The past few months I have fallen victim to a creative slump, a rut, a lack of enthusiasm around my photography. Call it what you want, I felt uninspired. Although I love nature and bird photography, I found myself struggling to make time to get out and shoot. We live on the gulf coast of southern Mississippi. There is an abundance of wonderful birdlife, beautiful sunsets and unique cypress swamps full of wildlife begging to be photographed. When I did get out, I found I was not very motivated to download my images, let alone take the time to process them. I needed a change. What I really needed was a challenge. I decided to try something I had heard of, but have never tried before, in the hopes that it would relight my photographic passion.
We had a two week trip to France booked for the beginning of June. We were spending ten days in Provence and four days in Paris. Normally I would have lugged two DSLR’s and a camera bag stuffed full of lenses with me. But this trip was not a photography trip. This one was a vacation. We would be travelling with non-photographer friends and we were seeing the country for the first time.
The challenge I gave to myself was to create images that depicted the French Provencal countryside, life in Paris, and of course take some images of iconic French landmarks. The catch was I had to do this with one focal length for the entire trip, no cheating! In addition, I wanted to experiment with street photography. I have always admired photographers who could capture images of street life, but I have always been too nervous to give it a try.
I chose to take my small, lightweight, mirrorless Fujifilm X100T with its fixed 23mm f/2 lens (35mm full frame equivalent). Now I have to be honest, several weeks before we left I took possession of a brand new shiny Nikon D500, and I didn’t want it to feel left out. I always travel with a backup camera, so I gave myself permission to place my new toy in the bottom of my backpack, just in case something happened to my X100T!
Now some of you might think I was crazy, and I admit I was more than a bit nervous about my choice. I knew that I probably wouldn’t get to visit France again, and with a 23 mm lens, I knew that many shots would be impossible. But I wanted to force myself to see things differently. Without the choice of several focal lengths, I would have to be creative with my framing. I would have to look for unusual angles to tell my story. Details of the gargoyles at the top of Notre Dame Cathedral were not going to happen. Would I regret not being able to get those shots? Well, I was ready to accept the challenge and take that risk!
I must say that I felt very liberated in the airport. We had packed lightly since we would be travelling by plane, train and car and would probably have some walking to do with our suitcases. My husband and I had each packed one carry-on size bag with our clothes, which we checked. We also limited ourselves to one small backpack each to take on the plane. This was so different to how I normally travel, with a heavy camera bag and a second large purse with all the gear I couldn’t fit in my camera bag! I can’t tell you how nice it felt not to be carting 30 pounds of kit on my back!
I ended up using my X100T exclusively. Before we left for each day’s outings I would throw two extra charged batteries, a small wallet with extra SD cards and a GorillaPod into my pack. I carried my camera using a lightweight wrist strap. That was it! All my gear weighed in at a measly 1.5 pounds. That is less than my 24-70 mm lens alone! It took me a while to get used to the fact that I wasn’t missing some critical piece of kit! I didn’t even end up carrying the D500 with me! It stayed in the hotel safe everyday except one. When we visited Versailles, I decided to throw it in my pack. However, by this time I had grown accustomed to just carrying the tiny X100T on my wrist. It was way too much work to dig around the bottom of my backpack to pull out the “backup”. The D500 also more than doubled the weight of my pack! It went back into the safe the next day! I did not take one shot with it the entire trip.
The first few days I struggled. Had I bitten off too big a challenge? I tend to shoot with longer focal lengths, so 23mm was very wide for me. Although this focal length worked well for landscapes, I was having trouble ignoring shots that required a longer focal length. In my minds eye I knew how I could capture these subjects with 50mm or 200mm, but I struggled with the 23mm focal length. I was too worried about what a great shot I “could have made” with a longer lens. This attitude was killing any creativity I had left. However, I soon realized that I didn’t need to take a photograph of everything. I learned to enjoy the scenery, and started to relax. After I realized this, I started to see differently. I found angles that I hadn’t thought about before. I was starting to have fun with my photography again. I was excited to try new things and was not feeling intimidated by my camera choice any more.
