Today, it’s a battle of Nikon’s two f/4, S-line, midrange zooms! In one corner we have the Nikon Z 24-70mm f/4 S, and in the other corner, the Nikon Z 24-120mm f/4 S. I’ve used both of these lenses extensively – in fact, I got the 24-70mm f/4 S on day one of the Nikon Z system (it was my first ever Nikon Z lens). But which lens is better? That’s what I’ll answer below!
Initial Considerations
It doesn’t take a genius to see that the biggest difference between these two lenses is their focal length. One stops at 70mm, one stops at 120mm. That’s a pretty big difference and should be the first thing you take to heart when considering these lenses – more than anything performance related.
Obviously, zooming to 120mm is a benefit of the 24-120mm f/4 S. But what costs are you paying to achieve that longer focal length? Actually, less than you would think.
In terms of weight, the Nikon Z 24-70mm f/4 S weighs 500 grams (1.1 pounds), while the Nikon Z 24-120mm f/4 S weighs 630 grams (1.4 pounds) – yes, the 24-70mm f/4 S wins, but it’s not a dramatic difference. The 24-70mm f/4 S is a bit more portable, but the size difference is only about 2 cm (3/4 inch). Not anything to worry about for most photographers.
Then there’s price. The Nikon Z 24-70mm f/4 S costs $1000, and the 24-120mm f/4 S costs $1100. Again, not a major difference. Things are looking pretty good for the 24-120mm f/4 S at this point… at least if you pay full price for both lenses.
I mention that last point because the real difference in price between these two lenses is bigger than it seems at first glance. That’s because the Nikon Z 24-70mm f/4 S is the main kit lens for full-frame Nikon Z cameras! You can find it for several hundred dollars less than MSRP in camera+lens bundles. And because so many people bought it as a kit lens, used prices of the 24-70mm f/4 S are extremely good – much lower than those of the 24-120mm f/4 S. It’s more like a $300-400 difference between them in practice.
What about build quality and handling features? Although build quality is very similar (both are externally-zooming lenses made from high-quality plastics), handling favors the Z 24-120mm f/4 S. It has a function button on the lens (no such luck on the 24-70mm f/4) as well as an extra control ring for adjusting aperture, ISO, or exposure compensation. Both lenses have a single A-M switch. The 24-70mm f/4 S does have the advantage of a collapsible design to make the lens more portable when traveling.
Image Quality
1. Distortion
Both lenses have some pretty substantial distortion. Although this is correctible in post-processing software, I still prefer lenses with low distortion – it makes the files easier to work with in obscure software, and it also means less “stretching” in the corners of the frame when fixing distortion. That can have a minor, but visible effect on lens sharpness.
In any case, the Nikon Z 24-120mm f/4 S has a hair more distortion at 24mm, with 5.01% barrel distortion. In the range from 35-70mm, however, the Z 24-70mm f/4 S has more distortion – maxing out at 4.43% pincushion distortion, compared to 3.85% pincushion distortion on the Nikon Z 24-120mm f/4 S. I would rate both lenses as “equally bad” in terms of distortion! Thankfully it’s still the easiest lens issue to fix in post.
2. Vignetting
In the shared range of focal lengths, the two lenses both have pretty high levels of vignetting. The Nikon Z 24-70mm f/4 S performs a bit worse, maxing out at 2.01 stops of vignetting at 24mm, compared to 1.81 stops of vignetting at 24mm on the Z 24-120mm f/4 S. Both results are in the same ballpark – and high enough to warrant correction most of the time. But I do give a slight nod to the 24-120mm f/4 S here.
3. Lateral Chromatic Aberration
The Nikon Z 24-70mm f/4 S and Nikon Z 24-120mm f/4 S are well-controlled for chromatic aberration. The 24-70mm f/4 S has slightly better performance of the two, never reaching above 1.22 pixels of CA, while the 24-120mm f/4 S maxes out at 1.76 pixels – still not bad for a zoom lens at all.
