Lens Summary
Brand: Voigtlander
Also Known As: Voigtlander 58mm f/1.4
Lens Type: Prime Lens
Format: Full Frame / FX
Focus: Manual Focus
Release Date: 2007-11-02
MSRP Price: $489
Made in: Germany
Production Status: In Production
Lens Description: The Voigtlander Nokton 58mm f/1.4 SL-II Manual Focus Lens is a sturdy, bright manual focus lens that features high-quality traditional construction with classic styling, while using modern optical lens technology. This lens is part of the SL II series, which feature a CPU (Central Processing Unit) built into the lens. Having the CPU integrated into the lens allows it to support 3D Matrix metering and matrix balanced fill flash on all SLR cameras, even DSLRs (in manual focus). In addition, this also means that the aperture is now controlled by the camera\'s command dial.
Voigtlander 58mm f/1.4 Nokton SL II Specifications
| Lens Specifications | |
|---|---|
| Lens Type | Prime Lens |
| Focal Length | 58mm |
| Mount Type | Nikon F, Pentax K |
| Format | Full Frame / FX |
| Compatible Format(s) | 35mm Film / Full-Frame Digital Sensor DSLR (APS-C Sensor) |
| Compatible with Teleconverters | No |
| Maximum Reproduction Ratio | 1:5.8 |
| Image Stabilization | No |
| Aperture Information | |
| Aperture Ring | Yes |
| Maximum Aperture | f/1.4 |
| Minimum Aperture | f/16 |
| Maximum Angle of View (Full Frame format) | 40° |
| Optical Information | |
| Lens Elements | 7 |
| Lens Groups | 6 |
| Diaphragm Blades | 9 |
| Nano Coating | No |
| Anti-Reflective Coating | No |
| Focus Information | |
| Focus | Manual Focus |
| Built-in Focus Motor | No |
| Silent Wave / UltraSonic Motor | No |
| Minimum Focus Distance | 0.45m |
| Distance Information | Yes |
| Filter Information | |
| Filter Size | 58mm |
| Accepts Filter Type | Screw-on |
| Physical Characteristics | |
| Weather / Dust Sealing | No |
| Mount Material | Metal |
| Tripod Collar | No |
| Dimensions | 64 x 48mm |
| Weight | 320g |
| Other Information | |
| Available in Colors | Black |
Reader Interactions
Comments
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Bought this lens three months ago and love the whole package. Mine is made in Japan. Sharp with little distortion. I use it as portrait lens with my D7000 and a normal lens with my D600. I like using in portrait orientation and shooting panoramas with the D600. Sure wish some of the testers (like yourselves and DxOMark) would fully test this. I think many people would be interested in its quality optics and build, and reasonable cost. I really prefer to use manual focus for landscape and portrait work, so no autofocus is not a problem.
I recently acquired the ‘N’ version and it’s a lovely lens coupled with a D700. Takes a while to get used to the manual focus but for the price it’s a bargain
Pros:
This lens renders “magical” pictures. Different enough to be immediately noticed, even the most boring subjects become interesting. It’s low element, high quality construction is responsible for dimensional “3d” rendering equal to that of Zeiss, with a little more discrete pop than the Planar 85 and more attractive, realistic rendering than the Zeiss 50. This lens looks like a “Zeiss Makro Planar 100” stepped down to 58mm with all other things equal but more attractive, “sexy” rendering and 1/3 of the price. Everything looks perfect, but with some things to consider:
Cons:
– Allergic to any filter, including UV. With a UV it becomes just a “great lens”. Without it, it’s magic.
– Hood is important, and it’s of amazing quality and feel, yet it’s sold separately.
– No average commercial photolabs will be able to replicate its magic on any paper, unless they use extremely high color depth printers and exotic papers printed directly from raw or tiff. But if you print at home with one of those exotic $1,000 printers and top quality paper, the rendering is like from a lab of the future.
– Its “magic” is immediately visible on models up to the D750 (it makes the D700 look like unapproachable in quality by any other camera!). This lens wants large photosites. It starts struggling just a little with my D810 though, and who knows what it will do with more modern sensors coming up soon. If I want to keep this lens, I’ll have to keep the D810 or the D750 along with it.
A great lens with that “magic something”, I use it on my D800 and with an adapter on my Sony A7R2.
Works and looks great on both cameras.
If photography life ever does a full review of this lens I will certainly be interested in that.