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Home → Comparison

Canon EOS R vs Sony A7 III vs Sony A7R III

By Nasim Mansurov 18 Comments
Last Updated On May 11, 2023

Now that Canon has officially announced its first mirrorless camera, the Canon EOS R, many photographers will be interested to compare it against the latest generation of Sony full-frame mirrorless cameras, particularly the Sony A7 III and A7R III. At $2299, the Canon EOS R fits between the two Sony cameras in price, although it is positioned closer to the A7 III (at $1998). With the Canon name and the company’s famous Dual Pixel AF technology, it promises to be a major force on the market today.

Canon-EOS-R-versus-Sony-A7-III-versus-A7R-III

Let’s take a look at the specifications of all three cameras and compare them in the chart below:

Canon EOS R vs Sony A7 III and A7R III Specifications Comparison

Camera FeatureCanon EOS RSony A7 IIISony A7R III
Mount Inner Diameter54.0mm46.1mm46.1mm
Flange Distance20.0mm18.0mm18.0mm
Sensor Resolution30.4 MP24.2 MP42.4 MP
Sensor TypeCMOSBSI CMOSBSI CMOS
Sensor Size36.0 x 24.0mm35.6 x 23.8mm35.9 x 24.0mm
Low-Pass FilterYesYesNo
In-Body Image StabilizationNoYes, 5-axisYes, 5-axis
Sensor Pixel Size5.36µ5.9µ4.35µ
Image Size6,720 x 4,4806000 x 40007952 x 5304
Image ProcessorDIGIC 8BIONZ XBIONZ X
Max Buffer Capacity (14-bit RAW)47 Images40 Images (Uncompressed)28 Images (Uncompressed)
Native ISO SensitivityISO 100-40,000ISO 100-51,200ISO 100-32,000
Boosted ISO SensitivityISO 50, ISO 51,200-102,400ISO 50, ISO 102,400-204,800ISO 50, ISO 51,200-102,400
Dust Reduction / Sensor CleaningYesYesYes
ViewfinderElectronic / EVFElectronic / EVFElectronic / EVF
Viewfinder Type / ResolutionOLED / 3.69 million dotsOLED / 2.36 Million dotsOLED / 3.69 Million dots
Viewfinder Coverage100%100%100%
Viewfinder Magnification0.76x0.78x0.78x
Built-in FlashNoNoNo
Flash Sync Speed1/2001/2501/250
Storage Media1x SD (UHS-II)2x SD (1x UHS-I, 1x UHS-II)2x SD (1x UHS-I, 1x UHS-II)
Continuous Shooting Speed8 FPS (no AF), 5 FPS with AF10 FPS10 FPS
Max Shutter Speed1/8000 to 30 sec1/8000 to 30 sec1/8000 to 30 sec
AE Bracketing Range±3 EV±3 EV±3 EV
Shutter Durability150,000 cycles200,000 cycles500,000 cycles
Electronic Front-Curtain ShutterYesYesYes
Autofocus SystemHybrid PDAFHybrid PDAFHybrid PDAF
Eye AFYes, but not with continuous focusYesYes
Number of AF Points5655693 points (phase-detection AF), 425 points (contrast-detection AF)399 points (phase-detection AF), 425 points (contrast-detection AF)
Focus PeakingYesYesYes
Focus StackingNoNoNo
Video Maximum Resolution4K @ 24/25/30 FPS4K @ 24/25/30 FPS4K @ 24/25/30 FPS
1080p Video Max Frame Rate60 FPS120 FPS120 FPS
4K Video Crop Factor1.74x1x1x
HDMI Out / LOG4:2:2 10-bit HDMI Output / Yes4:2:2 8-bit HDMI Output / Yes4:2:2 8-bit HDMI Output / Yes
Audio RecordingYesYesYes
Headphone JackYesYesYes
LCD Size and Type3.2″ Tilting Touchscreen LCD3.0″ Tilting Touchscreen LCD3.0″ Tilting Touchscreen LCD
Articulating LCDYes, Tilting and Front/BackYes, TiltingYes, Tilting
LCD Resolution2,100,000 dots921,600 dots1,440,000 dots
Wi-Fi FunctionalityBuilt-inBuilt-inBuilt-in
BluetoothYesYesYes
BatteryLP-E6NNP-FZ100NP-FZ100
Battery Life350 shots (CIPA)610 shots (CIPA)530 shots (CIPA)
Weather Sealed BodyYes, PartialYes, PartialYes, Partial
USB Version3.13.03.0
Weight (including battery and cards)660 g650 g657 g
Dimensions135.8 x 98.3 x 67.7mm126.9 x 95.6 x 73.7mm126.9 x 95.6 x 73.7mm
MSRP Price$2,299 (check price)$1,998 (check price)$3,398 (check price)

As you can see, there are a number of differences between these two cameras, many of which favor the Sony cameras. Even the less expensive Sony A7 III is ahead of the Canon EOS R in some important areas, such as the inclusion of in-body image stabilization (IBIS) and the lack of a 1.74x crop in 4K video mode. The Sony cameras also have higher frame rates with full-time autofocus (10 FPS versus 5 FPS) and dual SD card slots (although only one slot is UHS-II compatible). Sony’s popular Eye-AF system also works in continuous focus mode, unlike Canon’s that only functions in Single-Shot AF (AF-S) mode. So, on paper, both Sony A7 III and A7R III are the winners in most categories.