Soon I was seeing in 23mm. I began to visualize more opportunities. Since I couldn’t frame as closely as I could with a longer zoom, I paid more attention to backgrounds and took more environmental type shots. I also became much more aware of my framing and perspective. I began to use my feet to zoom and tried angles I would not normally have tried with a larger camera or a longer focal length.
Normally I capture my shots in raw. However, this time I decided to shoot both a raw file along with a jpg. I chose to shoot the jpg in black and white. This meant that the file displayed on the back of the camera was in black and white. I found this helped me concentrate on the tones in the image, without colour complicating things. It was amusing when I passed off my camera to someone else to take a shot of my husband and myself together. They would say something like “I don’t think your camera is working, the picture is in black and white!”
All in all I think my self-imposed challenge was a success. Although I did miss some shots, I feel that overall my photography skills improved. And, I definitely feel re-charged creatively! Was it the fixed 23mm focal length, or the small mirrorless camera? I think it was a combination of both. The wide focal length made me see things differently and made me shoot outside my comfort zone. The small, quiet, inconspicuous camera allowed me to capture perspectives and subjects I wouldn’t have tried to capture otherwise. I also ended up with a collection of photos that are much more cohesive than if I had shot with several different focal lengths. I encourage any of you to try a similar challenge to elevate your photography to the next level. You will be amazed at how limitations can bring out your creativity. I would love to hear how you make out.
Just a couple of final notes: all of the images in this article were processed very lightly in Lightroom, with minor tweaks to contrast, highlights, shadows, blacks and whites. Most are full frame images; others have only minor cropping, mostly for levelling. And don’t worry; I’m not ready to sell all my DSLR gear quite yet! My D500 does have a place in my camera bag and is being used regularly now!
Absolutely loved the article. We did a Danube riverboat cruise in 2016 for Budapest to Amsterdam & I was using a Canon G7 ? . It took great pics, I took several hundred. I felt the camera was lacking in something even though I got some quality shots as an enthusiast photographer. In the end the thing that was lacking was my eye & the zooming in and out of my feet. Did a second cruise, the Rhine in 2017 & went nuts again with a different camera, took hundreds of shots, most of which I kept. I managed to slip away from our village aides in several places to get the shot I wanted. The pictures must have turned out okay, as during the winter evenings, I would pore over them while nursing an adult beverage. I now am the owner of a recent Fuji X-T3 that I’m finding somewhat overwhelming, but am adapting. I shoot JPEG for now & will eventually try Raw with the Fuji Capture 1 program. I spend a lot of time on the Preview forum, Fuji X section & it amazes me how many people are quick to criticize those of us who shoot JPEG & not full manual only. When I read how technical some of the photography posts are, I feel like I’m in a 4th year university photography program. The folks there have been helpful though when I needed it.I’m in the process of buying a Fuji 35 mm F1.4 or f2, not sure yet & I ‘ve read enough about them to write a short story. I’m practising shooting now with my 18-55 set at 35 mm. On both trips to Europe my 200 mm zooms never made it out of the bag. It’ll stay at home next trip, whenever that is, depending on the present world situation. Supposed to go back to Sweden in September for a couple of weeks to see our son presented with his PhD. May be on hold though. Looks as though I’ll be spending time on your website this evening. Wilf S. retired aviation Maintenance Engineer (45+ years) Welland Ontario
Thank you, Wilf. I’m glad you enjoyed my article. The X-T3 is a great camera. I use one now, and once I am back to shooting some more weddings, I will be purchasing another to replace my X-T2 as a backup camera. I would highly recommend the 23mm f/2, and 50mm f/2. I have the 35mm f/2 as well, but don’t find that focal length works well for me. I love the fact that all the f/2 lenses are weather sealed, and small. The 35mm f/1.4 is a beautiful lens, but it is not weather sealed, and is slightly bigger than its f/2 counterpart.
