Nikon just announced the Zfc, a 21-megapixel Nikon Z mirrorless camera with an aps-c (DX) sized sensor and a retro stylized body. The Zfc was announced alongside a few lenses, including the development announcement of the DX 18-140mm f/3.5-6.3 VR from the roadmap.
Here’s the full list of announcements:
- Nikon Zfc retro-themed DX camera for $960, body only (pre-order here)
- Nikon DX 16-50mm f/3.5-6.3 VR Special Edition (adds retro styling compared to the existing 16-50mm) for $1100 as a kit with the Zfc or $300 on its own (pre-order the kit here)
- Nikon 28mm f/2.8 Special Edition (retro-styled version of the lens we already knew about) for $1200 as a kit with the Zfc, or $300 on its own – but Nikon says it won’t be available on its own until fall 2021 (pre-order the kit here)
- Development announcement of Nikon DX 18-140mm f/3.5-6.3 VR – no retro theme that we know about – available some time in 2021
The Zfc as well as both of its standard kits (one with the 16-50mm; one with the 28mm f/2.8) will start shipping in late July, yet the 28mm f/2.8 SE lens won’t be available standalone at first. This might lead to an unusual situation where full-frame Nikon Z photographers who want the 28mm f/2.8 within the next couple months will buy the Zfc + 28mm kit and resell the Zfc on the used market…
Here are some of Nikon’s official photos of the Zfc:
There is also an optional hand grip, which you may find useful considering that the Zfc on its own has no grip whatsoever.
Let’s take a look at the Nikon Zfc’s main specifications:
- Sensor size: DX (23.5 × 15.7 mm)
- Sensor resolution: 20.9 megapixels
- In-body image stabilization: No
- ISO range: 100-51,200 (extended ISO 204,800)
- Processor: EXPEED 6
- Frame rate: 11 FPS (12-bit RAW); 9 FPS (14-bit RAW)
- Flash sync speed: 1/200 second
- Focusing points: 209 user-selectable points
- Eye detection: Yes; includes pet eye AF and eye AF in wide-area AF mode
- Video: 4K @ 30p, oversampled and uncropped
- Viewfinder: Electronic viewfinder (EVF); 2.36 million dots; 0.68× magnification
- Rear LCD: Tilt-flip touchscreen with 180 degree rotation for selfies/vlogging; 1.04 million dots
- Construction: Magnesium alloy frame
- Pop-up flash: No
- Memory card: 1× SD up to UHS-I
- Battery: EN-EL25
- Battery life: 300 shots (CIPA)
- Continuous USB power: Yes
- Weight: 445 grams (0.98 lbs)
- Size (L×W×H): 135 × 94 × 44 mm (5.3 × 3.7 × 1.7 inches)
- Colors: Retro black, retro silver, white, coral pink, mint green, sand beige, amber brown, natural gray
The Nikon Zfc is a very similar camera to the existing Nikon Z50 DX mirrorless camera. Aside from the obvious stylistic changes, the biggest difference is the addition of a fully articulating tilt-flip screen. The Z50’s screen is tilt only (though it does tilt completely upside down).
I can’t help but think the name “Zfc” – where the “c” potentially stands for “crop” – leaves a very obvious place for a future, full-frame “Nikon Zf” with retro styling of its own. Whether such a camera ever exists likely depends on the Zfc’s sales.
Speaking of, how well is the Zfc going to sell? Although it is very similar in features to the slightly cheaper Nikon Z50 (which is currently $860 body only / $1000 with the 16-50mm kit), the retro styling clearly differentiates it. That’s especially true if both cameras are sitting side by side at a Best Buy or Walmart.
The fact is that many non-photographers looking for an advanced camera don’t care about the minutiae of specifications and performance details. Instead, they’ll choose their first DSLR or mirrorless camera based on which one looks and feels the best when they test it in the store – especially when all the cameras have basically the same specs. I suspect that the Zfc’s pleasing aesthetics will convince enough potential Z50 buyers to pay the extra $100, and that it will turn out to be a big seller for Nikon.
There’s also the potential audience of existing Nikon users who want a DX camera for backup or any other reason. The Zfc has dedicated shutter speed, exposure compensation, and ISO dials – plus the standard two command dials – which far more than most sub-$1000 cameras. Add those to the new tilt-flip screen and the nostalgic design, and this camera may have broader appeal than the Z50, even at a slightly higher price.
