Photographers are pretty good at coming up with creative, self-deprecating insults. From GAS (gear acquisition syndrome) to pixel peeping, just look on any photography forum today and you’ll find a new term that makes you smile and cringe at the same time. One of my personal favorites is chimping – a word that describes photographers who review their photos too frequently, often at the worst of times. But perhaps chimping doesn’t fully deserve the bad reputation it has.
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What Is Chimping?
Chimping is another word for reviewing photos immediately after taking them – usually when you’re still out on location with an interesting scene in front of you. Almost everyone has practiced chimping at some point, unless you’re an all-film photographer. But it’s still looked down upon by photographers as a whole.
If you’ve ever wondered why it’s called chimping, it’s meant to be based on the “Ooh, ooh, ooh!” sounds photographers make when they review a good photo they’ve just taken. I don’t know anyone who actually sounds like a chimp when reviewing photos, but you have to admit, it’s a catchy name. (Some say that it’s based on a shortened version of “Checking Image Preview,” if you prefer the boring possibility.)
Why Chimping Has a Bad Reputation
The “distracted photographer” is almost a cliche today. They’re always looking down at their most recent photo, never out at the scene in front of them. You’ll periodically see images of a photographer at the Olympics or another major sporting event who missed the perfect moment because they’re staring at their LCD.
Chimping sounds silly, but it can be heart wrenching if it costs you a shot. Think of the wildlife photographer who sits for hours waiting for the right moment, then misses it because they looked away at the wrong time. Or the landscape photographer who reviews their earlier photos while waiting for the light to change, only to end up with a dead battery when it matters the most.
Along the same lines, if you have a habit of chimping after every good photo you take, it might come back to bite you at an important moment. It’s like photographers who say “Ooh, ooh, ooh!” to congratulate themselves at the wrong time. Chimping has its uses, but it sometimes functions as nothing more than a premature reward.
But It Isn’t All Bad
Sure, chimping has a negative reputation, but that doesn’t mean you should tape over your LCD. Sometimes, reviewing photos is the best thing you can do to improve your shots in the field. That’s really one of the main benefits of digital photography compared to film – a way to correct your mistakes in the field when you still have a chance.
So although it’s a bad idea to chimp when you’re photographing fast action, it can be a very useful technique for slower-moving scenes. Some photographers will tell you that even a slow-moving scene could change rapidly, and that’s true; you should always be prepared. But sometimes being prepared means taking advantage of every available tool to make the next shot as good as possible.
Some large-format film photographers used to carry along a polaroid instant camera for this exact purpose – seeing how the final photo would appear, at least roughly. Photographers using the same equipment today generally prefer a phone or compact camera for the same purpose, but the underlying idea is the same. There’s no better time to improve a bad photo than when you’re still out in the field.
Confession Time: I’m a Chimper
I’ve hinted at it so far in this article, but I think it’s time to be fully transparent – I’m a chimper. Always have been, probably always will be.
I’m sure this has gotten me in trouble a couple times, although I can’t think of a specific case off the top of my head (maybe because the amazing event happened so quickly I never even saw it). At a minimum, I know that my battery life isn’t as good when I chimp heavily, and that’s definitely contributed to some missed shots over the years.
Then again, some parts of photography are inherently about tradeoffs, and I think chimping is one of them. Often, it’s worth spending the time to improve your next photo even if you’re not capturing anything new in the interim. Think of it like a landscape photographer who runs from a good foreground to a better one during good light; they might miss some shots along the way, but the tradeoff has a good chance of being worthwhile.
Conclusion
At the end of the day, “to chimp or not to chimp” is a bit of a false dilemma. In many cases, there’s no harm to it at all, since the chances of anything crazy happening while you wait are very low. Sometimes it can be downright silly not to chimp, like in a studio where you have as much downtime as you need from shot to shot. Many studio photographers shoot tethered to a laptop for this exact reason – chimping on steroids.
But if you’re in the middle of an amazing moment, and you don’t think it will last long, you would be crazy to start reviewing photos before it’s over! The same goes for a wedding or other event during the most important moments. If you chimp in cases like that, it could be a big disaster. That shouldn’t surprise most photographers, though, and frankly I don’t think very many people actually make this mistake.
Like all things in photography, it’s best to strike a balance. I’m probably a bigger proponent of chimping than most photographers are, but so long as you keep both sides of the coin in mind – avoiding distractions without limiting the tools at your disposal – you’re on the right track. And if you hadn’t heard of chimping before, now you know another interesting photography term to throw around in the right company.
