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Home → Essays and Inspiration

Great Blue Herons In-Flight – Same Day, Different Times

By Thomas Stirr 4 Comments
Last Updated On April 30, 2023

People who enjoy bird photography can attest to the fact that patience is a virtue when it comes to capturing images of birds-in-flight. We simply never know when nature will present photo opportunities. As a result we need to keep aware of our surroundings, and our finger on the shutter release! During the past couple of months I’ve been out doing some field work for an upcoming eBook about hand-held bird photography.

This article shares a selection of 12 images of Great Blue Herons in flight. All of these photographs were captured on the same day (August 14, 2018), at various times of the day, at the Hendrie Valley Sanctuary. Some images worked better than others of course. The objective of the article is simply to illustrate that patience and putting in time at a location is required when photographing birds-in-flight.

PL difference 1
NIKON 1 V3 + 1 NIKKOR VR 70-300mm f/4.5-5.6 @ 245.7mm, ISO 2800, 1/1000, f/5.6, captured at 7:22 AM

Many of the Great Blue Herons that frequent the Hendrie Valley Sanctuary are out fairly early in the morning. With my small sensor camera gear it can be a challenge for me to get useable images when shooting in early morning hours. The image above was captured at 7:22 AM at ISO-2800.

PL difference 2
NIKON 1 V3 + 1 NIKKOR VR 70-300mm f/4.5-5.6 @ 89mm, ISO 3600, 1/1600, f/5.6. captured at 7:43 AM @ 60 frames-per-second

The heron in the above image was quite close to the road at the Hendrie Valley Sanctuary which enabled me to frame the bird using a shorter focal length. I’ve been shooting at 60 frames-per-second regularly during the last few months. I had to wait for about 15 minutes before this heron took flight at 7:43 AM. As soon as the bird flexed its legs in preparation to take off I pressed my shutter release and quickly filled the buffer on my Nikon 1 V3.

PL difference 3
NIKON 1 V3 + 1 NIKKOR VR 70-300mm f/4.5-5.6 @ 98.9mm, ISO 1250, 1/1250, f/5.6, captured at 9:34 AM @ 60 frames-per-second

As mentioned earlier, I’ve been regularly using a frame rate of 60 frames-per-second with my Nikon 1 V2 and V3 cameras when capturing images of birds-in-flight, most often when they are taking off or landing. This allows me to get very precise motion captures as seen in the photograph above which was captured at 9:34 AM. Since my V2 and V3 bodies have a 40-shot buffer it fills in only 2/3 of a second when using this very fast frame rate. As a result, shutter release timing is critical.

PL difference 4
NIKON 1 V3 + 1 NIKKOR VR 70-300mm f/4.5-5.6 @ 107.9mm, ISO 560, 1/2000, f/5.6, captured at 12:12 PM

Like most nature settings, various birds will come and go and there are often lulls in the action. Some photographers are focused on a particular species of bird and they will simply wait until that type of bird reappears. I change my focus and will photograph whatever opportunities Mother Nature presents. The image above was captured at 12:12 PM.

PL difference 5
NIKON 1 V2 + 1 NIKKOR VR 70-300mm f/4.5-5.6 @ 240.6mm, ISO 560, 1/1600, f/5.6, captured at 12:22 PM

As we photograph a particular species of bird regularly, we begin to understand some of its behaviours which can be very helpful when anticipating image opportunities. The heron above had been fishing briefly in some shallow water next to the burm. It wasn’t having much luck and with a couple of wing beats rose up out of the water and landed on the top of the burm at 12:22 PM. From there it was able to gingerly walk across the burm so it could fish from the other side.

I recently added a second 1 Nikon CX 70-300 mm f/4.5-5.6 lens to my kit. I now regularly go out with a pair of cameras (one V3 and one V2) each fitted with this lens. Since the V2 and V3 have different AF-C frame rates, using a pair of cameras gives me a bit more flexibility. I primarily shoot with a V3 and use the V2 as a back-up when the buffer in my V3 hasn’t cleared and other image opportunity have appeared. The image above was captured with a V2.

PL difference 6
NIKON 1 V3 + 1 NIKKOR VR 70-300mm f/4.5-5.6 @ 194.8mm, ISO 560, 1/2000, f/5.6, captured at 12:35 PM

When spending a lot of time at one location during the same day, it is important to change your shooting position to take advantage of the available light whenever possible. Obviously one needs to stay proximate to the action, like this heron gliding by at 12:35 PM.

PL difference 7
NIKON 1 V3 + 1 NIKKOR VR 70-300mm f/4.5-5.6 @ 300mm, ISO 800, 1/2000, f/5.6, captured at 12:38 PM

Birds tend to be creatures of habit and as you familiarize yourself with specific locations it becomes easier to anticipate bird behaviour. This Great Blue Heron flew across one of the ponds at the Hendrie Valley Sanctuary at 12:38 PM and landed on the burm that separates it from another smaller pond.

PL difference 8
NIKON 1 V3 + 1 NIKKOR VR 70-300mm f/4.5-5.6 @ 300mm, ISO 1100, 1/2000, f/5.6, captured at 12:41 PM

As is sometimes the case, the heron did not stay long on the burm. After poking around for a couple of minutes it turned around and flew back (at 12:41 PM) to perch in some trees from where it had just ventured forth.