As for the lenses, there aren’t any big surprises. The compact 28mm f/2.8 full-frame lens is going to ship a bit sooner than some expected (at least in its “Special Edition” form, with similar styling to the Zfc). The development announcement of the 18-140mm f/3.5-6.3 confirms another entry from Nikon’s roadmap. And the other lens announced today, the 16-50mm f/3.5-6.3 SE, is the same as the existing 16-50mm f/3.5-6.3 but with retro styling.
I did find the lens construction diagram for the 28mm f/2.8 to be one of the weirder and more interesting lens diagrams I’ve seen:
It almost looks backwards, but the diagram above is the same as always: the front of the lens on the left, the mount on the right. Although this is interesting, it’s not really important how the diagram looks. Things like weight and performance are the more important considerations.
Nikon says that the 28mm f/2.8 will weigh about 160 grams (0.35 lbs) and measure just 43 mm long (1.7 inches). That’s a bit more than a traditional “pancake” lens, but it’s still very compact. Travel photographers will find it a good match for any of the Nikon Z cameras released so far, even though it won’t be available separately from the Zfc for another few months (aside from the used market). The 28mm f/2.8 will have a maximum magnification of 1:5, which is solid but not enough for macro photography without accessories.
You can pre-order the Nikon Zfc and associated kits here:
Here’s Nikon’s press release for the Zfc and associated lenses:
ICONIC STYLE, CUTTING-EDGE PERFORMANCE: THE NIKON Z fc FUSES TIMELESS DESIGN WITH MODERN MIRRORLESS TECH
Nikon’s Newest Mirrorless Camera Complemented with an Assortment of New Compact NIKKOR Z Lenses
MELVILLE, NY – Today, Nikon announced the Z fc, a DX-format camera that combines the latest mirrorless technology with classic design and functionality. It’s the compact and lightweight everyday companion that evokes both the urge to create and to take the time to embrace the moment. Featuring a heritage-inspired design, satisfying analog controls and craftsmanship that’s both unique and functional, the Z fc is built to be a thoroughly modern camera that’s simply a joy to use for everything from stunning street snaps, self-portraits, vlogging or 4K UHD video content. Nikon has also announced two stylized lenses to complement the compact nature and aesthetic of the camera, plus additional NIKKOR Z lenses coming this year with a focus on small size and big performance.
“The Z fc is the kind of camera many have been waiting for, and that only Nikon could create. It’s exceptionally slim, yet offers superb image quality and features, with iconic styling and precise tactile controls. It’s a joy to carry and use for casual street photography, streaming, or just living in the here and now,” said Jay Vannatter, Executive Vice President, Nikon Inc. “It’s no coincidence that we are also announcing a variety of compact lenses alongside the camera to perfectly complement the iconic aesthetic.”
Fusion of Classic Design + Z Series Technology
The Z fc embraces both Nikon’s heritage and our future with the powerful Z mount to create something truly beautiful; it’s a distinctly designed camera that has the performance to keep pace, but also serves as a reminder to appreciate the moment.
- An Iconic Design: Inspired by the popular Nikon FM2 film SLR, the camera affords shooting with analog tactile dials with satisfying clicks for precise control. The compact and lightweight camera gives enthusiasts and casual photographers alike the option to explore their creativity and go fully automatic or manual with mechanical dials for shutter speed, ISO and exposure compensation.
- Meticulously Crafted: The exterior of the camera is wrapped in a leather-tone material that offers an impeccably premium feel with a thoughtful blend of black and satin silver elements. It’s a familiar design that focuses on the harmony of style and functionality, with intricate details like carved aluminum dials, engraved lettering and a circular eyepiece surrounding the bright electronic viewfinder.
- Explore New Angles: The Vari-Angle touchscreen LCD flips out to face the user and automatically adjusts for self-portraits, working on a tripod or holding at waist level for creative angles.
- High Resolution: 9-MP CMOS sensor is paired with the EXPEED 6 engine to provide clean, professional quality videos and stills, even in low light. From a sunny hike or twilight cityscape, users will appreciate exceptional clarity, magnificent color reproduction and minimal noise in nearly any situation.
- Focus Fast: The 209-point hybrid AF system has you covered, recognizing approximately 87% of the frame horizontally and 85% vertically for precise focusing and tracking throughout more of the frame. Rapid Eye-Detection AF for people and animals enable users to sharply capture the eyes of people and pets, even when they’re moving. Eye-Detection AF is also now available in the wide-area AF (L) mode, making it easy to select the area to prioritize focus.
