Tamron 15-30mm f/2.8 VC

An in-depth review of the Tamron SP 15-30mm f/2.8 VC with detailed specifications, image samples and comparisons to other lenses

Jerash #2

Recently, I had a chance to visit the beautiful country of Jordan, where I had a chance to stay for a whole month with my […]

PL Photo Spot Contest

We have just announced the Photo Spots Project and we are so excited about it, that we decided to launch a contest for our readers! […]

Handstand

For our readers in the Northern Hemisphere, it’s that time of year again — days are hotter, nights are shorter, and the air is stuffier. […]

Verm-14bit-12v14-shadows

12-bit image files can store up to 68 billion different shades of color. 14-bit image files store up to 4 trillion shades. That’s an enormous […]

Sony A7R Image Sample (12)

One of the biggest challenges that many photographers face is yielding sharp photos when hand-holding a camera. Many end up with blurry images without understanding […]

Content Sharing Contest Winner and Prizes

Content Sharing Contest

Big thanks to everyone who took part in our Content Sharing Contest poll to pick the winner of the Sony A6000. It was a close race, with both Aaron Priest and Spencer Cox dominating the poll for a while. But looks like Aaron still came out first, with 80 votes on his side, only 4 votes higher than Spencer. Congratulations to Aaron for winning the Sony A6000 and big thanks to everyone who participated – your articles generated a lot of great interest and discussions among our readers. As promised, we will be emailing each participant with request to pick their smaller prizes as well.

If you have enjoyed our contest and would like to see more future activities like that, please let us know – your feedback is always appreciated.

Crocodilia and more at Alligator Adventure

alligator adv image 3

There is something about crocodiles and their relatives that fascinates many people. Perhaps it’s the 85 million year history of this family of creatures. Or maybe when we look into their eyes, it is the realization that they may be looking back at us as a potential meal that gets our attention. If you are in the Myrtle Beach (South Carolina) area a trip to Alligator Adventure may be a great way to spend part of a day. The facility has a wide range of crocodilia from all over the globe, including rare albino alligators (Note: I pushed my Nikon 1 V2 to f/7.1, 1/20, ISO-6400 to capture the image below)

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Dumbing Down the D7200 – What Nikon Doesn’t Get About Wildlife Photography

Verm-Lesser-Nighthawk-Dripping-Springs-9033

With the introduction of the D7200, Nikon yet again ignored the desires of wildlife photographers. They didn’t shrink the buffer like they did with the D7100 (in fact they gave it a welcome increase), but they retained the 17% frame rate slashing that started with the D7100 (in comparison to its predecessor the D7000).  Folks hoping Nikon would answer Canon’s release of the 10fps 7D Mark II are certainly disappointed. There are two things Nikon doesn’t seem to get about wildlife photography. First, wildlife photographers don’t want to pick either a DX or FX body to shoot with, we want one of each that will work together as a system – an FX body for great low-light capability and a DX option when we need extra reach. Both circumstances come up on an almost daily basis for the wildlife photographer. The second thing Nikon doesn’t get is that wildlife photography is no longer a pursuit reserved only for rich hobbyists.

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Fujinon XF 16mm f/1.4 R WR Announcement

Fujinon XF 16mm f/1.4 R WR

Today is a big day for Fuji, because the company has just announced its first wide angle weather resistant prime lens, the Fujinon XF 16mm f/1.4 R WR. This is a pretty significant milestone for Fuji, because the lens is equivalent to a 24mm lens in terms of field of view on full-frame, which is a very popular focal length for many different types of photography such as landscapes, architecture and environmental portraiture. Being a fast f/1.4 lens, it is also a great candidate for low-light photography. On top of that, Fuji made this lens weather resistant to withstand both dust and moisture, so it will couple greatly with the Fuji X-T1 and future weather-sealed cameras.

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Nikon D750 – Additional $300 Instant Rebate

Nikon D750

Big news for our US readers – Nikon has just cut the price of the D750 by an additional $300 instant rebate, bringing the price down to $1,999! And if you need a camera with the 24-120mm f/4G VR lens, you can get the combo for $2,700. If you want to get some additional savings on other lenses, Nikon’s Buy Together and Save program is still on. That’s a pretty sweet deal for what I consider to be the best all around Nikon full-frame DSLR. You can read my detailed Nikon D750 review to learn more about the capabilities of the camera.

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Zeiss Loxia 35mm and 50mm – Superb Performers

Zeiss Loxia 35mm f/2

One of the biggest complaints the Sony full-frame mirrorless system has been receiving, is lack of good lens choices. With the launch of the Sony FE mount, Sony introduced only two high quality prime lenses in collaboration with Zeiss, the FE 35mm f/2.8 ZA and the FE 55mm f/1.8 ZA, both of which have been designed specifically for the short flange distance of the Sony A7 series cameras and have stellar optical characteristics. In September of 2014, Zeiss introduced two additional high quality primes for the Sony FE mount. Dubbed “Loxia”, these lenses are quite different from the Sony versions in a number of ways. First, they are both engineered and made by Zeiss, which means higher quality build and construction. Second, similar to many other Zeiss lenses, the Loxia line is manual focus only – and it is designed to be so. Third, they are also optimized for videographers, with a “DeClick” feature, which allows for smooth adjustment of aperture right on the lens. A number of our readers expressed interest in the Loxia lenses, so after having an opportunity to shoot with these gems, I was able to measure their optical performance in my lab. In this article, I would like to provide some information on the optical characteristics of the two Loxia lenses. Let’s start with the Loxia 35mm f/2:

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Does Fuji Cheat with its Sensors?

Fuji X-T1 ISO 3200 +0.85 EV

When testing cameras, it is not unusual to see a situation when one camera can produce results a bit darker or brighter than another. In some cases, lenses are to blame for this variance, since most lenses cannot ideally transmit all of the incoming light. What this means, is that a lens with a maximum aperture of f/2.8 could potentially transmit less light, which could be equivalent to say f/3.5 in terms of brightness. The latter number is what is often referred to as a “T-stop”, or Transmission-stop, which is basically an adjusted f-stop that takes into account this light loss. In other cases, the camera itself can be the source of brightness variance. Although manufacturers are supposed to adhere to an ISO standard that guides the process of determining the right brightness level for each ISO, there is usually still some variance between not only brands, but also between specific camera models. We won’t get into the question of why there are such variances. Instead, we will concentrate on implications of such variances to camera sensor comparisons and ratings. Particularly, we will be looking at exposure variances in Fuji cameras, such as the Fuji X-T1. Many photographers, including myself, have been fond of the way Fuji sensors render images, outputting very clean and pleasant-looking images, even at high ISOs. But are those ISOs real? And is Fuji doing something shady to make its images look better? Let’s take a closer look…

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Weekly Critique Section #2

DharmeshJani_AsTheDayEnds

This article is the second part of a weekly critique section at Photography Life, where one or more of us will provide feedback and tips for reader-submitted photos. All of the images we feature come from the photo critique forum, and each one stands out to us in its own right. This week, I will be sharing my thoughts on two recent submissions to the photo critique forum: “As the Day Ends” by Jani Dharmesh, and “European Green Woodpecker” by Dusan Vainer.

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Visualization: The Hunt for the Light

Visualization (4)

In my recent essay on visualization, I discussed the historical and modern day significance of this concept in photography as well as the role that a composition card serves in bridging the vision in the mind to its tangible realization into an image. In this follow-up essay, I will discuss the interplay of other critical aspects of visualization that accompany, if not transcend, the tangible aspects.

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