Guilty as charged – but chimping does help! 🤭
First time I read about chimping haha! I never knew that I indulged in some of that myself, but for the most part I love having surprises when reading the card on my computer, so am willing to wait. Your articles are very well written and interesting, Spencer. Many thanks! (your article about color spaces has been bookmarked, as well as several others)
I’m happy to hear it, thanks, Laura!
For live action photography, including wedding shoots, sports events and such, where getting THE Moment is super-critical: I can understand the “anti-chimping” argument. But for photographers of less dynamic subjects — still lifes, pet portraits, landscapes and other nature shoots — NOT chimping can be fatal… For those kinds of subjects, getting the lighting, composition, framing, exposure juuuuuust right can make or break the occasion.
(Also, the post-shot histogram in the viewfinder may not be useful — it’s so small, compared to the one usually available on the LCD.)
Funny – this article’s a year-and-a-half old. I think a lot of readers, including me, are just now finding it because it showed up in a Google News daily feed!
I was wondering why I was getting new comments here all of a sudden! Thanks for letting me know why. Strange to suddenly pop up in the feed like that, but who am I to complain?
I make sure I chimp! I do it to eliminate images that I don’t want to deal with later.
Sorry, but that is a load of manure.
I cannot imagine a digital wedding photographer who does not review his shots as he progresses.
I have my rig set to auto display the image after every shot.
With wedding work you have 1.00 times to get it right.
There are no come-backs or re-dos.
Hi bgavin,
Spencer wrote: “Chimping is another word for reviewing photos immediately after taking them”. You write: “With wedding work you have 1.00 times to get it right.” and of course this is correct. But is this not a contradiction? If time is short, e.g you take pictures of the wedding couple grouped with different people (parents, grandparents, relatives, friends) you hardly have time to chimp. You may do it quickly after the first pictures to check the exposure or to check the correct settings but then you have to stay with the people, the photography itself and not with the technique. The auto display might distract or even disturb the audience. And a (wedding) photographer should be as “invisible” as psossible and not shined on. If one as a photographer gets used so much to his gear, knows what is possible to achieve with it, there is not much reason to chimp (immediately). Of course, while on set, one can use the free time intervals to begin with reviewing and deleting bad photos from the batch. But that is not chimping, isn’t it?
Nikon cameras typically allow the Spot metering to be aligned with the autofocus point, that covers a 2-4mm radius. However, Centre-Weighted metering is always in the middle of the frame no matter how large the selection is (6-14mm). I would like to see a larger spot being available, or having the CW area move with AF point too, as I find the current spot to be too small for certain subjects. Nikon could make the larger spot equivalent to 9 AF points, which would be about 7mm radius. If Nikon did that, my ‘chimping’ would be greatly reduced as metering for fast moving subjects would be improved.
Well of course I do check my results on the monitor, usually immediately.
Why?
Well first of all I had an idea when I started the shot.
Let’s check if this idea transferred with the settings – usually NOT automatic.
Second – is the focus hit?
Third – that IS the Beauty of Digital Cameras that you can control and correct your settings on spot.
I traveled Africa at Analog times, nice surprise if you find out at home that you should have taken a notch more sky or this and that for the perfect shot.
Not to speak about the 12 rolls of BW film that turned out to be trash because of a failure of the body.
BTW I had to click ten CATCHA to enter this comment. There are better ways to identify a robot. I.e. simple math tasks.
Amazing isn’t it, how much feedback this article has generated? I’ve usually thought of my photography as more or less a solitary exploit. It’s fascinating to me to see and hear the range of opinion voiced about something other people may or may not be doing, but which either way affects nobody else in the world. A very interesting object lesson of the social animal we are.
I am not a chimper anymore but before important shootings I check all settings by reviewing test shots. I had my LCD turned off long ago on all cameras because I do not like the bright LCD light flashing up after a shot in low light environments. I do not chimp anymore because I want to keep my focus on the subject or the scenery just as described Spencer above. Chimping tears you out of the setting, the environment, the situation.
In a book about Henri Cartier-Bresson he is quoted (translated from a German text):
“For me, a photograph means the simultaneous recognition, in a fraction of a second, of the meaning of an event on the one hand and the exact arrangement of the visually perceived forms expressing that event on the other.”
A real chimper will most probably miss that.
Having learned photography in the Forensic field, using a 4 x 5 Speed Graphic Camera, and continuing thru the digital age, we were not allowed to alter images, for court purposes, and if you did alter the image, you had to have the original, and be able to explain in detail the alterations made to a judge or jury. I often wonder how many images seen on all these photo sites are original, un-altered in any way, using Light Room or Photoshop. I would be willing to bet very, very few in number. I would like to start seeing photographers publishing their original images, unaltered. I think it would be interesting. Or at least show the original and the enhanced image. Just a thought