- Advanced Video Features: The Z fc has convenient video features creators want, like 4K UHD video and a variety of frame rates. Focus is rapid yet smooth, with full-time AF that locks onto eyes and faces in the frame. Slow motion can easily be created with the 1080p/120p setting or the 4x/5x in-camera slow motion modes. A built-in interval timer also allows for the convenient creation of 4K timelapse movies.
- Keep Streaming: When connected via USB-C, the camera receives power, giving the ability to operate the camera continuously, which is beneficial for streaming, video production, timelapse creation and more. The Nikon Webcam Utility is available as a free download for all users of the Z fc and many other Nikon cameras.
- The Z fc is Designed Around Nikon’s Revolutionary Z Mount: The widest lens mount of any comparable camera system means more light, and more light means more sharpness, contrast, accurate focus, low light performance and image quality.
- Low Light Ability is at Your Fingertips: When operating the dedicated ISO dial, discover photos and videos with minimal noise, clear details and texture. The ISO sensitivity ranges from 100 up to 51,2001(expandable up to 204,800), allowing for faster shutter speeds in lower light to reduce blur and reveal striking nighttime visuals.
- Creativity Made Easy: The Z fc can operate in fully automatic mode, and users can use the exposure compensation dial in auto mode to quickly adjust brightness for a custom look. Users also have access to 20 picture controls to add creative or dramatic flair and emphasis to images and video.
- Always Connected with Nikon SnapBridge2: Automatically send photos and videos to your phone or tablet for sharing, or use Nikon SnapBridge app as a remote control. The camera’s firmware can also be updated directly from the app.
- Premium Construction: The classic design is built with a lightweight magnesium alloy frame with consideration to dust and drip resistance. The extraordinarily small and flattened profile is convenient to carry and fits easily into bags. The controls are well thought out, with most settings available at a glance, including aperture through the top display panel.
- Choose Your Style: In addition to the retro black and silver, the Z fc will be available in six additional color options to vibe with any personal style; white, coral pink, mint green, sand beige, amber brown and natural gray.
More NIKKOR Z Lenses
As the family of NIKKOR Z lenses rapidly expands, Nikon is releasing a variety of small, high performance FX and DX-format lenses. These lightweight lenses are easy to carry every day, and pair perfectly with the new Z fc as well as other Z series cameras.
- NIKKOR Z DX 16-50mm f/3.5-6.3 VR: This is a stylized version of Nikon’s smallest lens, created with a satin silver finish to complement the Z fc. It’s an ultra-thin DX-format lens with a convenient wide-to-standard zoom range from 16mm to 50mm (24-75mm equivalent). It serves as a great walk-around lens for a wide variety of scenes ranging from landscapes, snaps, and portraits to tabletop photos.
- NIKKOR Z 28mm f/2.8 (SE): Nikon’s first ultra-compact and lightweight NIKKOR Z prime checks all the right boxes – it’s fast, fun and affordable. The NIKKOR Z 28mm f/2.8 (SE) will be first released as a special edition lens for the Z fc. This is the lightest FX lens yet, with a design inspired by classic NIKKOR glass to match the Z fc’s unique finish. The lens offers a standard angle of view (42mm-equivalent when attached to a DX body) that is ideal for shooting portraits and still photography with gorgeous, blurred backgrounds and excellent low-light performance. A standard edition of this lens is planned to be available within the year, along with the 40mm f/2.0 compact prime that is currently in development.
- Development of NIKKOR Z DX 18-140mm f/3.5-6.3 VR: Nikon is pleased to announce the development of the NIKKOR Z DX 18-140mm f/3.5-6.3 VR, a high-power 7.8x zoom lens for APS-C format (Nikon DX-format) mirrorless cameras. The lens is scheduled for release during 2021. This will be a versatile lens for users looking to capture wide-angle to telephoto focal lengths as well as at short distances.
Pricing and Availability
The Nikon Z fc will be available in classically styled black and silver starting late July 2021 (US) in a variety of kit configurations; the body-only will be available for a suggested retail price (SRP)* of $959.95, or paired with the silver NIKKOR Z DX 16-50mm f/3.5-6.3 VR lens for $1,099.95 SRP. The silver NIKKOR Z DX 16-50mm f/3.5-6.3 VR lens will be available separately starting in late July for $299.95 SRP.
