As any reader of our previous Mastering Lightroom series articles will know, one of the biggest strengths Adobe’s popular RAW converter has is presets and templates. With its emphasis on speed, Lightroom allows you to create a preset or template for more or less anything, from Metadata, to slideshows or book design. I have already talked about the super-useful Develop Presets. In this article, I will show you how to use Filename Template Editor so that you learn how to name your images as quickly and efficiently as possible.
You know how things sometimes just… click together? You hear a new soundtrack and, out of nowhere, it takes you away. You meet a new client or a friend and it feels as if you were meant to work together or help each other. Click. Just like that. You read a book, watch a movie, start a project, fall in love, get a job you never knew you wanted – click, click, click. It’s perfect. Nothing else feels quite like it – so bizarre and, at the same time, so obvious, you can’t help but smile as broadly as you possibly can. Ever since I made a switch from Photoshop to Lightroom, I’ve been looking back awestruck at how easy and quick my post-processing has become. All in one place with no permanent, destructive changes – it was a revelation. If previously, I considered using professional post-production services just to save time, Lightroom made the whole process hassle-free and I could do everything myself. Mind you, I am not Adobe’s spokesperson and would never promote their product like that without good reason. But Lightroom, despite all the frustrating bits…just clicked.
Adobe’s recent change of license strategy for most of its Photoshop family software tools has introduced a lot of doubt among the previously happy customers. Because of Photoshop CC, many owners of Lightroom 3 and 4 have started looking for alternatives, fearing that despite Adobe’s claims, there is a possibility that Lightroom will also be moved to a subscription-based license in the future. Such fears are further complimented by the fact that the older versions of Lightroom will never gain support for the newest mirrorless and DSLR cameras, or new lens profiles. For this reason, Adobe had to make sure Lightroom 5 was so good, it would keep its customer base happy and tempted by the new features despite the recent changes in license strategy of its other products. The pressure is made worse by rivals always breathing down Lightroom’s neck.
Since Lightroom version 3, Adobe has been providing a Lens Corrections sub-module within the Develop Module to correct various optical issues commonly seen on all lenses. It is a very powerful and complex tool that can be applied to one or many photographs with a couple of quick steps, potentially saving many hours of post-processing time. In this article, I will explain what the Lens Corrections sub-module is, how it works and how you can effectively use it to correct optical issues in your photographs. I will also show you a method of adding a lens profile manually, if you have unsupported lenses in your arsenal.
In our previous Mastering Lightroom series articles we covered what Lightroom is and how it works. We also took a quick tour around Lightroom’s working environment. After highlighting the basic function and capability of each Module, it is now time to talk about them individually more in-depth, starting with Library Module. Before we can actually start using all Library tools, however, we need images to work with. That is why our first step is to learn how to import photographs in Lightroom. I will be using the latest (at the time of writing) version, Lightroom 5, to guide you through the process of Importing images. Virtually everything but Smart Previews is equally applicable to earlier releases.
Among many photographic terms, metadata comes up very often when talking about image management. But what is metadata in photography? How does it actually help you organize and sort images? In this short article I will explain the term itself. I will also discuss reasons why it may be a good idea for you to input additional metadata information with your photography management software, such as Adobe Photoshop Lightroom.
Ever since Lightroom 5 has been released by Adobe, I have been actively using it and comparing with Lightroom 4. So far, I have only been happy with the new release and found most new functions to be both useful and well implemented. Our upcoming Lightroom 5 review is almost done and, for a while there, I thought it would be positive from start all the way through. But only recently I found certain troubling performance issues. These issues can either be version specific and thus affect all users, or it can be some sort of a local issue only present on my system.
Happy Sunday everyone! New week is about to start so I thought I’d run this Lightroom Question & Answer session. For the next few days (depending on how active you are) you are welcome to ask any question you like about Lightroom and I will do my best to answer them! Each time a question is posted by you in the comments section below, I will update the article as soon as I come up with the answer. If there are any questions very specific to a certain case, I may answer them in the comments section. Specific, to-the-point questions will be answered in this article, while questions requiring more extensive explanation will be covered in separate articles in the future. I know many of our readers know a lot about Lightroom and you are most welcome to participate. If you are new to Adobe’s Lightroom and find it difficult learning what’s what, this is the time and place to ask for help!
In our two previous Lightroom articles, I explained what Adobe Photoshop Lightroom is and how its catalog-based file management and post-processing system works. Now that we are done with the basics, it is time we move to something a bit more practical. In this article, I will introduce you to the Lightroom environment. You will learn to understand the most notable elements of its user interface – Lightroom Modules. I will explain what the seven Modules are used for and how to switch between them. This article will also outline some of the basic tools within each Module. Hopefully, this article will help you see Lightroom’s full potential and understand that it might be more than enough of a post-processing and image management software for most of your digital photography needs.
You may have heard about Catalogs before as there are two main opinions among photographers. Some think Catalogs are the best way to work with images. Others remain skeptical and prefer to access and manage their image files directly without a catalog-based management tool. But what exactly are Catalogs? What are the strengths of database driven catalog systems and are there any downsides to this approach? In this article I will talk about Catalogs and explain the benefits and downsides of such post-processing and image management systems. I will also show you how to create and efficiently manage new Lightroom Catalogs.