If you live in a warm sub-tropical or tropical climate, or holiday in one, you’ve likely seen many small lizards scurrying about and you may have tried to photograph them. Often times this is not as easy as it first appears as these small critters tend to be quite skittish and can disappear in a blink of an eye. In addition, they tend to be quite small so unless you can get close enough to them these lizards can end up as minor subjects in your overall image.
As you may have already noticed, we have been experimenting with advertising here at Photography Life over the weekend. After several days of trying out Google’s advertising, we decided to settle on a few locations on the website and we have now pretty much settled on showing advertising on the sidebar and the main content area of the page. While we have tried to do our best to make ads as unobtrusive as possible, our old-time readers who have been enjoying the ad-free environment for so many years might get a bit annoyed and might wonder why we had to resort to introducing advertising on this site. Unfortunately, it all has to do with our rising costs.
I recently returned from a vacation in Cuba during which I had the opportunity to photograph a few different species of heron using my Nikon 1 V2 and Nikon 1 CX 70-300 f/4.5-5.6 telephoto zoom lens. I ended up photographing birds hand-held for about 7-8 hours every day and my Nikon 1 gear proved to be an ideal combination to take with me as it was very light and easy to handle, and I avoided the fatigue that can set in when using larger, heavier gear.
If you are wondering about how images look from the newly announced Canon 5DS and 5DS R DSLR cameras, below you will find the official image samples from Canon USA for both cameras. Let’s take a look at the 5DS images first (apologies for wrong orientation on vertical images – our system could not properly handle orientation on such large files):
Do you remember how it used to be with brand and third-party lens manufacturers? Brand lenses were always the high-performers, in all senses of the word. Well built, reliable and great from an optical standpoint. Third-party lenses lacked somewhat in those areas (unless you count such legendary manufacturers as Zeiss), but made up for it with very low price and niche lenses you could not find anywhere else. In recent years, however, the situation has been changing and quite drastically. Tamron 24-70mm f/2.8 VC came out. Sigma 85mm f/1.4 HSM did, too. And the 35mm f/1.4 HSM. And the 18-35mm f/1.8 HSM zoom for APS-C cameras. Need I go on? All of these lenses proved to be well built and very good optically. There is no exaggeration in saying they gave some brand lenses a good beating. So if third-party lenses started doing the “brand” thing, how should Canon, Nikon and the like answer? Well, witness this – Canon has just announced a new lens. It is an ultra wide-angle zoom with focal length range of 11-24mm and maximum aperture of f/4 throughout the range. It is designed for full-frame DSLR cameras and there is nothing else quite like it on the market.
It has been exactly three years since Nikon debuted its high resolution 36.3 MP D800 and D800E cameras in February of 2012. At the time of announcement, Nikon’s highest resolution camera was the super expensive D3X with a 24.5 MP sensor, while the similar class D700 only had a 12.1 MP sensor. So for many, going from either 12.1 MP or 24.5 MP to 36.3 MP on full frame represented a huge jump in resolution. The cameras were truly groundbreaking, thanks to their superb performance, low noise levels and stunning dynamic range. Although Nikon faced a number of issues with quality control in the beginning, particularly when it came to calibrating the autofocus system for the new high resolution cameras, the Nikon D800 / D800E took the market by storm and quickly became Nikon’s best selling professional cameras. For three long years Canon failed to offer a true high resolution competitor, while Nikon already went through another iteration of the 36 MP line with the Nikon D810 camera. This angered many Canon shooters who wanted to get a high resolution camera that offered similar performance benefits and a much wider dynamic range than what Canon had on its existing cameras. The wait is now over, because Canon has just announced record breaking super high resolution 50.6 MP Canon EOS 5DS and EOS 5DS R full-frame DSLR cameras. Canon decided not to just bring out a competitor, but hit Nikon hard with something better in terms of resolution.
The introduction of the original Olympus OM-D E-M5 turned out to be a very successful move for the Japanese manufacturer. For the first time, it wasn’t just the compact dimensions or style that could lure potential customers towards m4/3 format mirrorless cameras (even though both aspects were taken care of by the slightly older PEN camera lineup), but some very impressive functionality along with all of that. Great EVF, speed (both AF and regular operation), great sensor (given its size), tons of customizable controls and impressively rugged build with dust and weather sealing turned a fashion object into a serious tool to tempt even DSLR owners. And it was still quite handsome with an obvious nod to those compact Olympus OM cameras of old. Why wouldn’t you? The OM-D E-M5 was a success. I am pretty certain the successor – version two – will be as well. At closer inspection you will notice the OM-D E-M5 II holds the same strengths at heart, but with everything slightly improved.
I’d be hard-pressed to call Samsung an inconspicuous company. After all, whenever you talk about electronics of any sort, there is a good chance Korean giant is leading that market or has the potential to. And yet when it comes to interchangeable lens cameras Samsung is very easy to overlook. Pay attention, though, and there is a lot to be impressed with – the recent NX1 looks genuinely capable on paper (with some specifications that are simply unheard of in its class) and puts a lot of well-received, high-end cameras to shame. It is also the reason why I am not surprised by their most recent impressive announcement, the new NX500 mirrorless camera. On paper, this is yet another strong move from a manufacturer that is not really known for its digital cameras, of all things. Yet.
Last year I had a chance to test and review the ioSafe 1513+ storage unit, which I found to be an amazing device that not only provides data protection against fire, flood and other potential disasters, but also does it with superb performance, thanks to the Synology DSM architecture. With its relatively steep price, hefty size and heavy weight, the ioSafe 1513+ might not be an ideal choice for everyday backup needs though. For smaller environments with lower storage and performance needs, ioSafe also offers a much more budget-friendly option, the ioSafe 214. I have been using the ioSafe 214 for the past 4 months for my personal and business needs and I decided to review the unit and share it with our readers, based on my overall experience so far.
Even though the new and upcoming full-frame Pentax DSLR camera will support existing brand lenses for APS-C sensor cameras, Ricoh realizes full and well that having a 35mm camera is only part of the package. Lenses are simply crucial to make such a system make any sense at all. That is why Ricoh-Pentax has announced two new lenses designed to cover the image circle of a full-frame sensor, the HD Pentax-D FA * 70-200mm f/2.8ED DC AW and HD Pentax-D FA 150-450mm f/4.5-5.6ED DC AW. It’s quite the mouthful, isn’t it? But I am focusing on the wrong things as both lenses, along with the upcoming full-frame camera, mark a new chapter in the history of the famous brand. Let’s take a closer look, then.