Photography Life

PL provides various digital photography news, reviews, articles, tips, tutorials and guides to photographers of all levels

  • Lens Reviews
  • Camera Reviews
  • Tutorials
  • Compare Cameras
  • Forum
    • Sign Up
    • Login
  • About
  • Search
Home → Photography Tutorials

Mastering Flash Photography for Macro and Close-Up Photos

By Nicholas Hess 1 Comment
Published On June 8, 2023

It’s challenging to photograph subjects that are extremely close to the camera lens, particularly when it comes to flash photography and lighting. For some lenses, the effective working distance is practically zero when trying to shoot at maximum magnification. It becomes difficult to achieve soft, even lighting while avoiding unwanted shadows. Luckily, there are still several ways photographers can cast high-quality light on a close subject – even if it’s almost touching the lens!

Gladiator tree frog photo taken with panasonic leica 9mm wideangle lens to create a intimate photo
Would you have guessed this seemingly macro photo was taken with a 9mm lens? Lighting this photo was not easy!
DC-G9 + LEICA DG SUMMILUX 9mm F1.7 @ 9mm, ISO 100, 1/250, f/11.0

Table of Contents

  • Challenges with Lighting Macro Photos
  • Recommended Flash Setups
    • On-Camera Flash with Diffuser
    • Off-Camera Flash with Diffuser
    • Twin Flash Setups
    • Ring Flashes
  • Additional Tips
    • Utilize Reflectors
    • Avoid Flare
    • Remember the Background
    • Use a Focus Light
    • Don’t Be Afraid to Build Your Own Modifiers
  • Conclusion

Challenges with Lighting Macro Photos

If your subject is a thumb’s width away from the lens, there are several lighting challenges that you need to address. For starters, it’s hard to cast light on the subject from an attractive angle. On-camera flash will usually be pointing way too high, casting bizarre light on your subject.

  • close focus wide angle flash photography with an undiffused on camera flash
    Here the flash is mounted on the camera with no diffuser, swipe to see the next image for the result
  • roses close focus wide angle flash photography with an undiffused on camera flash
    Lots of shadow!

In order to cast some light on the subject so that it’s not predominantly shaded, photographers will instead place the flash super close to the lens or use a twin flash or ring flash (more on those soon) to eliminate the shadows. Either way, off-camera flash is usually used.

  • close focus wide angle flash photography with a flash head pressed uo against the lens
    Here is a more ideal placement of the flash head (the teeny diffuser helps slightly too)
  • roses with close focus wide angle flash photography with a flash head pressed uo against the lens
    No more shadow problem, but blown out highlights are now an issue, plus the reflections are distracting

If you can’t employ an off-camera flash, another good option is to put a large ring-shaped diffuser around the very front of your lens, while firing the flash toward that diffuser. The image below demonstrates what I mean:

On-camera Diffuser in front of flash, frog illustration

Recommended Flash Setups

The basic principle behind using a flash for macro photography is that the light needs to hit the subject from as many angles as possible, not just directly above. Good lighting setups for close-up photography usually involve a diffuser that somewhat surrounds the lens. Here are four techniques that can significantly enhance your results.

1. On-Camera Flash with Diffuser

Utilizing an on-camera flash with a diffuser is a popular and convenient option. It allows you to soften the light nicely, while being very convenient. A well-designed diffuser can help direct the light from below as well as from above. This helps eliminate unflattering shadows caused by the lens or subject.

Keeping the flash on-camera is always nice because there are no loose parts. There is no need to position the flash with a stand or hold it with your other hand. This way you can focus on composition.

  • Now we put on a diffuser
  • Now we are getting somewhere, the shadows and highlights look more even, but the closest rose didn’t catch as much light as the ones in the back
  • close focus wide angle flash photography with a diffused on camera flash and reflector
    I’ve added a reflector so some light comes from below too
  • rose with close focus wide angle flash photography with a diffused on camera flash and reflector
    Voila, exquisite!

The annoying part is that I cannot direct you to a diffuser available online that does this perfectly. Although there are lots of flash diffusers available online, I’ve yet to see one that is really designed to light subjects at close range. I recommend making your own instead.

The good news is that it’s not rocket science to design your own diffuser that gets the job done. The key is that light from the flash should wrap around the lens, to light the subject from all angles and not just from above.

1. Off-Camera Flash with Diffuser

Employing an off-camera flash provides greater control over the lighting setup. By placing the flash off to the side or above the subject, you have more flexibility with your lighting. Similar to the on-camera setup, using a diffuser is crucial to soften the light and reduce shadows and highlights.

