Have you heard of the Orton Effect? This post-processing technique has been around since the 1980s, if not earlier, but the trend has exploded tremendously in the past few years. If you haven’t heard of it, you aren’t alone – it only recently began to gain mainstream popularity. And yet, in some ways, the Orton Effect is swallowing the modern world of landscape photography. This is barely an exaggeration; after seeing the Orton Effect in practice, you should be able to spot it in at least a third of the trending 500px landscape photos, as well as many winning photo contest entries. This article covers all the basics of the Orton Effect, including a tutorial on how to implement it in your own images – and a discussion on why you may not want to do so.
At the heart of photography is the idea that you are conveying a message to your viewers. Perhaps you want to show the beauty of a waterfall or the drama of an incredible sunrise. Or, you may hope to depict the dark intensity of a jagged mountain peak. A photograph with a clear message can be as effective as possible; its composition, colors, subject matter, and lighting all add to the impression that you are trying to convey. And, more than any other element of composition, the concept of simplicity helps you achieve this goal. In this article, I will cover the ways in which simplicity plays a role in successful photography, including how to implement it to improve your own photographs.
Every so often, the planet Mercury lines up perfectly between the Earth and the Sun. When it does, astronomers and photographers have a relatively rare chance to see and photograph the planet Mercury transiting across the Sun. Next Monday (May 9) is one of those opportunities. In this article, I will cover some tips and techniques for photographing this year’s Mercury transit.
Perhaps the most famous sight in Utah’s Zion National Park is the Narrows, a slot canyon carved by the Virgin River. The dramatic patterns in these sandstone cliffs are some of the most beautiful landscapes in the country, making for incredible images. I had the opportunity to photograph this amazing sight last month, which was not a particularly easy endeavor. Some of the most beautiful parts of the Narrows are only accessible after hiking upstream through the river for several miles.
For the past couple years, I have thought of myself primarily as a “telephoto” landscape photographer. A majority of scenes that catch my attention look best with a telephoto lens, and I tend to keep a 105mm or 70-200mm on my camera most of the time. However, a recent trip to Zion and Death Valley National Parks changed my mind.
Hyperfocal distance can be a confusing topic, both for beginning and expert photographers. However, if you want to take the sharpest possible images, particularly landscape photographs, it is simply invaluable. In this article, I will explain hyperfocal distance and give several methods to get the sharpest possible photographs with maximum depth of field. This article covers hyperfocal distance charts, as well as other, simpler methods to find your hyperfocal distance.
While photographing famous landmarks and photo spots is usually a safe way to obtain a beautiful photograph, being able to scout and find own subject to photograph is a skill that many of us have to acquire at some point. Identifying good light, finding the right angle for proper framing and composition, pre-visualizing the end result and using the right tool for the job in order to create a unique and compelling image takes years of practice in the field. This is the area that many of us, including myself, struggle with the most. Despite the difficulties and the challenges, it is important to keep on advancing the “photographer’s eye”. Sometimes we look at a beautiful image and really like it, but have a hard time understanding exactly what in particular attracts us to it. Is it the beautiful light, the composition or the subject itself? An untrained eye often sees certain elements of an image, while neglecting to see other, equally important elements that make an image successful. Being able to see and visualize all the minute details in order to properly execute a photograph is something we all need to continuously work on, because those details really do matter. Personally, I find great help in “dissecting” a solid photograph, to try to understand what kind of thought process and work went into making it. During this process, I pay close attention to everything from light, framing, composition, colors, subject, area of focus and other details, so that I can apply that knowledge in the field. In this article, I would like to present a landscape image that I recently captured in Joshua Tree National Park and go through the process of unveiling everything that went into making this image.
As a photographer, it is easy to feel excited about the newest images that you take. After returning from an amazing shoot, there is nothing more fun than loading your photos and sorting through them for the first time. This initial thrill, though, doesn’t always last. If you took hundreds – or even thousands – of photos at a time, sorting through your work can become a tedious task. Sometimes, too, you just aren’t in the right frame of mind to be looking through photos; perhaps you are distracted or simply tired. Whatever the reason, it is deceptively easy to overlook a high-quality photograph if you aren’t paying enough attention – I speak from experience! The only way to fix the problem is to look through the old photos that you have taken. In this article, I will discuss some of the important reasons to revisit your archives from time to time. Along the way, you may find beautiful shots that you never noticed before.
When photographic architecture, landscapes and even people, photographers often desire to increase detail and resolution, capture a wider angle or create a unique look that is impossible to achieve with standard camera gear. That’s where panorama photography comes in – it can be a great technique to utilize in order to accomplish such goals. Although the concept and the technique itself are fairly straightforward, panoramic photography often confuses many photographers. We often get many inquiries about this topic from our readers and one of the most frequently asked questions is about the specific type of gear to buy in order to produce stunning panoramas. And that’s certainly one of the biggest myths about panoramic photography – you rarely ever need such gear! Most of the panoramas I have stitched so far have been done without panoramic gear and although I do own a panoramic slider, I rarely ever get to use it. Read on this article on panorama photography tips to find out why!
When photographing landscapes and including a bright source of light like the Sun, we often end up getting quite a bit of ghosting and flare in images. Although seeing lens flare is quite normal in both images and video (in fact, videographers and movie makers often purposefully add ghosting and flare to their footage to make the scene look more natural), sometimes the effect can heavily harm images. Since every lens reacts differently to bright sources of light, with some having special coatings and optical optimizations in place to reduce such effects, the effect of ghosting and flare and its damage are not something that can be easily predicted – there are too many variables involved, like focal length, optical design, coating, light source angle and even dust within the lens. So what do you do when you have a beautiful sunrise / sunset moment and you want to capture it with the sun in the frame without traces of ghosting / flare? I have been using a “finger the sun” technique for many years and today I want to explain how this technique works and how you can use it to create stunning, dramatic landscape images.