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Home → Composition and Art

Landscape Photography on a Cloudless Day

By Spencer Cox 23 Comments
Published On January 23, 2025

Photographers may be some of the only people with a negative opinion of blue skies! But who can blame us? Harsh sunlight doesn’t complement a lot of subjects very well – if anything, just the opposite – and an empty, blue expanse usually doesn’t add much interest to the top of a landscape photo.

But as much as I’d love to control the weather, part of the challenge and fun of landscape photography is that you need to work with the hand you’re dealt. Often, that will include a cloudless sky. In fact, I’ve been on two landscape photography trips recently where every day had a totally cloudless sky. What’s worse, these were Photography Life’s two big workshops of the year! Did our groups take this as a sign to give up and go home? Or did we find a way to make the most of the blue skies above?

Luckily, everyone still managed to take good photos, including some photos that wouldn’t have been possible on a cloudy day. In today’s article, I’d like to go through the main techniques that allowed us to take good photos during these two trips, despite (or because of) the sky. Maybe you’ll find them useful the next time you’re in a beautiful location without any clouds overhead!

1. Shoot Narrower Scenes

One classic approach to landscape photography is to shoot with a wide-angle lens in order to capture the sweeping expanse of a grand landscape. But on a cloudless day, this can result in a large area of empty space at the top of your frame – not to mention all the harsh shadows falling across the landscape from the direction of the sun.

So, why not focus on a narrower scene? If the sky isn’t in your photo, all that matters is the light on the landscape itself. You don’t need to include the sky in your composition if it isn’t helping the photo.

Aspen Trees in Colorado with Gold Leaves Landscape Photo
Sony a7R V + FE 70-200mm F4 Macro G OSS II @ 200mm, ISO 100, 1/250, f/5.6

I love shooting with a telephoto lens on a cloudless day. The long focal length allows me to pick out a small segment of the landscape that is as interesting as possible, without including unwanted details (such as an empty sky) that may take away from the photo.

Also, don’t forget to point down at your feet. Some of my favorite landscape photos from these two trips occurred because I was looking for intimate landscapes instead of grand photos. Subjects like this work great no matter how the sky looks.

Intimate Landscape Photo Grass and Frost
Sony a7R V + FE 70-200mm F4 Macro G OSS II @ 90mm, ISO 100, 1.3 seconds, f/16.0

2. Convert to Black and White

Harsh shadows and textures often don’t work quite right for color photography. My friend and fellow Photography Life writer Adam Sheridan is fond of saying “the bare sun is the biggest desaturator of colors.” But who says you need to be capturing colors?

Sand Dunes BW Abstract on Cloudless Day
Canon EOS R5 + RF28-70mm F2.8 IS STM @ 70mm, ISO 100, 1/100, f/11.0

Black and white photos often work great on an overly sunny day. You can find dramatic shadows and textures that are more pronounced than usual, and you don’t need to worry about dull colors appearing in your photo. Especially combined with the previous tip, you can get some really nice B&W abstracts on a cloudless day.

My best advice for this type of photo is to not think of it as a photo of your subject – instead, think of it as a photo of shadows, shapes, and textures.

Death Valley intimate landscape BW
Canon EOS R5 + RF28-70mm F2.8 IS STM @ 61mm, ISO 100, 1/80, f/22.0

3. Shoot Before Sunrise or After Sunset

The midday sun is known for its harsh character, especially on a cloudless day. But before the sun rises, or after the sun sets? That’s a different story.

When the sun is below the horizon, it won’t cast harsh light – clouds or not. Instead, you’ll get beautiful colors and soft shadows, allowing for some lovely light in your landscape photos.

4A8A4443
Canon EOS R5 + RF24-240mm F4-6.3 IS USM @ 76mm, ISO 100, 1/10, f/7.1

At these times of day, you can also consider including the sky in your photo and getting a lovely gradient of color. I’m particularly fond of the Belt of Venus, where the Earth’s shadow is cast on its own atmosphere. This time of day doesn’t last long but can lead to some amazing photos – photos that you couldn’t get any other way, including on a day with beautiful clouds.

Belt of Venus Death Valley Salt Flats Badwater Basin Landscape
Canon EOS R5 + RF24-240mm F4-6.3 IS USM @ 30mm, ISO 100, 1 second, f/14.0

4. Look for the Moon

A cloudless day can be the best time to experiment with the art of moon photography! I always love a chance to photograph our celestial neighbor as a landscape photographer. Sometimes, I even secretly hope for a cloudless sky for this exact reason.