The NIKKOR Z 28mm f/2.8 (SE) special edition lens will be available in a kit with the Z fc camera for $1,199.95 SRP starting in late July, and sold separately starting in fall 2021 for $299.95 SRP.
The six additional color options will be available in limited supply as a kit with the silver NIKKOR Z DX 16-50mm f/3.5-6.3 VR for $1,199.95 SRP and will be sold exclusively through nikonusa.com.
For more information about the latest Nikon products, including the new NIKKOR lenses and the entire Nikon Z series, please visit nikonusa.com.
# # #
Specifications, equipment, and release dates are subject to change without any notice or obligation on the part of the manufacturer.
The appearance of the product may differ from the photos shown above.
- The maximum standard sensitivity for video recording is ISO 25600.
- The Nikon SnapBridge app can be downloaded free of charge from the App Store® and Google Play™. See Nikon’s website for further information.
*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
Hi there! Just but this camera and I’m not sure which lens will be better for it. Would you go for the 28mm or 40mm? Thinking about traveling and landscape photo. Thanks!
I’d pick the 28mm of the two! It’s a more versatile focal length for travel and landscapes. The 40mm would be better for portraits.
would you be reviewing the Z fc and providing your insights to someone who is planning to move from an APSC DSLR to APSC mirrorless?
The only thing that really disappoints me about the 28mm lens (and I’m guessing it will be the same for the 40mm?) is that the mount appears to be plastic. For a lens that will come on and off a lot, that’s not ideal, especially at $300. The Z body is a perfect match for compact lenses, I’m not sure why Nikon has waited this long to release one. I’ve been waiting for a compact lens since I got my Z7 when it came out. I rented the 35mm 1.8 for a few weeks and it’s an amazing lens, but the size is absurd imo. The DX 35 1.8 is still perhaps my favorite Nikon lens I have shot with. By the way, I’m in Japan and at least Amazon JP suggests the lens itself won’t be available until Oct. 31st. Rather disappointed in that, but maybe the 40mm will be released sooner.
Btw, thanks for the website – it’s been helpful to many times over the years.
A plastic mount is no big issue. The 28 is included in the Zfc kit if you so choose that kit. Availability for the 28 when purchased alone is late 2021.
It’s not a deal breaker, but I do find it disappointing. Granted, the lens is light so it doesn’t have to hold much weight. But for me the 28 will come on and off my Z7 with relative frequency, and plastic wears down faster than metal. I’d love a compact lens that is quality and more of an investment like you see with the Fuji line. Their 35 1.4 is a beauty. I’ll still likely be pre-ordering the Z 28mm for the fall release. Looking forward to hearing about the upcoming 40mm as well.
Why not FF? It would be a nice cam with a large sensor.
FF will come.
It’s great to see Nikon still can do tilt/swivel displays if they want to. Pity they forgot to put one in one of their FF bodies.
Tons of people have asked for the fully articulating screen at this point. Maybe we’ll see one next generation.
Still seems Nikon beleaves Dx is a cheap choice and nothing than this.
Si Fuji has nothing to be scared of.
No nikon 50-140 f/2.8 fujinon like, no compact Dx fast primes, no built in flash.. So, why shall I buy a D7500 very similar camera?!?
The D7500 is in a slightly different boat than the Zfc because most of the things you mention are available from third parties for the F-mount. So far, there aren’t many such companies filling in the gaps in the Z lineup. Though either way, Nikon clearly is trying to push advanced photographers to their FX kits.
Considering Nikons legendary *UCK YOU to DX owners before I will pass anything DX from Nikon. I remember those DSLR days when everybody and their uncle was screaming for FAST PRIMES. Nikon gave us 18-55 f/3.5-f/5.6 in 5 versions. Yes, same lame slow shitty zoom in 5 VERSIONS was their response. If you buy DX camera from them there is something really wrong with you. Even with this camera they market a full frame 28mm prime. So still no love for DX people, if you wanna Nikons camera buy their full frame lenses for your APS-C camera just like before. Some things never change…
I think jumping to the Z5 makes more sense than the Zfc for most dedicated photographers because of the lenses. But I also think the Zfc will be a good seller among first-time mirrorless buyers. It’s priced about right, looks good, and matches the other mirrorless cameras on the market in specs. The biggest target audience for the Zfc likely doesn’t even know or care about the lack of DX lenses.
