Back in April, Adobe introduced the sixth version of Adobe Photoshop Lightroom, which came with a number of new features, as highlighted in our Lightroom 6 announcement article. Since then, Adobe updated the software once with a relatively large release in mid-June, which was the first sub-version release for both CC (2015.1) and standalone (6.1). I have been using Lightroom 6 rather heavily for my work and I have found a few bugs and performance issues, which I would like to share with our readers. If you have identified other bugs or performance problems, please let us know in the comments section below!
Many times in my travels I’ve happened upon a beautiful scene spread wide before me with a huge dynamic range that just begged to be photographed. It would require HDR to capture the range but also need to be stitched together as a panorama. I’d set up my tripod, snap the sequences, then get home and say “Verm, it’s time you give HDR another try.” Which would last about two minutes until the first bracketed set of shots made it into Photoshop HDR Pro and gave me a result that looked like someone painted a coat of gray primer over it.
Today Adobe unveiled a number of pretty major updates to its Creative Cloud suite, with new “2015” versions of software, such as Adobe Photoshop CC 2015. Along with these updates, Adobe has also released two updates to Lightroom – one for the Creative Cloud version (Lightroom CC 2015.1) and one for the standalong version (Lightroom 6.1). The interesting part about this particular release, is that for the first time, Adobe is making a distinction between the two versions of Lightroom. The Creative Cloud version gained a new “Dehaze” feature, along with two more “White” and “Black” sliders for the adjustment tools (such as Gradient Filter, Radial Filter and Adjustment Brush), while the standalone version of Lightroom did not get these new features and instead only gained the typical bugfixes, along with new camera and lens support.
During our recent photo walk in San Francisco, where we had over 30 Photography Life readers join us for some awesome time together, one of the participants noted that a number of photographers who came to the photo walk were carrying tripods. As we were shooting a brightly-lit scene, his question was – why would you even want to bring a tripod to photograph in bright light? He then pointed out the fact that he almost never carries a tripod, that considering how good the performance of digital cameras is today, that a tripod is unnecessary. While I agreed about the fact that modern cameras are certainly very good at handling noise and the fact that I rarely use a tripod in broad daylight myself, I stated that I still carry a tripod with me when I travel and pointed out one specific situation that took place a couple of days earlier, where a tripod made it possible to capture a dynamic scene that I could not have captured otherwise. I asked if the participants had previously seen the below photo of San Francisco, captured from Twin Peaks (which was in my San Francisco at Night post):
With almost all of our cameras featuring video capabilities (I’m looking at you, Nikon Df), most of you have probably considered going beyond the occasional family video. However, like photography, video requires post-processing for best results, and the prospect of buying After Effects, Premiere Pro, and SpeedGrade just to get your toes wet is daunting for many photographers. What you may not know is that you already have a powerful video-editing program in Adobe Photoshop CC, or CS6 Extended. This is an easy way for photographers to play around with film without purchasing hundreds of dollars worth of software, and is surprisingly effective. I’m certainly not a professional videographer as my example video will show, but I have enjoyed editing a few shorts, just for fun. The two most critical aspects of editing for video (not including cuts/sequencing) are color-grading and sharpening, both of which can be done relatively painlessly in Photoshop using tools you’re already experienced with.
After writing my recent article Birds-in-Flight Images with Nikon 1 V3, it occurred to me how helpful using DxO OpticsPro 10 was in processing the RAW files for the article, and specifically the DxO Smart Lighting function. The DxO Smart Lighting function is designed to adjust the dynamic range in an image. This brief article shows a quick example of the impact of using DxO Smart Lighting. Let’s start with an out-of-camera jpeg of an image that I did not use in my recent V3 article.
I enjoy taking panoramic images of landscapes, cityscapes, street art or any other time when the view exceeds the frame. While an increasing number of cameras (particularly smartphones) are offering an in-camera panoramic mode, individual images and good stitching software is essential for high quality images.
What do you think is the possibility, when you are choosing and sorting images based on the JPEG previews, that you are going to discard the better-quality image, and keep the lesser-quality one? Let’s take a look at a typical “training” shot for a holiday – noon of a sunny day, blue Ionian sea, bright white limestone pebbles, bushes with dark-green, high-detail leaves (which lose all detail if the shot is underexposed), deep shadows under the bushes. These types of scenes typically have a very wide dynamic range. We will see later, however, that the real range of the shot we are examining is pretty much only 8 EV, if the exposure is technically correct.
The purpose of this article is to share my initial impressions of the DxO ClearView anti-haze function which is contained in the Elite Version of DxO OpticsPro 10 software. As many Photography Life readers know, I’ve been using DxO OpticsPro as my main RAW processor for some time. I started out using DxO OpticsPro 8, then upgraded to 9 in order to get the PRIME noise reduction function, then upgraded again to OpticsPro 10 in order to get speed improvements with PRIME, some enhanced Smart Lighting presets, and the new ClearView anti-haze function. With each upgrade I felt my money was well spent.
Adobe Photoshop is really not about speed. I can’t say it’s ever been – even back when I was using the then-current version 5 (and the more capable 5.5), it was packed full of features and required not only lots of time to even begin to master, but to use for the simple things, too. Not to say it’s slow to work with, exactly, but if you want to accomplish your task quickly without any excuses, Lightroom is perhaps more suitable. It certainly ought to be. Yet if you work slowly and methodically, if you spend not minutes, but hours and even days post-processing a single image or a series, that is what Adobe’s heavyweight is most suitable for. Not for the sort of work where you click a few buttons and move on, but for the patient sort, where every detail matters, where there can be no sloppiness. Simply because of its vast, enormous capability. To own Photoshop just for one or two features is, more often than not, a bit of an overkill.