4A8A4413
Canon EOS R5 + RF24-240mm F4-6.3 IS USM @ 100mm, ISO 100, 1/100, f/16.0

One potential challenge when photographing the moon is to get plenty of detail on both the moon and the landscape itself. It’s only easy to accomplish when the moon is a little higher in the sky, paired with a brighter landscape around it (as in the photo above).

Although you can get around this limitation with HDR or other image blending techniques, I’d also say that you can simply embrace it! A blown-out moon is not necessarily a bad thing in landscape photography. It simply depends upon the image.

Moon and Salt Flats from Dantes View Death Valley Before Sunrise
Canon EOS R5 + RF14-35mm F4 L IS USM @ 14mm, ISO 100, 6 seconds, f/16.0

5. Try Out Milky Way Photography

There is one type of landscape photography that almost always benefits from a cloudless day: Milky Way photography.

Actually, I have a funny story about that. There was only one time during both trips that the sky filled with clouds, and it was the night we were doing Milky Way photography in Colorado! Can you believe it?

The good news is that we still had a clear view of the Milky Way (see below) for more than an hour before the clouds rolled in. And the clouds themselves had an interesting shape that wasn’t so bad for photography. But seriously, what bizarre luck!

Nikon Z 58mm 0.95 Noct for Milky Way
NIKON Z 7 + NIKKOR Z 58mm f/0.95 S Noct @ 58mm, ISO 800, 5 seconds, f/0.95
Milky Way with Clouds Colorado Landscape Photo
The one time during both workshops that we got a lot of clouds! Granted, I don’t hate how they look. But it felt pretty absurd at the time.
Sony a7R V + FE 16-35mm F2.8 GM II @ 16mm, ISO 3200, 15 seconds, f/2.8

6. Embrace the Blue Sky

You may not want to have a blue sky in your landscape photos most of the time, but who says that’s always going to be the case? Sometimes, for various reasons, a blue expanse is exactly what your photo needs at the top of the frame.

Here, for example, I think it’s a good complement to the rest of this minimalist photo:

Salt Flats with blue sky Death Valley
Canon EOS R5 + RF14-35mm F4 L IS USM @ 35mm, ISO 100, 1/40, f/11.0

While I won’t deny that some puffy clouds would have looked nice there, too, it’s a good reminder that sometimes an empty sky isn’t going to harm your photo at all. Like all things in photography, it’s about the mood you want to convey. While you wouldn’t want an empty sky all the time, or probably most of the time, it does sometimes fit the landscape better than anything else.

And there you have it – six different approaches you can take to landscape photography on a cloudless day! I hope this article gave you some food for thought as a landscape photographer. Let me know in the comments if you have any questions or tips of your own for landscape photography under a blue sky.

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Filed Under: Composition and Art Tagged With: Creativity, Landscape, Landscape Photography, Light

About Spencer Cox

I'm Spencer Cox, a landscape photographer based in Colorado. I started writing for Photography Life a decade ago, and now I run the website in collaboration with Nasim. I've used nearly every digital camera system under the sun, but for my personal work, I love the slow-paced nature of large format film. You can see more at my personal website and my not-exactly-active Instagram page.

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Shri
Shri
January 26, 2025 10:11 am

Great pics! Enjoyed the workshop, the focus on narrower areas, and learning to appreciate the beauty of the moon and the belt of Venus enabled me to appreciate the beauty of the stark and textured landscape! Thanks Spencer and Adam

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Spencer Cox
Spencer Cox
Author
Reply to  Shri
January 26, 2025 3:32 pm

Thank you, Shri! I had an amazing time out there and am very glad you joined us. Death Valley is one of those places that leads to good photo opportunities no matter the conditions.

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John Beach
John Beach
January 24, 2025 11:27 am

You can also make that big beautiful blue sky an important compositional element. Like this johnbeach.smugmug.com/Lands…-NHSjrw5/A

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Spencer Cox
Spencer Cox
Author
Reply to  John Beach
January 24, 2025 12:19 pm

Awesome photos, John! The one you linked works perfectly with the blue sky, and so do others in the same gallery. “Embrace it” is a good answer to the cloudless day question.

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Janusz Janiszewski
Janusz Janiszewski
January 24, 2025 9:02 am

Shoot analog on a perfect blue sky day.