However, note that the Canon RF mount diameter is much larger than the Sony’s, at 54mm versus 46.1mm. The larger diameter, coupled with a 20mm flange distance allows Canon to have a large angle of incidence of 36.87°, which is more flexible than Sony E mount’s angle of incidence of 31.6°. This is far from a minor advantage (especially in the long run), as it gives Canon more flexibility in designing particular types of lenses, such as their new RF 50mm f/1.2L USM and RF 28-70mm f/2L USM that were announced alongside the EOS R. So, looking to the future, the RF mount has more flexibility over the Sony E mount, akin to the benefits of the new Nikon Z mount.

The Canon EOS R also fights back with its Dual Pixel AF, famously good for video work, as well as its full front / back vari-angle tilting screen – ideal for vlogging and similar applications. The Canon has far more autofocus points, too: 5655 (to the A7 III’s 693 and the A7R III’s 425). However, the number of autofocus points alone is not enough to say whether the EOS R will have the edge in focus speed and tracking ability, so it’s important not to read too much into those numbers. You’ll need to wait for reviews from production sample EOS R cameras to know how its autofocus compares to other options on the market today. Judging from lack of a proper joystick and use of the LCD for autofocus selection on the Canon EOS R, we can guess that the Sony cameras are likely going to be more user-friendly in the field.

In terms of video, it depends upon your needs, but the Sony cameras are perhaps slightly ahead on paper. Although both Sonys are limited to 8-bit output over HDMI, the EOS R’s 1.74x crop factor for 4K video and the lack of 120 FPS 1080p leave it handicapped compared to other options on the market (including both of Nikon’s newest Z cameras as well, as shown in our Canon EOS R vs Nikon Z6 vs Z7 comparison article). However, keep in mind that the EOS R has dual pixel autofocus and a 180 flip LCD, so for certain applications, the Canon does come out ahead.

Aside from that, the Sony cameras both have better battery life than the EOS R. In turn, the EOS R has a higher buffer than the Sony A7R III and a slightly higher buffer than the Sony A7 III, although the buffer capacities cannot be directly compared between these, since Canon EOS R has significant limitations for continuous shooting. The 30.6 MP resolution, of course, sits between the Sony cameras’ 24.2 and 42.4 MP sensors. The A7R III has a higher shutter durability than either of the other cameras, and the EOS R has a higher resolution rear LCD.

Otherwise, although there are a few differences here and there, the cameras are fairly comparable. They weigh almost exactly the same, and they all include features like Wi-Fi, bluetooth, and focus peaking. More minor specifications may lean in one direction or another, but those are the most important ones.

Which One Should You Buy?

Given that the Canon EOS R is not on the market yet, and appears unlikely to ship until October of 2018, the simple answer is that it will be quite some time before we can compare these three cameras side-by-side and test them. If you need one of these cameras today, your only options are the Sony A7 III and the A7R III. That said, looking at the specifications, we can still draw some conclusions about the intended uses of each of these cameras, and which photographers might want to purchase one or the other.

First, the EOS R in some ways is like a mirrorless version of the 5D Mark IV (see our comparison). If you’re a Canon shooter with a collection of glass, and you were already thinking about a 5D Mark IV or other full-frame Canon DSLR, the EOS R is a mirrorless option worth considering – one that comes in a smaller and lighter form factor, along with a number of newer features. Although there are already ways to adapt Canon lenses to the Sony A7 series cameras, the EOS R is ahead in this regard. First, Canon’s new adapters include options for a drop-in filter or an extra control ring, which add a lot of flexibility to the system. And, perhaps more importantly, adapting lenses across brands is often prone to issues in areas like autofocus speed and general focus settings restrictions.

The Canon EOS R also looks ideal if you’re interested in a camera for vlogging, considering the exceptionally fast and smooth dual pixel autofocus during video, as well as the fully articulating screen. For some other video uses, though, the Sony cameras look preferable, since they don’t have a 1.74x 4K crop or just 60 FPS shooting at 1080p.

On paper, there is no denying that the Sony specifications are higher overall than those of the EOS R. There is simply no comparison with the dual card slots, longer battery life, IBIS, and twice higher FPS with autofocus (10 vs 5) – all of which are present even on the A7 III, which is $300 less than the EOS R. If you are starting a system from scratch and want the best possible specifications today, Sony is clearly the way to go (specifically the A7 III unless you need 42 megapixels for your work).

