Below are full resolution image samples from the newly-announced Canon 1D X Mark II DSLR for those who want to pixel-peep at how the camera renders images at various ISOs. Although most sample images were captured at low ISOs, there are a few images that were shot at high ISOs like 3200, 6400 and even ISO 25600. As expected, images from the 1D X Mark II look phenomenal. I have also provided full resolution sample images from the Nikon D5 right here, if you would like to compare the two. While it is too early to evaluate which one does better in terms of image quality and we are planning to provide a full comparison in our upcoming reviews, since both cameras have practically the same resolution, they are probably going to look very similar at pixel level overall.
Last night Canon unveiled its much anticipated top-of-the-line DSLR, the Canon EOS 1D X Mark II. Packing very powerful features aimed at sports and wildlife photographers, the Canon 1D X Mark II is a direct competitor to the recently announced Nikon D5 DSLR. Canon developed a brand new 20.2 MP CMOS sensor with Dual Pixel AF technology for improved low-light performance and phase detection focusing in live view mode (via the rear LCD touchscreen), dual DIGIC 6+ processors to provide more throughput for both 4K video and the insane 16 fps continuous frame rate, a revamped 61-point AF system with 41 cross-type sensors, a brand new 360k-pixel RGB+IR metering system, built-in GPS capability and a rugged, fully weather-sealed magnesium alloy body. Without a doubt, this will be one powerful speed demon, the best of the breed in the Canon world. And with its MSRP of $5,999, it is $500 less than what Nikon is asking for its flagship D5. Let’s take a look at the Canon 1D X II in more detail.
It is time for yet another awesome giveaway / contest for our dear readers and this time we are partnering up with the folks at KeepSnap to give away some amazing prices! All you have to do is submit your best outdoor / event portrait photograph and you will have 3 different chances to win prizes! If you have never heard of KeepSnap, check out our overview post, where we’ve introduced the company and the service they provide to photographers. The beauty of what we are doing with keepsnap, is that this is a combination of a giveaway and a contest. If the portrait image you submit is so good that it is picked as the winner by the judges, you win an 85mm f/1.8 lens of choice, along with Spyder5 Express. If you don’t win the grand prize, you still have a chance to win the second prize – a 35mm f/1.8 lens. All the participants will be included in this random giveaway. And if your photo is strong enough for PL readers to vote for it, you have another chance to win the third prize, which is a 50mm f/1.8 lens, along with yearly access to KeepSnap directory. If you are not interested in any of the prizes, you will have a choice to select the cash prize, which is basically the dollar equivalent of the value of the prize. Cool huh? Well, what are you waiting for – time to enter this awesome giveaway / contest!
If you have never heard of Copy, it is essentially the same type of service as Dropbox. We have previously written about Copy and Dropbox as potential solutions for cloud storage for photographers, since they offer free start-up plans and both have pretty robust clients for both PC and Mac platforms. I personally really liked Copy, because they gave me much more storage than Dropbox to start with and with a few referrals here and there, I got quite a bit of free storage. Unfortunately, as of May 1 of 2016, all Copy and CudaDrive services will be discontinued.
Recently we’ve hosted another giveaway and this time it was for those who previously bought our Level 1 Photography Basics Course. In our post back in December of 2015, we asked those who have purchased the course to write honest reviews about our course for a chance to win the Sony A6000. It looks like few people were actually interested in this camera, because only 22 people actually participated in this contest, making the chance of winning 1 in 22. Oh well, I guess it is good for those who participated!
