It’s been a few years since I stood on the summit of one of the highest active volcanoes in the world, the mighty Cotopaxi (5,897 m). It was 2009, and besides the ice axe and crampons, I also had my Nikon D… Or you know what, I’ll give it to you as a riddle. Can you guess with which camera I took this photo? By the way, you’ll soon be able to download it along with many others in an upcoming expansion of Photography Life’s Raw Image Database. But now on to last week’s news.
Recent Announcements
- Phase One XC: A compact camera with a fixed lens – normally a description that would describe a cheap point-and-shoot camera, but not this time. The XC is a medium format digital camera with a 23mm f/5.6 lens (15mm full-frame equivalent). You can choose between two IQ4 digital backs – one color and one achromatic (both 53.4 x 40mm and 150MP). The unsurprisingly high price is $62,490.
- Sony ZV-E1 Upgrade: This free software update expands the video recording capabilities of this small full-frame camera. Specifically, slow-motion recording is now possible at 4K 120p (five times slower than 24p). In Full HD resolution, it is even possible to record at up to 240p. See the link for more details.
- Insta360 Go 3: Really small (35 g / 1.2 oz) action camera that looks more like a flash drive. The Go 3 features an 11mm (full frame equivalent) lens, and the camera can shoot up to 2.7K/30p. Slow-motion video can be recorded at 1080p, 120 FPS. In addition to the camera, the system also includes an “Action Pod” that expands the camera with a 2.2-inch touchscreen, and extends battery life from 45 to 170 minutes. Pricing varies depending on the size of the internal memory (32GB, 64GB and 128GB) but starts at $380.
- TTArtisan Light Meter II: The updated version brings more portability, clickable dials, and 23 stops of shutter speed selections to the design. The light meter attaches to the camera with an adjustable cold shoe mount. Available in black and silver for $62.
The Rumor Mill
New retro Nikon camera behind the corner?
In my early days of photography, when I was a student, I fell in love with the Nikon FM 2. I eventually bought the last of the FM series, the FM 3a, for work related to my master’s degree. I skipped the Nikon Df because its autofocus was also “retro” (a legacy from the Nikon D600), and Nikon’s Zfc did not interest me due to the very small range of APS-C Nikon Z lenses.
But according to Nikon Rumors, I might have another chance to add a digital retro body to my arsenal by the end of the summer. If this camera has a design based on the iconic F3, a stabilized full-frame sensor, and thoughtful controls, my finger would be hungrily circling over the “pre-order” button. How about you, would you be tempted by a modern retro Nikon?
Upcoming telephoto lenses from Sigma
Rumors about two new lenses from Sigma have surfaced on Canon Rumors. One is said to be a classic 70-200mm f/2.8, while the other seems to be an APS-C 50-140mm f/2.8 (roughly a 70-200mm equivalent). The only known detail about the full-frame lens is that it will zoom externally. This implies a more compact size and probably a lower price.
Photo Contest Corner
- Topic: Black and White
- Fees: $40 per entry (an entry includes up to 5 photos).
- Prize: Exhibition in Black Box Gallery. Gallery takes a 50% commission on all sales, 50% goes to the photographer.
- Deadline: July 12
- Topic: 20 different categories divided for Professional and Amateur sections.
- Fees: $25 per entry in the professional category and $20 in the amateur category.
- Prize: Grand Prize is $2,000 for Professional Winner and $1,000 For Amateur Winner.
- Deadline: July 16
14th Epson International Pano Awards
- Topic: Nature and landscapes, Build environment and architecture
- Fees: $22 per entry in the open category and $20 in the amateur category.
- Prize: Total prize pool worth over $40,000, including $14,000 cash. The overall winner takes $3,000 and an Epson Supercolor P-7070 printer and other prizes.
- Deadline: July 17
Good Deals and New Sales
The traditional 4th of July sales have started at B&H. Of the wide selection, a discount on a trio of Canon RF mount lenses covering focal lengths from 28mm to 500mm caught my eye.
- Canon RF 28-70mm f/2 L USM (was $3,099, now $2,899)
- Canon RF 70-200mm f/2.8 L IS USM (was $2,799, now $2,599)
- Canon RF 100-500mm f/4.5-7.1 L IS USM (was $2,899, now $2,699)
You can also get three Canon cameras for interesting prices. Namely, the first generation Canon EOS R6 (was $2,299, now $1,999) and the Canon EOS R5 (was $3,899, now $3,399). With the R5, you will get the Canon BG-R10 battery grip as a bonus (normally $299). Finally, if photography for you involves the sound of a mirror slapping, the former flagship Canon EOS-1D X Mark II is now available for half its original price (was $5,999, now $3,000).
A classic among action cameras, the GoPro HERO11 Black (was $499, now $399) has 5.3K 60p, or up to 8x slow-motion at 2.7K 240p. The HERO11 Black has two displays, waterproofing to 10m (33ft) without a housing, and plenty of optional accessories.
