How to Split-Tone Photos in Lightroom

One of Lightroom’s simplest, most useful post-processing options is the humble split-toning panel. Buried between the HSL and Detail sidebars, split-toning isn’t exactly a go-to tool for most photographers. And why should it be? From tint to saturation, Lightroom already offers several ways to change the colors of an image; another option seems unnecessary. In truth, though, split-toning is far more useful than it may first appear, and certainly more valuable than some photographers believe it to be. In this…

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Where Are My Mid-tones? Deriving Hidden Baseline Exposure Compensation

As we already mentioned in the previous article “Where are my Mid-tones?“, most raw converters apply some hidden adjustments to a raw shot, often resulting in a bumped mid-tone, clipped highlights, and compressed shadows. This is done to make the shot look good, but can also lead to all sorts of confusion. If you are using or planning to use some raw converter, you may want to know what “beautifiers” it applies, and their price.

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JPEGmini Software Clarifications

Ever since I published my JPEGmini review and subsequent articles like the last one on reducing backup storage needs, I have received some emails and comments from concerned readers, who do not understand the point of using JPEG compression software, particularly when there are other existing commercial or free tools available. In this article, I would like to address some of these concerns and explain the strengths and weaknesses of the JPEGmini software.

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JPEG Compression Levels in Photoshop and Lightroom

Determining the ideal JPEG quality setting in both Photoshop and Lightroom can be challenging, because we often see two different values to choose from. Photoshop gives us compression levels from 0 to 12 when saving JPEG images through the “Save” or “Save As” dialog, while Lightroom only allows us to input a percentage. While percentages are easier to understand than numbers from 0 to 12, as we relate to 100% being the “best image quality” easier, Adobe also created a…

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Adobe’s Poor Handling of RAW Files

With Adobe Lightroom being the most popular post-processing tool on the market, one might wonder how good the software really is in processing RAW images. After-all, that’s what we use Lightroom primarily for – to post-process our images and get the best out of them. Having been using Lightroom since the early release versions (dating back to Lightroom 1), I have seen the software grow from a simple RAW editor to a pretty complex piece of software for both image…

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Why I No Longer Convert RAW Files to DNG

For a number of years I have been recommending our readers to convert RAW files from their cameras to Adobe’s DNG format. In my DNG vs RAW article from 2010, I pointed out the reasons why using DNG over RAW made sense – it simplified file management, resulted in smaller files (when compressed or when embedded JPEG image size was reduced) and seemed like a good way to future-proof RAW files. But as time passed, higher resolution cameras were introduced…

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How to Process Infrared Photographs

As the number of photos taken each year continues to increase at a nearly exponential rate, infrared photography remains a relatively small niche in the photography world, one that allows us to see and capture the world in a unique manner. Because of my infrared articles and photos, I often receive emails from others struggling to achieve good IR processing results, sometimes even from our illustrious leader. ;) Recently, I received a spate of questions regarding my technique and seeking…

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Lightroom 6 Bugs and Performance Issues

Back in April, Adobe introduced the sixth version of Adobe Photoshop Lightroom, which came with a number of new features, as highlighted in our Lightroom 6 announcement article. Since then, Adobe updated the software once with a relatively large release in mid-June, which was the first sub-version release for both CC (2015.1) and standalone (6.1). I have been using Lightroom 6 rather heavily for my work and I have found a few bugs and performance issues, which I would like…

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How to Create an HDR Panorama in Lightroom

Many times in my travels I’ve happened upon a beautiful scene spread wide before me with a huge dynamic range that just begged to be photographed. It would require HDR to capture the range but also need to be stitched together as a panorama. I’d set up my tripod, snap the sequences, then get home and say “Verm, it’s time you give HDR another try.” Which would last about two minutes until the first bracketed set of shots made it…

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