Given the size of the lens mount, I wonder if a DX 28mm lens would be noticeably smaller and lighter?
The large mount does constrain the minimum weight a bit, but at least in theory a DX version could be slightly lighter, or could have a larger aperture at the same weight. I have no complaints about the 28mm f/2.8 though. It should pair very well with this camera.
If the target audience doesn’t know/care about DX lenses, will that sort of consumer not also be intimidated or turned away by a bunch of complicated looking control dials? I once loved Nikon but left them behind because all we ever got for DX primes was a cheap 35mm and an inexplicable 40mm. On top of that, for zooms we were forced to choose between the cheapo, slow kit lenses or else shell out over $1000 if we wanted something better than halfway decent. I considered FX but didn’t want to go the bulky/heavy route. It just seems like Nikon ignores time and again what many of their shooters desire. Meanwhile, Fuji is demonstrating how to develop excellent cameras and lenses for BOTH of their sensor sizes…!
Paradoxically, I often see the opposite. When someone knows nothing about photography, it seems like whether a camera “looks professional” plays a role in what they choose. The buttons and dials on the Zfc will scare away some photographers, but I bet they will attract more.
I own several Nikon FX cameras but I also have the excellent D500 which I use for bird photography. It is, fast, clean customisable. The images quality is exceptional nice. I think your generalisation lacks merit while the D500 is in the line up for DX shooters.
Hey Spencer, I want to try out macro photography and I’m looking for a suitable lens….I have checked out the Sigma 105mm f/2.8 and the Nikkor 105mm f/2.8. Which one would you recommend? (considering I’m trying out the genre for the first time). Your opinion would really appreciated.
If this were an improved Df (A La PL’s recommendations way back when) I’d be very interested. As a Z50 Retro, I’m not. Perhaps it’s a precursor to a future full-frame. Putting aside the price differential, the Fuji options seem to offer more features (especially the tx4), all being crop cameras. By the way, I found your very helpful TX4 settings article. Have you done an actual review? I’m considering buying one but was waiting for your analysis (as I did with the XT2). Thanks for all you do.
A big part of Fuji’s appeal is also the excellent lens lineup for their aps-c cameras. I don’t have anything against Nikon’s retro framing, but it’s not enough on its own to compete with the Fuji aps-c system.
We haven’t yet reviewed the Fuji X-T4 but it’s on our list. May still be a while, though – if you want it, don’t wait for our review, it’s a great camera.
Fuji certainly has excellent lenses. I love the compact f/2 primes on my XPro2, but I don’t care much for their zooms. The 18-55 is good, but lacks f-stop markings. The 16-55 is a beast. I’d rather carry a Z6 with the 24-70/4 and get the benefit of FF. The Zfc with the compact 16-50 appeals to me as a vary capable, lightweight travel kit. When I need fast lenses, I can use my Z primes. I’m looking forward to testing one out.
Nice camera, I still own a FM2 (not in use anymore).
But I see the problem in the missing lenses…
Nikon should offer some more fast glasses, a lens with f6.3 is in my opinion to slow.
Why not a 16-80 f2.8-f4? It was one of the best lenses for the DX DSLR cameras and with the bigger mount of the Z-system it could be even better…
Agreed. Right now, the three dedicated DX lenses (including the upcoming 18-140mm) all have an f/6.3 maximum aperture at the end of their zoom range. Nikon needs to release some faster zooms or DX primes if they want this system to appeal to advanced photographers.
Some time ago I would have agreed to “faster zooms or DX primes”, but today I really think “I have some fast primes for the X-T2, like 16, 23 and 56 f/1.4 and f/1.2. But to me the results of FF with equally fast primes did look better, did have more reserves in high ISO”.
So, in a way I can understand Nikon doing DX for lightweight fans with no big photo bags. Actually, the Z 50 with the 16-50 and 50-250 is a really compact and easy to carry set, fast focusing and delivering sharp results. I can use a Tamron 150-600 or a Laowa 25 mm 2.5:1…5:1 macro, so it’s also versatile. And for people who love and “need” dials with printed numbers on – good news, as there’s no longer only Fuji delivering it. When I started with Nikon DX 11 years ago, there also were not much dedicated DX lenses around and I knew sooner or later I would want to be able to step up to FX, so I got my fast primes with an FX tag on it.
Good quality fast primes are not that much smaller or cheaper in DX, but definitely limited to the smaller sensor.