Flash positioning is everything using this technique. There is a tiny area to place the flash so that it’s not too far back or too far forward. Using a diffuser helps throw light at the subject from as many angles as possible to get more even lighting. It’s easier to demonstrate with images, so scroll through the slides below:

  • close focus wide angle flash photography with a diffused off camera flash in ideal position
    The ideal position of a diffuser should have the bottom of the diffuser meet the lens tip at a 45 degree angle
  • roses with close focus wide angle flash photography with a diffused off camera flash
    It should look something nice like this (could be improved with reflector)
  • close focus wide angle flash photography with a diffused off camera flash too forward
    An easy mistake is to place the diffuser directly above…
  • roses close focus wide angle flash photography with a diffused off camera flash too forward
    But this can cause backlighting
  • close focus wide angle flash photography with a diffused off camera flash too far back
    sloppy or lazy positioning of the diffuser like here when it’s set too far back…
  • roses with close focus wide angle flash photography with a diffused off camera flash too far back
    can cause some shadow in the foreground to creep in, plus the reflections can become more poignant

When holding a diffused flash above the subject at close range, it’s easy to accidentally cause improperly-targeted lighting. I usually press my diffuser right down onto my lens, even wraping it around the lens to ensure some light is coming from eye-level or below the subject. When I have time to set it up, I prefer using a malleable sofbox like the one shown below, since I can partially wrap it around my lens:

  • close focus wide angle flash photography with a big diffused off camera flash
    Here I used a much larger diffuser than the above example. Notice how I push it down onto the lens so that some light comes from down low.
  • roses with close focus wide angle flash photography with a big diffused off camera flash
    The larger diffuser performs well, though it’s bulkiness makes it more challenging to use

The advantage of using the flash off-camera is that it gives more flexibility, but the disadvantage is that it gives you one more thing to hold. Despite the inconvenience, I usually elect for this method of macro photography.

3. Twin Flash Setups

A twin flash setup is specifically designed for close-up photography and excels at illuminating subjects near the lens. It consists of two flash heads positioned on either side of the lens. This way, the light comes from the same level as the subject instead of directly above. Having a flash on either side of the lens also fills in the other flash’s shadows.

However, it can’t be so simple. Although a twin flash system does an excellent job removing shadows from an image, they cast horrid bright reflections if left undiffused. To achieve softer lighting, you still need to use a diffuser.

  • close focus wide angle flash photography with an undiffused twin flash
    A twin flash can sneak light onto subjects at close range…
  • roses with close focus wide angle flash photography with an undiffused twin flash
    but the light is very harsh, the reflections are very distracting, and the nearest flower is brighter than the ones in the back. This is not very even lighting. My fix–>
  • close focus wide angle flash photography with a diffused twin flash
    Shooting through some diffusing material can do wonders…
  • roses with close focus wide angle flash photography with a diffused twin flash
    oh yeahhh

Once again, there doesn’t seem to be a commercially available diffuser that gets the job done. I recommend building a homemade shoot-through diffuser. This can be simple in design – you’re just making it so that the light does not just originate from two concentrated points.

4. Ring Flashes

A ring flash is a specialized flash that encircles the camera lens, providing direct illumination from a close distance. This technique offers excellent coverage for subjects close to the lens, effectively minimizing shadows. However, it’s worth noting that the light from a ring flash may be less diffused compared to other methods.

  • close focus wide angle flash photography with a ring flash
    A ring flash is the perfect solution! right…?
  • roses with close focus wide angle flash photography with a ring flash
    … not really, the reflections are always tacky, and the nearest flower is clearly brighter than the further ones. This is not even light.

Ring flashes also tend to be extremely dim compared to normal flashes, which is not good for macro photography (since you’re at very narrow apertures). I’ve yet to see a ring flash design that incorporates a diffuser and also manages to be bright enough, so this may be a place for innovation!

Additional Tips

1. Utilize Reflectors

Even when you’re using a diffused flash, the light often is dominantly coming from above. So, the undersides of macro photography subjects may still be in shadow. It’s usually not a good look. For this reason, I always carry along a small reflector to help bounce the light from below. Almost anything reflective and white can be utilized as a reflector, and you can easily build your own.

2. Avoid Flare

Because the diffuser often extends in front of the lens, light from the flash may hit the lens directly, and this can cause terrible flare. I’ve certainly made this mistake before. Make sure that your flash and diffuser are slightly behind the front of the camera lens, or use a lens hood if you have enough space to do so.

3. Remember the Background

This article is all about lighting the subject in the foreground, but for a lot of close-up photography, you need to expose the background properly too. This is most easily done by shooting in manual mode. I generally recommend setting everything – shutter speed, aperture, and ISO – to make the background look right. Then, add the flash (and adjust flash output) to make the subject appear properly exposed.

Cottonmouth snake photo using close focus wide angle with the panasonic leica 9mm f1.7 for micro four thirds
DC-G9 + LEICA DG SUMMILUX 9mm F1.7 @ 9mm, ISO 100, 1/20, f/4.5

4. Use a Focus Light

Anyone doing close focus photography will inevitably run into focusing issues. Much of macro photography is done with manual focus because even the best macro lenses have a hard time focusing properly at high magnifications! But this makes focusing even trickier, especially in dark conditions.

