Here’s some worrying news: Google just abandoned Nik’s software suite — the same Nik suite that it bought five years ago, and the same Nik suite that it started offering for free in March of 2016. What does this mean for the world of photography software? One discontinued product might not seem like a big deal, and you may not even be a Nik user, but this development should worry any digital photographer.
Whether you are traveling domestically or internationally, there is always a chance that you might get mugged or get your camera equipment stolen. As photographers, we tend to explore remote locations, some of which might be unsafe to visit. Unfortunately, many thieves and muggers know the value of camera gear and they often target photographers and photo businesses, since they can quickly resell the stolen goods and make a ton of money. After traveling to a number of different countries, I decided to share a few tips on keeping your camera gear safe when traveling that I gathered myself and from our readers who were generous enough to share them with us.
This is an in-depth review of the flagship Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR lens that was released in October of 2016. Every seven to ten years, Nikon updates its top-of-the-line lenses with the most current technology and tries to push the performance envelope to a whole new level. After a long wait, Nikon finally delivered the new generation 70-200mm f/2.8E FL ED VR in a lighter and more versatile package. Nikon completely redesigned the lens from the ground up, featuring a fluorite lens element to make it roughly 100 grams lighter, an “E” type electronic diaphragm, an updated Vibration Reduction / Image Stabilization mechanism and a drastically different optical formula featuring a total of 22 elements to deliver superior sharpness across the frame. The lens elements have also been treated with all the latest lens coating technologies, including Nano Crystal Coat and fluorine coating in order to reduce ghosting and flare, as well as repel dust and moisture from its front element. Based on user feedback, Nikon also took care of the focus breathing issue that was present on the VR II version of the lens. Ever since the lens was introduced to the market, I have had a chance to shoot with a couple of samples of the Nikon 70-200mm f/2.8E FL VR, so my experience and review are based on many months of shooting with this lens.
I recently decided to upgrade from my current infrared-converted Nikon D7100 to a Nikon D7200, taking advantage of Kolari Vision‘s Anti-Reflective coated glass (article to follow). In the process, I once again considered my filter choices. Although I had some decent results from a 665nm filter from another infrared conversion house, I was not satisfied with the overall results and had Kolari Vision swap the 665nm out and install a 720nm filter. I always thought the 720nm filter provided the best overall balance of bright white vegetation and false color processing capabilities, but admit suffering from occasional bouts of ICE – Infrared Color Envy. Some of the photos taken with the 590nm filter are… well… rather gaudy. But I have also come across some that are jaw-droppingly gorgeous.
Life is an ever-changing adventure. We are each faced with our own unique set of opportunities and challenges. Sometimes it can be difficult to navigate our journey through the day-to-day turmoil we often face. Competing priorities. Unforeseen events and twists of fate. Moments of adulation. Periods of self-doubt. They can all be potentially found on the life roads on which we travel. Regardless of the paths, all roads do eventually end.
Losing irreplaceable images might just be every photographer’s worst nightmare. Fortunately, there are a few easy steps you can take to help prevent image loss. Almost all of these steps can be implemented right away with little to no cost or change to your overall workflow. While they might seem a little excessive, the resulting additional protection for your images should outweigh any inconvenience or minor cost. [Read more…]
As people look at photos on smaller and smaller screens, there has been a growing trend towards taking photos that are more and more minimalist. Especially on platforms like Instagram, minimalism is exploding; it’s everywhere, and it has been for a while now. There are some pros and cons of minimalism, and I have mixed feelings about how common this trend has become, but there’s no denying its popularity. In this article, I’ll cover some of the main reasons you’d want to capture minimalist photos, along with some tips for using this style of photography as effectively as possible.
I am in Istanbul for a short while with my family and I could not resist shooting the Blue Mosque at sunset earlier today, especially once I saw the potential for some color in the sky. I only took the Hasselblad X1D with two lenses (45mm f/3.5 and 90mm f/3.2) with me, since I have been using the Fuji GFX 50S quite a bit and this time I wanted to shift my attention to the Hassy. So far, I have been pretty frustrated with the Hasselblad for a number of reasons, mainly due to very slow startup, firmware instability and poor battery life. While I really enjoyed the Fuji GFX 50S as a travel camera, I cannot say that I would recommend the X1D as one. I have missed so many moments waiting for the camera to start up – sometimes it does not properly start up, giving me all kinds of strange errors.
Five months ago, I bought my first ultra-wide lens — the Nikon 14-24mm f/2.8 — after holding out for years. I’ve always flirted with the idea of such a crazy perspective, but I kept finding reasons not to purchase one myself. A 24mm lens had worked well as my widest angle for years, and I rarely found myself wanting anything more. Now that I’ve seen the other side, though, have my attitudes changed? After going on two major trips with the 14-24mm f/2.8, the insane perspective has started to grow on me, but I still have plenty of reservations. Here’s how I’d sum things up, including my recommendations for anyone else considering making such a leap for themselves.
Normally, if you’re using a tripod, camera shake isn’t something you’ll have to worry very much about. However, there are some obvious exceptions. If you’ve ever found yourself taking pictures in heavy winds, you’ll know the difficulties of capturing sharp photos — particularly if you’re using a telephoto lens. This seems like an impossible situation; what do you do when a tripod isn’t enough to stop your camera from shaking? Luckily, there are ways to improve sharpness even in windy conditions and come away with photos that are completely usable. I’ll cover some of the most important here.