I still remember the first time I met Elia Locardi. I was busy passing through the vendor exhibits of the Photo Plus show in New York, when I saw a small crowd of people watching a presentation. What attracted me was not the crowd, because people were everywhere – it was the large LCD screen with some stunning imagery. At first, I stood there and paused for a moment, enjoying the fine scenery in front of my eyes and as I continued to hear the story behind each photograph, I came closer to the seating area and sat down. It was the Fujifilm booth and the young man with long blonde hair giving the presentation seemed to be very enthusiastic about his story and his technique of blending photographs. I did not even notice how quickly time went by – I probably sat there for at least 30 minutes, getting myself immersed into the presentation. At the end of the presentation, most people left and I just sat there. I really wanted to meet the man face-to-face and get to know him. As I started talking to Elia, I realized that he was not just an amazing photographer, but also a very down to earth guy. I also got to know his equally friendly and welcoming wife Naomi Locardi, who was there to support her husband every step of the way. At the end of our chat, I had a feeling that I had known Elia for years: that’s the type of a person he is. Since then, I have met Elia a number of times and I have been wanting to post about Elia and his work at Photography Life. Sadly, due to Elia’s crazy busy schedule and continuous travel all over the world, that project never materialized, but I am still hopeful that he will share some of his experience with our readers (Elia, it is never too late!). Fast forward to last July, when I found out that my good friends Patrick Hall and Lee Morris at Fstoppers.com collaborated with Elia Locardi in creating a brand new tutorial called “Photographing the World: Landscape Photography and Post-Processing“. Having seen some of the tutorials that Patrick and Lee produced in the past, I knew this one was not going to disappoint.
One of my resolutions for 2016 is to do a better job at timely completion of projects, and one of such tasks is to catch up with all the long-overdue reviews of gear that I had a chance to use, but never had a chance to write about. I will start off by reviewing the Sony A6000, an interchangeable lens mirrorless camera that has been Sony’s flagship APS-C product since it was released almost two years ago (and soon to be be replaced with a Sony A6100). Sony dumped the “NEX” name in its line of mirrorless APS-C products and merged everything into the “Alpha” ecosystem with the launch of the A3000, A5000 and A6000 cameras, so it looks like all the future iterations of these cameras will be labeled similarly. Let’s take a look at the A6000 in more detail, see what it has to offer and compare it to other popular mirrorless cameras on the market.
Today Adobe released a bunch of updates to its Creative Cloud suite, along with a new Lightroom 6.4 update. Aside from the regular bugfixes and new camera and lens profiles, Adobe introduced a new feature to its panorama stitching option within Lightroom called “Boundary Warp”, which is basically a tool that allows straightening the curves we usually see in panoramas. As we have seen before, while bugfixes and camera / lens profiles are available for all versions, new features are only available for Creative Cloud subscribers, so the Lightroom 6.4 standalone update won’t include the “Boundary Warp” feature. In addition, Adobe promises to double the speed of the panorama merging process, as well as much faster thumbnail updates when settings are copy pasted to multiple images at once. I have been running Lightroom CC 2015.4 for a few hours today and while I cannot yet state if it is more stable than the previous version, the panorama stitching process is indeed much faster in comparison. Let’s take a look at the new “Boundary Warp” update in more detail.
The nomadic Rautes are the last hunters-gatherers of the Himalayas. The Rautes, who call themselves Kings of Forests, subsist on langur and macaque monkeys, wild yams, rice and a few kinds of vegetables traded from local farmers. Their main occupation is to trade and exchange of wooden items in nearby villages and bazaars. They migrate from river valleys up to middle hills in the Western parts of Nepal living in temporary camps hidden away from the villages in remote parts of the forests.
During my trip to Death Valley, I experimented a little with timelapse photography using the MIOPS device. One of the moments, particularly at Zabriskie Point, was the one I did not miss and capture it at its full glory, while the light was constantly changing. At first, I set up my Nikon D810 to take pictures every 2 seconds, then I left the camera to go shoot a panorama with another one, as described in this recent article. After I came back, I saw that my camera captured a total of 1675 images. I reviewed some of the photos and really liked the fact that I captured so many different images and the transitions in between – from colorful pink clouds, to sun hitting the Manly Beacon. Since light conditions were changing so fast, I decided to shoot in Aperture Priority mode (see our article on camera modes), with ISO set to 100 and Aperture fixed at f/8. For the Zabriskie Point timelapse in the video, I used the Nikkor 24-70mm f/2.8E VR lens (obviously, with VR turned off). Since I already had plenty of images for my upcoming review, I decided to use the Sigma 24-105mm f/4 DG OS HSM Art lens. Boy, what a mistake!