The more you edit a particular photo, the more likely your eye is to grow weary of the changes that you make. Personally, after spending a few hours editing a single image, I begin to lose my ability to tell a good edit from a bad one – presenting a clear problem for making more edits. To some degree, this is even true after a two- or three-hour break; the photo is still too familiar to see with a fresh eye. In this quick article, I will cover a couple ways to look at your photos from a different perspective, including my personal favorite tip in photography.
I recently spent a couple of enjoyable hours at Ruthven Park in Cayuga, Ontario, and thought I would share a few images with readers. [Read more…]
The transition from film to digital was one of the most dramatic shifts in the history of photography, and countless new techniques arose along the way. Everything from exposing to the right to the ability to review photos on-the-fly dramatically changed the photographic world. Of all these changes, though, one has transformed landscape photography far more than any other: the advent of digital image blending.
We were in the Marina of Santa Barbara and I was looking for a cheap restaurant. Then I spotted On The Alley and rushed to the place. The song California Dreaming (a hit of The Mamas & The Papas) was playing and the attendants were dancing animatedly. When they saw me, they blushed. I just laughed and they immediately started serving me (and the service was excellent). I and my wife, Nina, enjoyed the food and left the place very happily after having a delicious raspberry pie with ice cream for dessert.
For those of us living in the US or Europe it can be a daunting challenge to search for a nearby destination in which we may truly immerse ourselves in nature, specifically without enduring months of near bankruptcy directly afterwards. There are still plenty of hotspots left, especially in Northern Europe, but the signs of civilization can leave one feeling placed in an artificial bubble, albeit a beautiful one. Like it or not, this often is translated into the images we take.
I just got back from a trip to Yellowstone National Park to test out the Nikon D500, Nikon D5 and Pentax K-1 DSLRs (reviews to be posted soon) and I wanted to share my experience, specifically my frustrations with visiting and photographing this amazing location, which has been my top spot for many years for photographing both wildlife and landscapes. I spent a week in Yellowstone and my original plan was to stay there for longer if needed, depending on how much wildlife I would encounter. But I had to cut my trip short, because I was just getting tired of seeing the same behavioral patterns of park visitors over and over again – to the point where it was just getting absurd, abusive and downright stupid.
Not another postcard article, surely? Relax, it is in no way attempting to reach the calibre of the excellent recent articles on here. Just think of it as filler or a break from the technical stuff with some images that are merely intended to bring a place to you and to encourage people to go out shooting.
There are some basic aspects of photography that one would have to strive to master no matter what type of photography you do – and these are light, composition, content, timing, camera settings, presentation. There is plenty of information on these subjects that is well written and very useful. In this article I wanted to bring attention to some less thought of elements of my photography (mainly wildlife) that I find are extremely important, and why they are important to me. These same topics also happen to be items that were heavily commented on by readers in my past articles on PL.
A good looking image consists of many different things, most of which are subjective. In this article I want to briefly discuss one specific variable, which is image brightness. While I don’t plan on going into much detail and getting very technical, I do want to show you how you can adjust image brightness and the final look of your image using a few different methods in your post processing software. Although I’m using Lightroom, the method and concept should be similar regardless of what software you prefer using to edit your images.
There are very few decisions in photography more personal than picking a set of lenses to use. With the incredible number of options available – no matter which brand of camera you use – it can seem impossible to find the right lenses for your needs. Personally, I have switched out my entire lens kit at least four times in the past four years, and many photographers have done so even more often than that! There are no perfect answers for someone looking for what lenses to buy, but I hope that the tips in this article can shed some light on some of the variables that you need to consider for a set of lenses, whether you use Nikon, Canon, Sony, or any other lens manufacturer.