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Reply
Spencer Cox
Spencer Cox
Author
Reply to  Janusz Janiszewski
January 24, 2025 9:40 am

I may have done some of that too :)

Just waiting on the film to get back!

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Cynthia
Cynthia
January 24, 2025 8:31 am

I recognize some of those views! Even though the skies didn’t send us pretty scudding clouds in Death Valley, it was a great workshop. And the lessons of cloudless photography are invaluable in life as well: 1) make the most of what you get, 2) make memories no matter what, 3) just keep shooting.

In the end, all photography teaches the eye to pay attention to details and beauty that are all too often unseen in the haste of life.

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Spencer Cox
Spencer Cox
Author
Reply to  Cynthia
January 24, 2025 9:34 am

That’s a beautiful way to phrase it. It reminds me of the Dorthea Lange quote, “The camera is an instrument that teaches people how to see without a camera.”

1
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Cynthia
Cynthia
Reply to  Spencer Cox
January 24, 2025 10:08 am

Exactly. Beautifully succinct. Thanks, Spencer.

1
Reply
Spencer Cox
Spencer Cox
Author
Reply to  Cynthia
January 24, 2025 11:22 am

Thank you. Very glad you joined us out there! I’m looking forward to seeing your photos from the trip and hearing what you ultimately pick for your calendar.

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bg5931
bg5931
January 24, 2025 1:43 am

Invert your day/night cycle and shoot from sunset to sunrise. :D

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Spencer Cox
Spencer Cox
Author
Reply to  bg5931
January 24, 2025 9:31 am

I tried doing that once, and my brain was not a fan! I ended up stuck on a 24 hour awake / 12 hour asleep schedule, which felt as bad as it sounds 🤣

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JasonFrels
JasonFrels
January 23, 2025 5:54 pm

I’ll keep this article in mind as I head out to Big Bend next week. I never get much luck with clouds out there.

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Spencer Cox
Spencer Cox
Author
Reply to  JasonFrels
January 23, 2025 6:03 pm

I’ve been to Big Bend once and loved it – I think there are some awesome pre-sunrise / post-sunset photos to be had there! And hardly any light pollution for Milky Way photography. Not a bad place for cloudless skies at all.

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JasonFrels
JasonFrels
Reply to  Spencer Cox
January 23, 2025 6:51 pm

I have a predawn photo taken at balanced rock out there that I really love. There aren’t any clouds, but there is a colorful gradient on the horizon.
comment image

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Spencer Cox
Spencer Cox
Author
Reply to  JasonFrels
January 23, 2025 7:17 pm

Yeah, that’s an amazing photo! The gradient in the sky is great.

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Adam Sheridan
Adam Sheridan
January 23, 2025 2:53 pm

Great article, Spencer. It really was crazy how the only clouds we saw in almost 2 weeks of landscape photography were during our astro night! But as you mentioned, it does make you work a little harder, and therefore learn more. All the attendees got some really excellent photos, too!

1
Reply
Spencer Cox
Spencer Cox
Author
Reply to  Adam Sheridan
January 23, 2025 3:16 pm

It was pretty crazy. I don’t think we’ve ever had cloudless skies throughout a workshop before, let alone both workshops!

That said, I think that unfavorable conditions can lead to better photos sometimes. We didn’t get any amazing clouds or nuclear sunsets during these two trips that could have rescued a boring photo. So instead, everyone had to slow down and put thought into their compositions in order to make the scene work anyway. That’s a recipe for good photos.

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Adam Sheridan
Adam Sheridan
Reply to  Spencer Cox
January 24, 2025 9:27 am

Absolutely agreed!

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Mark B
Mark B
January 23, 2025 2:50 pm

Personally, I love blue sky days. Not necessarily middle of the day blue sky, but clear and crisp. Makes for good light and bright compositions. I’d like to believe that I have many good clear sky landscapes.

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Spencer Cox
Spencer Cox
Author
Reply to  Mark B
January 23, 2025 2:52 pm

It sounds like it suits your style of landscape photography nicely!

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Marc8
Marc8
January 23, 2025 2:45 pm

Good article and good suggestions. I often take landscape pictures while biking and there you really have to take the picture when you see it.

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Reply
Spencer Cox
Spencer Cox
Author
Reply to  Marc8
January 23, 2025 2:48 pm

Thanks, Marc! I agree. In theory, it’s nice to scout and re-take the photo when conditions are better, but I’ve only taken a tiny percentage of my photos this way. Usually you’ll have to work with the conditions in front of you!

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