However, if you are a Canon shooter who is used to the menu system and the form factor of Canon cameras, the likely answer is to stick with the brand you already know. After all, the EOS R looks like it has very good ergonomics, including some new features like a touch-swipe bar to control various settings. And many users who have complained about the complexity of Sony menus are likely to appreciate Canon’s more intuitive system. That recommendation – sticking with the brand you already have – is especially true if you own a large collection of Canon lenses, or if you need one of the specific RF lenses Canon just announced with their mirrorless system.

I don’t think that the EOS R announcement is going to convince many dedicated Nikon or Sony users to jump ship, unless you can’t live without a fully articulating screen or Dual Pixel AF, but it’s enough to keep Canon users in the ecosystem. And the RF cameras have room to grow; with such a large diameter, comparable to the Nikon Z mount, we will likely see some very interesting Canon mirrorless lenses appearing in the future.

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Tagged With: Canon EOS R, Canon Mirrorless, Mirrorless, Sony, Sony A7 III, Sony A7R III

About Nasim Mansurov

Nasim Mansurov is the author and founder of Photography Life, based out of Denver, Colorado. He is recognized as one of the leading educators in the photography industry, conducting workshops, producing educational videos and frequently writing content for Photography Life. You can follow him on Instagram and Facebook. Read more about Nasim here.

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Genrikh
Genrikh
September 22, 2018 5:01 pm

The EOS R’s actual available Automatic selection AF point is 143 points.
This source was found in the Official website of Canon Canada.
www.canon.ca/dam/C…pdf#page=3

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Chu
Chu
September 11, 2018 5:06 am

Should compare with Fuji X-H1 and X-T3

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Michael Perata
Michael Perata
September 10, 2018 10:37 pm

I just bought the winning ticket for tomorrow’s lottery and will be moving away from my Nikon D90 workhorse to —- a Sony.
I do not have a lot invested in glass and I have amortized the D90’s cost over many times.
The only reason I could get away from the Sony A7/A9 product is the lens opening is much greater on the new Nikon and Canon’s which will allow both of these companies to move into a medium format camera using the same body.
But…it will be Sony.

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Mike M
Mike M
September 7, 2018 10:12 am

I’m interested to see how EF wide angle lenses adapt, particularly the Canon 16-35 F4. The corners get a little when adapted with the Sony E mount adapters.

I’m in the market for new 16-35 FF mirrorless setup to replace my 6D + 16-35 F4. The Sony 16-35 F4 is awfully soft at the edges and the 2.8 is huge and expensive.

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Mike S
Mike S
September 7, 2018 9:42 am

Does the 10fps on the Sonys do full AF, AE, and 14bit RAW?

Also, it’d be nice to compare the viewfinders more, like:
– When/what fps do you get live view between shots vs. just a slideshow of photos taken
– Blackout times
– Lo res vs hi res previews

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Burghclerebilly
Burghclerebilly
September 6, 2018 12:53 pm

Canon and Nikon have released two new milcs which seem limited to modest fps with full af. I wonder if this is because they are protecting their dslrs or if high fps with ospdaf is actually tricky. Panasonic and Olympus claim high fps rates too, but without af. I wonder if Sony af really nails focus at high fps, or have they allowed a greater margin of ‘acceptable’ error? My D4 with 300/2.8 is my standard.

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zeissiez
zeissiez
September 6, 2018 10:12 am

There’s an EOS R that powers on instantly, takes more photos per single charge, less prone to dust, offers optical view finder……. and it’s called EOS 5D mk IV. If you already have the 5D mk IV, you already have probably the most all rounded digital camera.

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robert s
robert s
September 6, 2018 3:36 am

the a7riii doesnt belong in that comparison. the z6 does. they are all comparably prices.

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Shownomarcy
Shownomarcy
September 6, 2018 1:50 am

Is it my mistake that I can’t find the feature Focus magnification listed? (To me its as important, as focus peaking.)

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Madonna
Madonna
September 5, 2018 10:45 pm

Canon waited for 5 years just to release this sad excuse for a camera. Should I known this, I’d switch camps years ago.
OMG! Canon is such a disappointment.

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Boris
Boris
Reply to  Madonna
September 6, 2018 11:48 pm

I switched 5 years ago and never look back. Canon offerings are just over-priced and under-specs compared to Nikon, Sony and even Fuji.

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Berkeli
Berkeli
Reply to  Boris
September 13, 2018 7:27 pm

well.. canon cameras are overpriced but the lenses are pretty cheap, and a shit-ton of 3rd party manufacturers.
Sony bodies are extremely well-priced but the lenses are overpriced and very few 3rd party lenses..

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Walt Cook
Walt Cook
Reply to  Berkeli
October 10, 2018 1:14 pm

Sony already has the backing of most 3rd party lens manufactures. I agree that many of their lenses seem over priced when compared to current EF lenses. However most of the lenses that Sony offers that are more expensive (GM) are produced to match the resolution of 100 meg sensors for future compatibility. Canon and Nikon have few if any in their current EF and F lens line up that compete with that resolution. The new R and Z lines will match I am sure but the cost is comparable or higher.

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