A strength of Photoshop is being able to perform edits non-destructively. Most edits can be performed on their own layer, preserving the original background layer. The Spot Healing Brush, Clone Stamp, and Patch tools all work this way and they can all be used to remove unwanted objects non-destructively. However, if you have ever tried to remove an object from an image using Content-Aware Fill, you will have noticed that you can’t do this on a new blank layer. This tool requires pixels to work. But if you use Content-Aware Fill on your background layer, you end up changing those pixels permanently. You could create a copy of the background and use the tool here. However, this needlessly increases the size of your document. In this short article, I want to show you an easy workaround, which will keep your original background layer intact.
Adobe Lightroom is arguably the most widely-used image editing software around these days. While most of our readers are probably quite familiar with it, a piece of software as complex as Lightroom is sure to have some tricks and features that not everyone knows about. What I’d like to do today is share a few of those with you. If some of these are new to you, enjoy having some new tricks up your sleeve! If these are old news to you and you already knew them all, please leave one of your favorite tips or tricks in the comments section.
Ever since I started using Lightroom back in 2007, I have been keeping a backup of every single version on my computer, making sure that I had the latest version of that particular release. With the very first version of Lightroom having a few issues and not having 64-bit architecture support, I ended up deleting it, so the first release of Lightroom I actually preserved was Lightroom 2 (the latest build of that release was Lightroom 2.7). The next stable build I preserved was Lightroom 3.6. From there, it was Lightroom 4.4 that I used the most before Adobe released Lightroom 5. With the release of LR 5, Adobe introduced Lightroom CC, which was the first cloud version of Lightroom. From there, Lightroom CC 2014 was rolled out, which was equivalent to version 5.4 of LR standalone. The big release was Lightroom 6 (CC 2015), which is the most current version, the latest release being Lightroom 6.6.1, or Lightroom CC 2015.6.1 if you use the cloud version of the software. So what do you do when you have all these versions of the software? Well, I installed them all on my Windows 10 PC and decided to give them all a try and see how much Adobe has been improving the performance of the software over the years. The results are quite interesting to say the least!
One of the things that always tends to surprise me is how differently I edit images that were taken with my phone versus images that were taken with my DSLR. Of course, there are obvious differences between the equipment used, the editing software that is available and the overall quality of the final image, but after giving it some thought, I realized that this isn’t why I edit images differently depending on what was used to capture an image. It turns out that the main differences come down to my intended audience.
Our friends at LibRaw are joining our video course promotion by offering an exclusive discount for PL readers – 25% off the software! This is a time-limited offer to give you access to the fastest and best (in our opinion) RAW viewing and culling software on the market – the deal is only good until August 15, 2016, so act quick to get this amazing tool. In addition, everyone who has purchased our video courses will be receiving a permanent 30% discount, which is awesome! If you have bought the course, you were probably amazed by how quick one can go through hundreds of RAW images using FastRawViewer directly from the memory card and leave only the images intended to be imported into post-processing software like Lightroom. It is a huge time saver for me personally, which is why I have been advocating the use of the software to our readers.
Most of you are probably already familiar with the different tools that are available to use while editing your images in post-processing software. I’m referring to the various brushes and filters that can be found in Lightroom, Capture One Pro and other similar programs. Well, did you know that in addition to using these tools to adjust things like exposure and saturation, you can also use them to add a bit of color to your images? In this post I’ll show you a few of my favorite ways to use these tools along with some subtle additions of color, which will make your image editing a bit more colorful. Keep in mind… I’m a Lightroom user, so I can’t promise that these techniques are available in all post-processing software.
A good looking image consists of many different things, most of which are subjective. In this article I want to briefly discuss one specific variable, which is image brightness. While I don’t plan on going into much detail and getting very technical, I do want to show you how you can adjust image brightness and the final look of your image using a few different methods in your post processing software. Although I’m using Lightroom, the method and concept should be similar regardless of what software you prefer using to edit your images.
Arguably the most versatile adjustments in Photoshop are the layering and masking tools. Together, layers and masks make up a large portion of the work most photographers do in Photoshop, both for subtle and complex edits. However, if you are just beginning to work in Photoshop, these two irreplaceable tools may not be completely intuitive. In this article, I will cover some basic tips and techniques for using layers and layer masking in Photoshop – laying the groundwork for far more advanced post-processing adjustments.
With so many editing / post-processing software packages on the market today, photographers might find it rather difficult to go through them all and compare key features in order to pick something that would ultimately work for their needs. Many of us go through that stage, especially when starting out. What is the best software for photo editing? What features does it have? Is it easy to learn and how much does it cost? These are just some of the questions photographers seek answers for. While John Bosley and I have been working hard on producing our PL Level 1: Post-Processing Basics course, we have decided to share one of the charts that we will be including in the course with our readers, which compares the most popular non-destructive editing tools on the market. It took us a while to compile all this data, since there are so many different features and considerations one must go through to make a meaningful comparison. The chart has not been fully finalized yet, since we are currently looking for your feedback and ideas, so that we can hopefully make the chart complete and comprehensive enough for those who are interested in such a comparison.
Iliah Borg and his team at LibRAW have been working hard on a major update to my favorite image culling software FastRawViewer (FRV). Today, the team released the final 1.3 version of the software and this time the updates are truly exciting! Now FRV sports an awesome grid mode, so that you can quickly go over your images just like you can in Lightroom. In grid mode, you can perform all kinds of file management functions such as copy/move (including move to “Rejected” folder) and image functions such as changing file orientation, setting labels and ratings (you can even set ratings and labels on multiple images at once!). Once you pick an image for viewing, you can double click on it to switch to image view and perform all the functions like zoom in to 1:1 view. There are many new features such as focus peaking, highlights inspection mode and sharpening for display, along with performance improvements and other changes to the core software. Overall, this is a huge update for everyone who has purchased FRV and if you have not tried it already, it is about time for you to take a closer look at FRV!