For context, anything under 2.5 pixels of CA by our measurements can be corrected pretty easily in post-processing. Anything under about 1.5 pixels of CA generally does not need to be corrected in post-processing. And under 1 pixel is almost completely negligible.
4. Sharpness
Now the moment of truth! Which lens is sharper in the shared zoom range from 24mm to 70mm? I’ve heard the Nikon Z 24-120mm f/4 S described as “the same as the Z 24-70mm f/4 S, just with more reach.” Let’s see if that description holds true in terms of sharpness. Here are both lenses at 24mm:
At the widest focal lengths of 24mm, the Nikon Z 24-120mm f/4 S is stronger in the center and midframe, whereas the Nikon Z 24-70mm f/4 S is stronger in the corners. The differences get pretty slim as you stop down, however.
35mm:
The story is basically the same. I prefer the 24-120mm f/4 S in the center and midframes, while the 24-70mm f/4 S has an advantage in the corners. Both lenses are quite sharp throughout, though, and by f/11, the differences have basically vanished.
50mm:
At 50mm, the story changes a bit. Here, the two lenses are well-matched in center sharpness at 50mm. If anything, the 24-70mm has a slight advantage in that respect. But the 24-70mm f/4 S’s corner sharpness has dipped a bit at this focal length, giving the Z 24-120mm f/4 S a clear advantage at f/4 in the corners. By f/5.6, the differences even out.
70mm:
Finally, at 70mm, the Nikon Z 24-120mm f/4 S looks better than the 24-70mm f/4 S, especially at f/4 and f/5.6. That’s because this is the weakest focal length for the 24-70mm f/4 S, whereas the 24-120mm f/4 S is extremely consistent in sharpness at every focal length (including the longer focal lengths that aren’t shown here, which you can see in my Nikon Z 24-120mm f/4 S review).
Maybe that description from earlier was pretty accurate! The two lenses are pretty evenly-matched in terms of sharpness overall. I’d give the 24-120mm f/4 S higher marks in the center overall. Meanwhile, the 24-70mm f/4 S is better in the corners at the wide focal lengths, while the 24-120mm f/4 S is better in the corners at the long focal lengths.
On balance, I’d give a slight overall sharpness advantage to the Nikon Z 24-120mm f/4 S. I should emphasize – slight. It also depends on what focal lengths and apertures you use the most.
Value and Recommendations
If both of these lenses were exactly the same price, the easy choice would be to get the Nikon Z 24-120mm f/4 S. The two lenses are on roughly the same level of image quality, and the focal lengths of the 24-120mm f/4 S are definitely more versatile.
Even considering the price differences that I mentioned earlier, which certainly favor the 24-70mm f/4 S, the Nikon Z 24-120mm f/4 S is still the better choice for most photographers. You’re not giving up much when you pick the 24-120mm f/4 S – mainly just a little bit of weight and size – and you’re gaining a lot of reach on the long end.
There are three reasons why you might get the 24-70mm f/4 S anyway. One is price, of course. If you find a good deal on the 24-70mm f/4 S used, it can be literally half the price of the Z 24-120mm f/4 S. At that point, the decision is definitely more of a tossup.
The other reason is that you already have a telephoto lens to cover the over-70mm focal lengths (something like the Tamron 70-300mm f/4.5-6.3), so the 24-120mm f/4 S is redundant to you. If this is your situation, I still think you should consider the 24-120mm f/4 S in case you ever want to travel light and just bring one lens. But if a 70-200mm or 70-300mm is always going to be in your bag anyway, maybe you just save the money and size/weight by going with the 24-70mm f/4 instead.
The third reason is that you already have the Nikon Z 24-70mm f/4 S because you bought it as a kit! Nothing wrong with keeping it if that’s the case. As I showed, you won’t gain much performance by switching to the 24-120mm f/4 S – you’ll mainly gain the longer focal lengths. Cheap used prices cut both ways. You won’t get much money when selling your 24-70mm f/4 S, so it’s totally reasonable to keep it and find a different lens instead for your longer focal length needs.
