For the next 13 days, Nikon will again offer lens-only rebates as it has previously done in the past. This is pretty exciting news for many Nikon shooters that already own Nikon cameras and are only interested in buying lenses – many of our readers have been waiting for such a rebate for a while now. In addition to these lens rebates, Nikon is also simultaneously running its “Buy Together and Save” rebate program, where additional savings are provided if you buy one of the Nikon DSLRs. Let’s take a look at these savings in more detail.
Since many of us now consider our smartphones an integral part of our photography hobby, I thought I would give you a quick perspective regarding the much anticipated Android operating system. I realize that many in the photography arena are huge iPhone fans. The global smartphone market share numbers break down to approximately 82% for the Android operating system and 14% for Apple IOS, according to the research firm IDC. Thus I suspect a healthy percentage of our readers are using Android phones. In the USA, the market share for Android and IOS is almost a dead heat at roughly 47.5% apiece. My comments below are based on upgrading a Verizon Samsung Galaxy S5 smartphone from KitKat to Lollipop.
Let me first be clear. Anyone who knows me well would tell you I’m not a materialist and money is not my primary aspiration. I have food on my plate, a shirt on my back and a photographic imaging device around my neck; believe me, I’m happy. But if I had a pound (British Sterling) for every time someone asked to use one of my images for the reward of ‘exposure’ I could probably make a decent living as a photographer. Well, no, probably not. But often enough I get such a request from some organisation or company to use one of my images with the promise of ‘great exposure’ for my generosity. Presumably in the same way that a lottery ticket would expose one to the possibility of winning?
Just a day after Sigma announced its 24mm f/1.4 Art lens, it has now also announced both pricing and availability of the Sigma 24mm f/1.4 Art lens. I honestly expected over $1K price for this quality of the lens, so I was a bit shocked to see that the lens will be sold at $849, which is tremendous value if you compare it to Nikon and Canon 24mm f/1.4 counterparts. Another much anticipated lens, the Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary is also available for pre-order for $1,089, which is priced right around the same as the Tamron 150-600mm which we highly praised in our in-depth review. Both lenses are expected to ship around March 20, 2015.
The announcement of the new 24mm f/1.4 Art lens by Sigma comes as no surprise. It is a very obvious, and a very delightful move by the lens manufacturer, and is certainly a fitting addition to the renewed lens lineup. Featuring a wide-angle focal length of 24mm and a very wide aperture of f/1.4, this lens sits comfortably next to such highly-regarded siblings as the 35mm f/1.4 and 50mm f/1.4 Art lenses. It will also directly compete against such brand lenses as the Nikkor 24mm f/1.4G and the Canon 24mm f/1.4L II, both of which are renowned for their optical performance as well as build quality. Quite the competition, then, but if previous Sigma Art lenses are anything to go by, the new tool should be remarkable.
Just as the market is once again graced with higher resolution cameras, so too is the Internet awash with salivating consumers desperate to lap them up. Surely having a 50-megapixel camera will make them all much better photographers than they were 44 megapixels ago? The extra resolution must be the push they needed to take them from mediocrity to greatness.
And for those who are interested in the newly announced Nikon D810A, below you will find some sample images from the camera. Please keep in mind that aside from the last photo, all sample images were taken as composites with multiple images, then put together via special stitching software for astrophotography. That’s why EXIF data is not present in these images. As usual, you can download images to your computer to see a full-sized version.
It has only been 8 months since Nikon announced the D810 and today the company announced a very specialized camera for astrophotographers, the Nikon D810A. In essence, the D810A is pretty much identical to the existing D810 – the camera has exactly the same body build, ergonomics, sensor, etc. What has changed is the filter stack in front of the sensor, which contains a modified infrared filter that is more sensitive to super low light emitted by the stars and nebulas (specifically, the hydrogen alpha wavelength). In addition, Nikon implemented additional shutter speeds (4, 5, 8, 10, 15, 20, 30, 60, 120, 180, 240, 300, 600 and 900 seconds) to give more flexibility for astrophotography needs. While the announcement is certainly big for astrophotographers, because it is world’s first full-frame astrophotography DSLR camera, I do have a few concerns about this particular release. Having done a bit of research in astrophotography last year (my primary interest was in deep space object photography using specialized mounts and CCD sensors), I learned a little bit about the tools and what’s needed.
Adobe has been enjoying their place in the software industry for a very long time now. It’s a monopoly, isn’t it? Despite the effort made by Corel, DxO, PhaseOne and others, the benchmark is still Photoshop and Lightroom (even if the latter does not actually lead in every area). In fact, Photoshop has actually become a synonym to the word “post-process” or “edit”. “To photoshop something”, how many times have you heard someone say it? Exactly. And all of this is well deserved, because there simply isn’t any better alternatives. But for us, the users, monopoly is not such a good thing. Lack of proper competition puts the developer in a rather lazy state. Fortunately, an alternative might be in the works, called Affinity Photo (currently in Beta stage). Unfortunately, it is only available for Mac at this time.