Other Pages of Interest
Imagine you are photographing baseball. A player hits the ball, and it heads straight for you at almost 100 miles per hour! You press the shutter button at the perfect moment, but suddenly, your blackout-free viewfinder blacks out. For good – since the ball has hit the front element of your expensive Sony FE 400mm f/2.8 GM telephoto lens. Does that take too much imagination? Well, this is what happened to photographer Jim Rassol. However, at least this story has a happy ending.
Last week, the results of the 2023 Audubon Photography Awards were announced. Along with the winning photos, here you can see an interesting experiment that Audubon ran. They paired the photographs alongside AI-produced images, based on descriptions of the winning photos. The project was meant to demonstrate that real photography will always have a place in the world, while raising questions about the ethics of rapidly-improving AI image generation technology.
Next year, a trip to southern Ecuador is on my list. There, in a remote area of the high Andes, a bird lived in secret until recently. The Blue-throated Hillstar was first discovered in 2017 – and you can read about it here.
Great walking on snow :-) Could it be a Coolpix for its light weight?
A retro Z? It might be better to release, finally, a real FDTZ adapter, with full legacy support with AI, AI-S, AF & AF-D lenses from the F-mount system! That would be the retro accessory really worthy for legacy users to be bridged to Z system. At the Party Tour for the launch of Z8 in Italy, I tried a 55mm f/3.5 micro-nikkor via FTZ II… no EXIF, no aperture information, not really helpful.
My other wish is that a Z1, Queen of darkness and speed (imagine 4K@240fps & 2K@960fps footage!), will come to surpass D5/D6 low light capabilities in mirrorless system: when light is poor, D5/D6 are still much better in my personal taste & testing, for AF speed/accuracy and file quality, although I might appreciate the silent shot and the whole frame focusing of Zs :-)
In 2009 – I’d guess it was D90.
D5000?
I loved my FM and have always had a soft spot for no-nonsense user interfaces: a speed dial with an A position, an aperture ring (also with an A position if needed)., that’s almost all a photographer needs.
This is why I actually disliked the Df – it had way too many buttons to my liking. Nikon also had basically given up on aperture rings by then, which did not help fully delivering the classical experience. The Z mount does not fare better in that respect – no marked aperture rings on lenses. If only they did follow Sony which seems to be be serious about bringing back aperture rings on all but their most budget zooms.
An A button might be enough for you, but certainly not for many others, including me. In fact an A button would be the one that I would never use. I find almost every button on the back of my cameras to be very efficient time savers. My own primary button would be M.
There have been times I would have liked a retro camera, and I always liked certain aspects of the Df (not enough to buy one, mind you), such as leaving out the video, and making it more compatible with older lenses. And I do like the look of retro cameras.
But much as I liked the F3, and loved (and always will love) the great original F, I think for actual, practical use, the more modern layout of buttons and wheels works about as well as anything can. I’m so used to the controls on a D7100 that I can do many things without looking. Which is a good thing since the print has worn off most of the buttons.
When inevitably my current rig wears out or breaks and I go shopping for a new camera I’ll happily look at retro models, but I don’t think I’d pay extra for looks over actual function.
Instead of this well-known retro concept, it would be nice they did something different, for example go back in time to low resolution sensors, e.g. 12 MPx full frame (enough for most people and files are small) and did low light beaset out of them with todays technology
I personally am not interested in such a camera. Modern noise reduction algorithms work perfectly, and on cameras with 36-50 megapixels, you can get a smooth and sharp picture with high ISO. I personally would be interested in a camera based on the Z7 with the addition of a new processor from the Z9 and Z8. I don’t need 20 frames per second and video recording. But I want a level like in Z9 and the good old 3D focus mode)
well i guess that would bot not be retro anymore but i get the idea
Looks like a D80
I would love for Nikon to come out with a retro full frame camera. But not so retro it doesn’t shoot high quality video. By high quality I mean the N-Raw and Pro Res HQ 10bit 4:2:2 .
How many megapixels should it be ? I think a 24-33mp Stacked bsi sensor with the electronic shutter would be fine . Not very old skool there . But give it the exposure triangle on top of the camera. Give us iso and shutter speed on a single dial that can be changed easily with one hand while looking through the viewfinder. Then how great would it be if the aperture ring was back on all their lenses…….. OOOOOOOO.
I wish the Nikon lenses (all of them) had a aperture ring like most Sony lenses do. It’s fast and right where your hand is already. You can still have the on camera front and rear command dials also . At least start putting the control ring on most all of the Nikon Z glass . Make the ring with clicked indents and a switch to un click with some resistance so it doesn’t get easily changed.
Nikon d70?
I got the Zfc to be my live streaming camera when it looked like the Z30 wasn’t in the future. It does that well, but feels too bulky, dials aren’t an interface I care for and the grip is too small for the lenses I tend to use compared to the Z50. Might try it again with one of the new prime lenses.