What did I do? Well, I switched to a different lens altogether – the Nikon Z 24-200mm f/4-6.3 VR! For my needs as a landscape photographer who shoots at f/8 through f/16 most of the time, all these lenses are good performers anyway. (Although for critical sharpness, both the Z 24-70mm f/4 S and Z 24-120mm f/4 S clearly beat the 24-200mm superzoom.)
I hope this gives you a better idea of which lens to pick between the Nikon Z 24-70mm f/4 S and the Nikon Z 24-120mm f/4 S. Considering that both lenses have similar optical performance, the 24-120mm f/4 S gets my recommendation for most photographers. But it also depends on the prices you find, since the 24-70mm f/4 S is so cheap on the used market.
You can check the current prices, and support my testing efforts at Photography Life, at the following affiliate links:
- Nikon Z 24-70mm f/4 at B&H – Check price and sales
- Nikon Z 24-120mm f/4 S at B&H – Check price and sales
- Used: Nikon Z 24-70mm f/4 at KEH
- Used: Nikon Z 24-120mm f/4 S at KEH
If you buy anything (not just these two lenses) through the links above, Photography Life can receive a small percentage of the purchase price at no extra cost to you. It goes a long way toward helping me test more lenses. Thank you for supporting my ad-free website!
Let me know in the comment section if you have any questions about these two lenses. I’ve used them both extensively and would be happy to help.
Like you I’ve had the 24-70 since Z’s came out. Initially it was paired with the Z14-36 f/4 and the Z70-200 f/2.8.. Also had the F 200-500 with FTZ adaptor used for local wildlife and eclipses. Also shoot with two Z7 bodies to minimize changing lenses. Finally got the Z 100-400 with 1.4 tele-extender. The 70-200 I’d mostly use for indoor and/or people shots. Now I am going on an African safari for several weeks so will probably get the 24-120. That on one body and the 100-400 on the other will mean I’ll never have to change lenses UNLESS I really want WA for landscapes or longer reach in which case i’d put on the tele extender. No noticeable loss of acuity with it and the 100-400. With my old F bodies I had the F 24-120 and the matching WA lenses. My spouse will use the 200-500 as she has F bodies.
For the sharpness charts, I can’t find on your site where you all define where the center ends and mid frame starts, and where the mid ends and corners start. On the diagonal from center to corner, where are these boundaries in mm?
On this page, under the “multiple regions” bullet point, you can see precisely where in the frame we take these measurements (highlighted in red rectangles): www.imatest.com/docs/…s_testing/
What we call midframes, Imatest calls “partway.” Our corner measurements are an average of all four corners, while our midframe measurements are an average of the four partway regions along the diagonals. We don’t use the top, bottom, left, or right regions in our tests.
It works out to be that the “corner” region is approximately 94-96% along the full image diagonal, “midframe” is approximately 74-77%, and “center” is approximately 47-53%.
You made a really good review and gave wisdom advices. Very difficult to find “wisdom” in a gear review :-)
On DX body, 24-120 will be fantastic 36-180 f4. FX folks will be very jealous especially if they are eyeing Tamron 35-150 for Z in future. I know, I know….1 stop, 2 Stops & LOL….Still DX folks win handsomely…..🥳
Considering how good the 24-120mm f/4 is in the DX corners, it would pair well with the crop sensor. I just wish Nikon would make a DX camera with IBIS, as the 24-120mm doesn’t have VR (not a problem for some subjects of course).
That’s one of the main reasons I got the 24-120 F4 S even though I have the 24-70 F4 and the 70-200 2.8. I used to carry a Z7 with the 14-24 and a Z6 with the 70-200, swapping out the 24-70 F4 when I needed midrange. Now I just bring a Z7 with a 14-24 and a 24-120. Putting the Z7 into DX mode gives an equivalent 180mm at 20MP, which is not that far off what I was getting with the 24MP Z6 and 70-200. The Z6 just stays in the car in case it’s needed. This is mostly for landscapes, I rarely go over 200mm.