I am shooting right now with an X100V, which has now replaced my beloved X100T. I am in love with this new version of the X100 series camera!
I hope that things settle down enough for you to take your trip to Sweden in September. In the mean time, stay safe and keep taking pictures.
What an inspiring article and beautifull pictures! :)
I own an X100T for a few years, of which I have always been very happy, I completed it a few months ago with an XT2 + 16-55 because I found a good opportunity and I wanted versatility without much compromise in quality for a summer trip. I am ultimately objectively (without pun intended) very happy with this purchase, but I realize that in the end I take more pleasure in using my X100T. So yes, I sometimes lose in versatility, if I only have the X100T when I leave, I think “with the 16-55 I could have framed wider or tighter”, but there is this kind of irrational element that makes that with the X100(S/T/F), we end up taking pleasure in this limitation :D I wonder if the X100T won’t end up becoming my main camera (the 23mm focal length suits me well) and the XT2 dedicated to a longer focal length for portraits or tighter shots (like 90mm or 50-140!), which are still not the majority of my photos.
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Laughed a LOT Reading your article .
The further down I went ~ the more Creative you became . . .
THAT was a Joy . Your Black & WHites ~ WOnderful !
Your Skies ~ Love the Fuji Blues & Turquoises . . . Y e s !
Re. your Canon ~ when you climb aboard an Aircraft ~
you do NOT need to Pack Horse . . . E v e r ~ ! No FUN ,
and you did not miss a Thing . . ! Your Eye, and That little Fuji Delivered …
Wonderful Job ELizabeth . . .
P.S. I shot our last vacation with a 35mm Prime & missed Nothing . . !
Re. FF ~ Canon is Fabulous for People & Skin tones – only a Leica M9 CCD beats it ,
buttt – the Fuji is a heart beat from both !
Nikon is Wonderful for Landscapes – But I feel my Mamiya VII with Velvia or Provia Trump it easily !
The New Fuji Xt3 & 4th gen Chip – Well – when it hits in the XH2 _ It will STARTLE any FF in Ability !
FUJI does People & Skin TOnes, and it can handle Landscapes too – Soooo there’s Nothing to want ~ NOW …
Excellent article and some wonderful images.
I recently traded down (size wise) to a Fujifilm XE-3 from a DSLR for the same reason that I wanted greater portability and a degree of discreetness to preserve the candid nature of photo opportunities with colleagues (after their permission) during training or around the station.
The XE3 offers excellent functionality and is lightweight, but I am not consistently happy with the images. I fully accept my limitations as a photographer, but even when I feel I have composed well and exposed appropriately, the colour tone is often disappointing, especially compared to my Canon. I’ve explored various settings and film simulations in Lightroom, with limited effect. I feel I’ll be imminently trading for a Nikon Z6. Having said that, when I see your excellent images I wonder if it’s actually me rather than the camera.
Thanks for a lovely article.
Very nice photos! This year, we went to France as well, and I took my X100T with me, plus a X-T1 with a 18-135mm lens. After two days I stopped lugging around the X-T1, and used the X100T only. Not my first “single prime” trip though, but the first one with such a small camera. That was very liberating.
Such a fabulous set of images… I totally love the T… I feel inspired looking at how you approached your 23mm vision of the world… Brilliant.
Elizabeth………….