One solution is to use a focus light. A few flashes have built-in focus lights, like the one I showed earlier. Other times, you can potentially put a small light on top of your camera or use a ring light for this purpose.

Most of the time, however, I don’t have a dedicated focus light, so I use a flashlight. I don’t want the flashlight’s light to appear in the photo, so I set it to the lowest power and sometimes even bounce it off of my own diffuser. The idea is to get enough light to focus and compose your photo, without shining on the subject obtrusively.

5. Don’t Be Afraid to Build Your Own Modifiers

This tip is perhaps most important. The perfect light modifier for macro flash photography doesn’t exist on the market. This is part of why really superb lighting in macro photography is a rare sight!

Building your own diffusers and light modifiers is a great way to get your creative juices flowing, while also personalizing the types of photos you’re planning to take. It’s not always an easy process, but it’s one of my favorite parts of photography. When you design a great diffuser yourself and take some good photos with it, that’s a great feeling! The difference between an okay photo and a superb photo may all be thanks to materials found in a recycling bin.

Laowa 24mm probe lens review sample photos Green and black poison dart frog
DC-G9 + Laowa 24mm Probe Lens, ISO 640, 1/13, f/14

Conclusion

Using a flash for macro photography can be tough, but it’s very important if you want the best possible results. I hope that the techniques in this article will help. The biggest point is to diffuse your flash and make sure that light is reaching your subject from all angles. Even if that requires some DIY flash diffusers, it’s absolutely worth it.

Remember to experiment with different flash setups, especially by adjusting the angles and positions of your flash for each unique situation. Not every macro photo should have exactly the same lighting. With practice and experience, you’ll master the art of flash for close-up photography, and your photos will improve by leaps and bounds when you do! Let me know in the comments if you have any questions.

Looking for even more exclusive content?

On Photography Life, you already get world-class articles with no advertising every day for free. As a Member, you'll get even more:

Silver ($5/mo)
  • Exclusive articles
  • Monthly Q&A chat
  • Early lens test results
  • "Creative Landscape Photography" eBook
Gold ($12/mo)
  • All that, PLUS:
  • Online workshops
  • Monthly photo critiques
  • Vote on our next lens reviews
 
Click Here to Join Today
 

Related Articles

  • 1-1 magnification manual focus macro
    How to Light Macro Photos
  • Nikon SB-900
    Indoors Flash Photography with Nikon Speedlights
  • Infrared Flash Photography (3)
    Infrared Flash Photos on the New York High Line
  • Step
    Best Camera Settings for Macro Photography
  • Macro Video Thumbnail
    Our Macro Photography Video on YouTube
  • Coal Tit_black background
    My Setup for Bird Photography with a Flash
Disclosures, Terms and Conditions and Support Options
Filed Under: Photography Tutorials Tagged With: Close-up Photography, Flash Photography, Flowers and Macro, Macro, Macro Photography, Photography Tips, Tip, Tips for Beginners

About Nicholas Hess

Hi, my name is Nicholas Hess. I'm a wildlife photographer with a fascination for reptiles, amphibians, and the underwater world. My favorite animals are those that are misunderstood such as sharks and snakes. I am majoring in marine biology and minoring in journalism and Spanish, as I hope to pursue a career in wildlife photography and conservation. I invite you to check out my website if interested in prints, or you can find my latest photographs on Flickr and Instagram.

guest

guest

1 Comment
Newest
Oldest Most Voted
Inline Feedbacks
View all comments
Joe L
Joe L
June 8, 2023 5:38 pm

For Nikon users, the R1C1 macro flash kit is also quite nice.

0
Reply

Learn

  • Beginner Photography
  • Landscape Photography
  • Wildlife Photography
  • Portraiture
  • Post-Processing
  • Advanced Tutorials
Photography Life on Patreon

Reviews

  • Camera Reviews
  • Lens Reviews
  • Other Gear Reviews
  • Best Cameras and Lenses

Photography Tutorials

Photography Basics
Landscape Photography
Wildlife Photography
Macro Photography
Composition & Creativity
Black & White Photography
Night Sky Photography
Portrait Photography
Street Photography
Photography Videos

Unique Gift Ideas

Best Gifts for Photographers

Subscribe via Email

If you like our content, you can subscribe to our newsletter to receive weekly email updates using the link below:

Subscribe to our newsletter

Site Menu

  • About Us
  • Beginner Photography
  • Lens Database
  • Lens Index
  • Photo Spots
  • Search
  • Forum

Reviews

  • Reviews Archive
  • Camera Reviews
  • Lens Reviews
  • Other Gear Reviews

More

  • Contact Us
  • Subscribe
  • Workshops
  • Support Us
  • Submit Content

Copyright © 2025 · Photography Life

You are going to send email to

Move Comment