With the release of the D4s and D810 cameras, Nikon has introduced a new format to store images – sRAW, or “RAW Size Small”, as referred to by Nikon. Although Canon has had this format available in its DSLRs for years, this is Nikon’s first time introducing it. As a result, a lot of Nikon users are wondering what this format is, how it works and how it compares to standard RAW files. Personally, I had very limited knowledge of this format and thought it would be an exciting feature, until I dug deeper and found out what it was all about. After a few hours of research (and some input from Iliah Borg, I decided to summarize my findings in this article, which I hope our readers will find useful. Let’s start with the basics first.
Aside from various online portfolio solutions, there aren’t many online services that photographers can use for their work. Well, this may change soon. With technology of in-browser RAW processing, Pics.io aims to become an all-in-one photo management and editing solution in the cloud or, as they call it, “Google Docs of photo editing”. We spent some time checking out what Pics.io is all about and we are excited about where this project might take us in the future. Although it is at an early stage of development, some interesting and useful tools have already been released for beta testing. For example, the newly announced online raw converter, raw.pics.io works with Canon and Nikon RAW images. And despite our initial thoughts and doubts, it turns out that the converter opens images locally from your computer, without uploading any data to the Internet. Basically, you open the site raw.pics.io in your browser, drop a raw file (nef/cr2/dng) and save a processed JPEG file. At this point it is not anything amazing, but that’s just the first step. Imagine what this platform could potentially do when it is built with a complete set of controls and various presets, similar to what you see in Lightroom.
We’ve still got quite a lot of catching up to do and this time Adobe grabs our attention with the release of new Adobe Camera Raw and Lightroom versions (which basically is the converter only in a separate package and with some added functionality for processing masses of files quickly). Version 8.4 of ACR and 5.4 of Lightroom bring the usual updates – new camera and lens support, some bug fixes and a few new features on top of that. Happily, Photoshop CS6 users are not left out and their ACR can be updated. That said, only new lens/camera profiles and bug fixes are part of the update, whilst new features seem to be reserved for CC only. Clearly, Adobe wants you to move to CC, but does not yet blatantly force you to do it by ignoring “older” software completely – at least until ACR 9 arrives.
As I was working on the “Composition in Photography: Assignment Discussion” article and upcoming Lightroom Crop Tool article last night, I came across a feature in Lightroom that I had not previously used. I love it when that happens. Realizing that the software tool I enjoy using and find to be very versatile is actually even more functional than I thought, is pure joy. In this article, I will teach you how to quickly check your composition in Lightroom against known rules and guidelines, such as the Golden Ratio or the Rule of Thirds (and, yes, these are indeed two separate things), by overlaying the image with them.
Lightroom has become a very essential part of the workflow process for many photographers, including myself. I cannot imagine managing my photo catalog without Lightroom and I use it every day for my photography needs. In fact, 95-98% of my post-processing work is done in Lightroom and I only occasionally use Photoshop for advanced photo editing / retouching, which not only simplifies my workflow, but also decreases the amount of time I spend on post-processing. Over the past few years of using Lightroom extensively, I have come up with efficient ways to store, organize and access photos on my computer, so I wanted to share a few tips with our readers on how I do it for both personal and professional work. Although there are many ways to organize images, this particular method has been working great for me (and many others that have been reading our site for the past few years). If you are looking for a generic guide on doing this without any third party photo software like Lightroom, then please read my older article on “how to properly organize pictures“.
Over the last several years operating this site, I have been incredibly lucky to meet many talented photographers from all over the world. Some I met face to face (whether in my workshops or other gatherings / conferences), while others I met and interacted with online. One interesting pattern that I noticed in the majority of photographers, and I am talking about the ones that understand light, composition and proper technique, is that they often lack the key component of completing the image and making it successful – post-processing skills. It turns out that most of us spend our time learning our gear and how to take good pictures, but we fail to take that beautifully captured photograph to the next level and make it look amazing by enhancing it further in post-processing. Yes, camera technique, light and composition are all extremely important and those are certainly key ingredients that each of us needs to learn and eventually master, but we need to understand that a captured photograph is just the beginning of making the image. What happens to the photograph after it is taken, is as important as the process of capturing it. I have seen many photos that would have looked breathtaking, had the person put some extra effort into making it work. Even worse, I have seen so many examples of great photos that get slaughtered by very poor post-processing techniques and ugly presets.
With Library Module holding such a large collection of tools, tabs and panels, there is no other way to write a proper, thorough overview article but to split it into several parts. In the first article, I did my best to talk about the left-side panel (or the Navigation Panel, if you like) and all its capabilities in detail. In this article, we will focus on the center section of the Library Module – mainly the Image Grid/Loupe View, and the Toolbar.
In the previous Mastering Lightroom series article, “Lightroom Grid View Options”, we learned how to set-up Cells in Grid View so that they display the information of your choice. Grid View options are only available in Library Module, but that is not the only view mode available in Lightroom. In this article for beginners we are going to learn how to set-up Loupe View, which is available in Library Module and is also the default and only view mode in Develop Module.
In Lightroom, image information, such as Metadata, can be overlaid on a photograph in some Modules. It helps you find out information you might need at a glance, such as aperture and shutter speed at which that particular photograph was taken. Such information can be overlaid in Grid and Loupe View modes in Library Module, and Loupe View mode in Develop Module. In this article, I will discuss the Grid View options, which are available in Library Module only. Loupe View mode, which is available in Library and Develop Modules, will be discussed in detail in a follow-up article.
I remember describing Photoshop’s versatility and sophistication as both a strength and a weakness. On one hand, it is a very powerful piece of software with so many different and versatile tools, its capability is only limited by the user’s skill. On the other hand, such complexity can also be overwhelming and detract one’s attention, slow down simple tasks. This trait, to an extent, is also shared by Photoshop’s little sibling, photography-centered Lightroom. Although it is that much more specialized, there’s still a plethora of tools, panels and tabs which can, at times, make the post-processing experience somewhat… messy.