PL difference 9
NIKON 1 V3 + 1 NIKKOR VR 70-300mm f/4.5-5.6 @ 70mm, ISO 400, 1/1600, f/5.6, captured at 1:48 PM

As the lighting and wind conditions change during the day, so too do the photographic backgrounds of our images. This photograph was captured at 1:48 in the afternoon when the light is harsher.

PL difference 10
NIKON 1 V3 + 1 NIKKOR VR 70-300mm f/4.5-5.6 @ 300mm, ISO 280, 1/1600, f/6.3, captured at 2:26 PM

To capture as many image opportunities as possible it is important to not only keep an eye on the surface of the water and the shoreline, but also continuously scan the sky. The heron in the above photograph did a quick fly-by at 2:26 PM, up against a clear blue sky.

PL difference 11
NIKON 1 V3 + 1 NIKKOR VR 70-300mm f/4.5-5.6 @ 92.3mm, ISO 560, 1/1600, f/5.6, captured at 3:03 PM

Not all of our captures will be at the angles we anticipated and sometimes birds, like the heron in the image above, will take off at an unexpected angle. This can limit the number of potentially useable photographs as a bird’s wings will often obstruct the view of its head and eye. This image was captured at 3:03 PM as I was contemplating calling it a day at the Hendrie Valley Sanctuary.

PL difference 12
NIKON 1 V3 + 1 NIKKOR VR 70-300mm f/4.5-5.6 @ 240.6mm, ISO 2500, 1/1600, f/5.6, captured at 3:06 PM

Just as I was preparing to leave the Hendrie Valley Sanctuary I spotted another Great Blue Heron flying low along the creek bed. The heron was flying directly at me, and hoping that the bird would bank into the sun, I held off on my AF-C run. The photograph above was one of the last ones I captured that day at 3:06 PM. Since I had been at Hendrie Valley since 7 AM without taking a break for lunch, I figured it was time to leave and grab a bite to eat.

Technical Note:
All photographs in this article were captured hand-held using Nikon 1 gear as per the EXIF data. All images were produced from RAW files using my standard process of DxO PhotoLab, CS6 and the Nik Collection.

Article and all images Copyright 2018 Thomas Stirr. All rights reserved. No use, adaptation or reproduction of any kind is allowed without written permission. Photography Life is the only approved user of this article. If you see this article reproduced anywhere else, it is an unauthorized and illegal use. Posting comments pointing out Copyright infringements on offending websites that steal intellectual content is always appreciated!

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Filed Under: Essays and Inspiration Tagged With: Bird Photography, Birds in Flight, Nikon 1 System

About Thomas Stirr

Thomas Stirr is an author, photographer/videographer, and executive coach based in Grimsby Ontario Canada. He specializes in industrial photography, as well as safety/training/corporate videos. His work also includes landscape and nature photography, and experimentation with photo art. Nikon Canada has featured Tom's work numerous times on Facebook and Twitter. To follow Thomas, please visit his photography blog and check out his eBooks.

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Arthur
Arthur
August 19, 2018 2:53 pm

With the White Face Heron, I find I have to be watching them if I want to capture the lift off. Several times I have glanced down at the camera, looked back at the Heron only to see it 6 meters away. They make almost no sound at all with their wing beats. Not sure why I have so many photos of the Heron. In flight, they do not have the smoothest of profiles. A bit like a plucked duck with wings.

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Thomas Stirr
Thomas Stirr
Reply to  Arthur
August 19, 2018 9:09 pm

Hi Arthur,

Thanks for sharing your experiences photographing the White Face Heron! I saw a number of these birds during a trip to New Zealand in March and was able to capture a number of images of perched birds and only a couple of photos of them in flight. As you know, they launch very quickly!

Like you, I’ve found that even looking away from a heron for even an instant can cause me to miss the chance to photograph them taking off. They are magnificent birds in flight and I love the beauty of their wings and body position as they launch.

Tom

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Michael Otis
Michael Otis
August 18, 2018 3:24 pm

Very nice photos Thomas. I have read that you used to shoot with Nikon FF gear but switched to Nikon I for the lighter weight and great photo reach with the smaller sensors. As Nikon has ,or will be, discontinuing the Nikon 1 line-up, what system are you going to move to ?

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Thomas Stirr
Thomas Stirr
Author
Reply to  Michael Otis
August 18, 2018 4:25 pm

Hi Michael,

The main reason that I moved over to Nikon 1 exclusively was because the system allowed me to be at least 30% more productive than using full frame gear when shooting video projects for my industrial clients. That is still the case today so I have no compelling reason to move to another format or system.

Over the past few years I have been adding to my Nikon 1 kit to ‘future proof’ it as best I could should it ever be discontinued by Nikon. As it turns out that ‘future proofing’ was a prudent action to take as the Nikon 1 system was discontinued in July. At this point, with 8 Nikon 1 bodies (three V2s for my client video work, three J5s for general photography needs, and two V3s for birding and nature) as well as about eighteen 1 Nikon lenses, and 6-7 batteries for each camera model, I have a sufficient amount of Nikon 1 gear to allow me to happily shoot with it for many years to come. There is nothing else on the market currently that tempts me in the slightest. :-)

Tom

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