earlier this year, I purchased my first iMac Retina and I have been exploring the Mac world ever since. While I am planning to write a separate article on my thoughts about Mac vs PC and some of my personal experiences with potentially switching to a different platform, in this particular article I want to focus on one topic, which is purchasing an iMac for photography needs. I have had quite a few requests from our readers on this topic and many wonder what type of an iMac would suffice for photography work without breaking the bank. After doing quite a bit of research before purchasing my iMac and consulting with other Mac experts, I believe I found a couple of configuration options that are optimal for photography work for the next few years.
You are excited about your upcoming photo tour and have narrowed down the equipment you want to take with you. But what should you do next? How can you load the odds in your favor so that you come home with winning images? In Part I of this series I talked about how to choose and pack for your photography tour. In Part II, I would like to suggest some ideas for pre-tour preparation and on-tour tips. These suggestions will help you come home with photos worthy of a place on your wall.
Every once in a while, you will hear some photographers claim that lens filters are completely useless. Some will argue that only specific types of filters such as UV and protective filters are evil, while others will also include polarizing and ND filters into the mix, claiming that one could reproduce the effects of all those filters in post-processing software. Arguments for or against filters can spark a lot of heated debates in the photography community, similar to topics such as “Nikon vs Canon”, or “DSLR vs Mirrorless”. There are certainly some passionate individuals out there who are ready to stand their ground no matter what. And there is nothing wrong with that, as that’s what typically happens when there is truth on both side of the coin, depending on what angle you are looking at – there are certainly both pros and cons to using lens filters. Having been teaching photography for a number of years now, I have come across many different photographers of all skill levels in the field and I have come to realize that there is sadly quite a lot of misinformation out there regarding lens filters and their proper use. Many of us simply don’t know enough about not just filters themselves, but also their significant effect on our post-processing workflow. Although we have previously written many articles on lens filters, let’s explore filters once again and hopefully address some of the misconceptions about these important tools.
Barring being struck by some incredible bolt of inspiration between now and the end of December (which given my advancing age and rather porous brain is highly unlikely), this will be my final article here on Photography Life in 2015. I’m looking forward to doing periodic postings next year. December is always the time of year that I hunker down and do some planning for next year’s business. During this exercise I am always reminded of the importance of choosing clients well and I’d like to share some considerations with you.