Yes, keep me posted about how Santa treats you. Also, although, I am not a big fan of an articulating screen on the X100 Series, I can tell you that the few times I have had my XT1 with me and on the street, being able to take photos from the waist and not interrupting the moments around me has been quite a treat. I agree with you, though about the gear. Nothing excites me more than my X100T. I do like a different focal length but my heart, hand and mind keep going back to the X100T….it is the tool of choice going down the rabbit hole. Thanks for the note back. Enjoy the holidays and I too look forward to seeing more of your work on FB. It looks like I will be using FB for my main news sources (real ones) and other items. The moment I start to get blown up though, I will divest myself from FB and do it the old fashioned way. No need to respond back. Sometimes, these strings can get endless and boring. My ego is squarely on the thought of not being a bore. Regards……….Wayne
Elizabeth
Thank you for following me on Instagram. I just sent a friend request to you for Facebook. While very tech savy, I am old enough that I am not particularly enamored by all the of the media “opportunities” that are available. My wife setup a FB page for me and the only reason I have decided to use it has to do with the Fuji access. If accepted, I believe you would be, I believe, my 6th friend. My daughter would tell you I am a completely well adjusted hermit. Most likely, I will acquire the XT2 at some point. I am more interested in the upgrade to the X100T. My passion is for pointing a camera at subjects that are closer, ie graffiti, streetart, architecture, old buildings and people. I will be very interested to see how you find yourself adjusting to street photography as it is a different experience all together. A couple recommendations that have worked for me…….I carry a very small business card produced by a company called…MOO. They have a web site. They have a photo of old cameras on 1 side and contact info on the other. It has helped alot to give them out if someone is concerned. Surprisingly, many folks will email for a copy of the photo I took as I offer to send it to them. Of course, there are always going to be the nut case who will scream at you. I also carry the small Fuji Instax Printer. What a treat and way to break the ice on the street, if necessary. I have even had a couple women chase me down and ask that I delete their photo. Then, while photographing an event at Fresno State College (wife is getting her master”s), I was accosted by 2 policemen who responded to some guy that said I was photographing kids and was probably a pervert. LOL That was quite an experience in light of the fact of who reported it….he was known to the police. Yes, I had taken a couple photos of kids because they were so fun. However, I am very discreet about it as I do understand the concern about taking photos of children. However, the same could be said for women, for that matter. Anyway, I found your work quite enjoyable. If I can ever share my experiences with the equipment, let me know. I had to experiment on my own as I am completely bored with all of the ridiculous comments people make about equipment, their uses and what is wrong with another person’s view. I just want to know if someone is happy with it and what they experienced. Regards………..W>
Love the Moo cards, I have them in several sizes, all with different images! Have been thinking of getting the instax printer too. I regularly email folks street photos I have taken of them, but a hard copy is one better.
I don’t think gear makes you a better photographer by any means. However, if gear can excite you, and provoke you to get out and take more pictures, that will make you a better photographer. My X100T has done that for me.
Looking forward to seeing more of your work! I’ll let you know if Santa comes through!!!
I greatly enjoyed your reflections. A few years ago, I purchased a Fuji X100S and life changed from that day forward. ALL of my Nikon gear was gone within 6 months……D800 and all the trimmings…gone, done. Since then, I am in possession of the X100T, XPro2 and a XT1. My lenses are my bane. I have the original 23 and 35, f1.4 versions and the updates. I have the 56/f1.2, 14/2.8 and 90/f2. Our trip to San Juan Puerto Rico in June for 12 days and then 3 weeks in London confirmed exactly what you experienced. Your thoughts were balanced and indicative of what goes through my mind as well. A few years ago, I spent 6 weeks in Paris with a broken D600 and a Canon G11. The smaller camera and limitations made me a better photographer, well, better for me, anyway. My Instagram is…………havebike, if interested. I just started following you as you work is worth the effort to follow. Regards………Wayne
Thanks so much Wayne, I’m glad you liked the article. I’m hoping Santa brings me an X-T2 for Christmas and a couple of primes! If I didn’t shoot wildlife, I would be selling all my Nikon gear! It is amazing how inspirational prime lenses are. They really force you to be creative. I didn’t understand that with my Nikon, as all my lenses were zooms.
Thank you for the follow, you have some excellent work too! Happy clicking!