Today is a big day at Microsoft, because the company revealed the Surface Book, Microsoft’s first ever laptop. With its 13.5 inch display packing 3,000 x 2,000 pixels (3:2 aspect ratio, which is great for photography) the screen is very impressive with 267 pixels per inch. And since this machine just like the Surface Pro and Surface 3 can run the full version of Windows 10, you can run any calibration software to get the color precision you need. The cool thing about the Surface Book is that you can use it both as a tablet and a laptop – something Apple MacBook Pro cannot compete with. That’s a neat feature, because some tasks, like online browsing do not require a keyboard, so the ability to disconnect the screen from the keyboard is amazing. The keyboard module is not just a keyboard – it is actually another shell that hosts another battery and an optional NVIDIA graphics card (GPU), which is something I did not expect to see. This means that the Surface Book will be perfectly usable not only for gaming, but also for many challenging tasks, including 3D modeling. GPU speed was the weakness of the Surface Pro line and a lot of people have been asking for a way to hook up an external GPU. Looks like Microsoft listened and delivered. There is, however, a caveat with the tablet vs full laptop mode: since the larger capacity battery sits in the keyboard shell, the battery life is greatly diminished, with the tablet only being able to run for up to 3 hours. Still, that’s pretty darn impressive for such a small powerhouse. And speaking of battery life, once you hook up the keyboard, you will be able to get up to 12 hours of battery life!
LED lights have been a big trend in the last few years in dance parties, Many of us have photographed events where harsh LED light was used on the dance floor, and these LED lights have flooded our images and prevented us from taking available-light photos without them looking over-saturated and alien. One obvious option is to use a flash, whether ON or OFF camera, but you may be losing those moments where the light is causing interesting shadow situations. A second option is to convert the images to black and white, which is also a good solution, however sometimes you want to show certain characteristics, for example showing a party full of people with red-hair :)
It seems like releasing a product without proper testing has become a norm for some camera manufacturers like Nikon. You would think that after all the recalls, service advisories and lawsuits, manufacturers should be thoroughly testing equipment, preferably giving the equipment to real photographers who use and abuse their gear for a living, before trying to market and sell it. Nikon specifically has gone through so much bad press, that one would think it is time for the company to think about its long term strategy with releasing products. Looking at the past few years, it seems like almost every major product announcement has been followed by a plague of service advisories. The Nikon D800 / D800E cameras were definitely the spotlight of the industry, except almost every camera was impacted by the infamous Asymmetric Focus Issue. Nikon went quiet on that one for a while and never truly confirmed the issue.
Photographers have an interesting dilemma when choosing a bag for long hikes. Camera backpacks are great at holding cameras, but they tend to be poor choices for comfort on long hikes. For some people – those who rarely need to trek with their camera equipment – a traditional camera backpack may be more than enough. For landscape and travel photographers, however, or those who need to carry their equipment longer distances, technical hiking bags tend to be the only option. The issue with these bags is that they aren’t made with photographers in mind, meaning that gear access and tripod attachment is quite difficult. One of the companies trying to fix this problem is F-Stop Gear, who makes trekking-style backpacks with separate compartments for camera equipment. I have owned the F-Stop Loka UL since it was first released, and it has never disappointed me. So, when F-Stop announced their newest line of Mountain Series backpacks, I was excited to see some of the improvements that had been made. In this review, I will take a look at the brand new Sukha bag – at 70 liters, F-Stop Gear’s second-largest backpack.
We are in the process of reviewing the Sony A7R II mirrorless camera and we thought it would be a good idea to provide our recommended settings for this camera, since many of our readers have been asking for it. With a powerful 42 MP sensor and a pretty long list of features including native 4K video recording capability, the Sony A7R II is a high-end interchangeable lens mirrorless camera designed for serious enthusiasts and professionals. In this article, we will provide some information on what settings we use and shortly explain what some of the important ones do. The Sony A7-series cameras have a myriad of different settings and buttons, which can be confusing to understand, so the below information is provided as a guide for those who struggle with the cameras.
This is our second iteration of the “How was this picture taken?” series of articles and this time we have a fun picture to dissect – the Total Lunar Eclipse, a.k.a. the “Blood Moon”, which took place on the 27th of September. I had the chance to photograph the Blood Moon along with a few other Colorado Fall Color workshop participants last week, so after I put together the image below, I thought it would be fun to ask our readers about this one to see if they can figure out exactly how the below image was captured:
Your choice of focal length will affect what you see. Would you agree with that? What if I also said that your choice of focal length will affect how you see? That’s a whole different story, now isn’t it? Instead of discussing how focal length affects your view when you look into the viewfinder, I want to talk about how focal length can affect how you look at everything around you before you ever even see it in the viewfinder.
It seems like many of our readers really loved our new idea (big thanks to John Bosley for suggesting it!) with the “how was this picture taken” series, since we had huge feedback and lots of interesting discussions. I must apologize for not being able to provide the answer to our first exercise sooner, as I have been swamped with the workshops I am conducting in the mountains. We will try to post answers sooner to such series in the future! Let’s take another look at the image in question and this time I will start off by revealing some useful EXIF data on the same image to kick off the answer:
Within the next few weeks, Microsoft will be releasing the new generation model of its successful laptop for professionals, the Surface Pro 4. Having been using the Surface Pro 3 since it came out, I have taken it all over – from the dusty Race Track playa of Death Valley to the red sands of Wadi Rum in Jordan. Being light and portable, it has been in my camera bag pretty much everywhere I go. I have always been a PC guy (although I recently bought an iMac), so I have had quite a bit of experience using all kinds of PCs for my needs. And although I have never had issues with PCs, my biggest struggle has always been laptops. Having tried everything from expensive Dell Precision models to lightweight ultrabooks, I pretty much hated them all for one reason – the amount of heat they generate, particularly when using them on my lap.
I am getting a little nervous writing articles, seems like it puts a target on your forehead for criticism, some just, some un-warranted. So let me start this article by telling you what I am intending to convey in this article and that is the following: I took a 12 day wildlife trip (self-organized) to Alaska to photograph moose, I have done many self-organized wildlife trips before to other places. When I do these trips, what do I bring and why do I bring it? This is what I bring and what I do, and it works well for me, take from it what might be useful to you and leave behind whatever you find non-informative. After many small trips to shoot wildlife, we have developed a bit of a standard packing and gear list we bring. It changes slightly depending on the trip, but generally we bring three bags, two are camera gear, one is clothes :)