I am in the beautiful city of San Francisco again and this time I would like to give advanced notice for our upcoming Photo Walk this Sunday, April 26 2015! Although the weather has been pretty miserable so far with cold, foggy days, hopefully things will look better on Sunday weather-wise and we should be able to enjoy a nice evening of shooting. Please note that all Photo Walks we host are free and you are welcome to come and join us for some photography, getting to know each other and talking about all things photography in a restaurant after the walk. As in our previous Photo Walks, you are also welcome to bring your portfolio with you and I can spend some one-on-one time after dinner to do a critique session and discuss your work, which will hopefully help you out in deciding how to take your photography to the next level. I will have a special guest with me, our very own John Bosley, who graciously agreed to help out in doing these one-on-one critique session. So we will not only have a great time together shooting, but it will be also a great opportunity to hopefully improve and advance your photography skills. Bring all the questions you have for us!
Today adobe rolled out the much anticipated update to its Lightroom photo management and editing software. Two new versions of Lightroom are immediately available for both standalone and Creative Cloud subscribers. Lightroom 6 will be offered as an update to Lightroom 5 for perpetual users (both regular and upgrade licenses are already available) and those who subscribe to the Creative Cloud will get a cloud-specific version called Lightroom CC (which in its core is the same as Lightroom 6). This update is a rather significant one, because it brings very important and much-needed performance improvements, new camera / lens support and a few new notable features. Let’s discuss those in more detail now.
Exposing to the right, or “ETTR,” is an approach to photography that is as helpful as it is controversial. On one hand, exposing to the right is yet another technique to remember while shooting, and it can potentially ruin your exposure if utilized incorrectly. On the other hand, at least in theory, ETTR is the epitome of digital exposure. With proper ETTR, your images have as much detail in the shadows as they possibly can, without any of the highlights losing information along the way.
If you have experimented with long exposure photography, you may have seen light leakage issues in your images. For the uninitiated – your camera is a light tight body that is intended to allow light from one end only, and that’s the front of the lens. Light only enters when you press the shutter release. Normally, your camera wouldn’t allow light to enter through any other opening in the camera. However, unless you have a badly manufactured camera, there is typically only one source that could potentially harm your images, and that’s your camera’s viewfinder. Let’s talk about what you can do to mitigate light leaks during those long exposures.
Big thanks to everyone who took part in our Content Sharing Contest poll to pick the winner of the Sony A6000. It was a close race, with both Aaron Priest and Spencer Cox dominating the poll for a while. But looks like Aaron still came out first, with 80 votes on his side, only 4 votes higher than Spencer. Congratulations to Aaron for winning the Sony A6000 and big thanks to everyone who participated – your articles generated a lot of great interest and discussions among our readers. As promised, we will be emailing each participant with request to pick their smaller prizes as well.
If you have enjoyed our contest and would like to see more future activities like that, please let us know – your feedback is always appreciated.
There is something about crocodiles and their relatives that fascinates many people. Perhaps it’s the 85 million year history of this family of creatures. Or maybe when we look into their eyes, it is the realization that they may be looking back at us as a potential meal that gets our attention. If you are in the Myrtle Beach (South Carolina) area a trip to Alligator Adventure may be a great way to spend part of a day. The facility has a wide range of crocodilia from all over the globe, including rare albino alligators (Note: I pushed my Nikon 1 V2 to f/7.1, 1/20, ISO-6400 to capture the image below)
With the introduction of the D7200, Nikon yet again ignored the desires of wildlife photographers. They didn’t shrink the buffer like they did with the D7100 (in fact they gave it a welcome increase), but they retained the 17% frame rate slashing that started with the D7100 (in comparison to its predecessor the D7000). Folks hoping Nikon would answer Canon’s release of the 10fps 7D Mark II are certainly disappointed. There are two things Nikon doesn’t seem to get about wildlife photography. First, wildlife photographers don’t want to pick either a DX or FX body to shoot with, we want one of each that will work together as a system – an FX body for great low-light capability and a DX option when we need extra reach. Both circumstances come up on an almost daily basis for the wildlife photographer. The second thing Nikon doesn’t get is that wildlife photography is no longer a pursuit reserved only for rich hobbyists.
Today is a big day for Fuji, because the company has just announced its first wide angle weather resistant prime lens, the Fujinon XF 16mm f/1.4 R WR. This is a pretty significant milestone for Fuji, because the lens is equivalent to a 24mm lens in terms of field of view on full-frame, which is a very popular focal length for many different types of photography such as landscapes, architecture and environmental portraiture. Being a fast f/1.4 lens, it is also a great candidate for low-light photography. On top of that, Fuji made this lens weather resistant to withstand both dust and moisture, so it will couple greatly with the Fuji X-T1 and future weather-sealed cameras.
Big news for our US readers – Nikon has just cut the price of the D750 by an additional $300 instant rebate, bringing the price down to $1,999! And if you need a camera with the 24-120mm f/4G VR lens, you can get the combo for $2,700. If you want to get some additional savings on other lenses, Nikon’s Buy Together and Save program is still on. That’s a pretty sweet deal for what I consider to be the best all around Nikon full-frame DSLR. You can read my detailed Nikon D750 review to learn more about the capabilities of the camera.
One of the biggest complaints the Sony full-frame mirrorless system has been receiving, is lack of good lens choices. With the launch of the Sony FE mount, Sony introduced only two high quality prime lenses in collaboration with Zeiss, the FE 35mm f/2.8 ZA and the FE 55mm f/1.8 ZA, both of which have been designed specifically for the short flange distance of the Sony A7 series cameras and have stellar optical characteristics. In September of 2014, Zeiss introduced two additional high quality primes for the Sony FE mount. Dubbed “Loxia”, these lenses are quite different from the Sony versions in a number of ways. First, they are both engineered and made by Zeiss, which means higher quality build and construction. Second, similar to many other Zeiss lenses, the Loxia line is manual focus only – and it is designed to be so. Third, they are also optimized for videographers, with a “DeClick” feature, which allows for smooth adjustment of aperture right on the lens. A number of our readers expressed interest in the Loxia lenses, so after having an opportunity to shoot with these gems, I was able to measure their optical performance in my lab. In this article, I would like to provide some information on the optical characteristics of the two Loxia lenses. Let’s start with the Loxia 35mm f/2: