Quite a few people have emailed me in the past to write about shooting cityscapes with a long exposure and I have repeatedly asserted that while it is not especially complicated, I am certainly no expert on the subject. In fact, finding the time to write an article about it was a much greater challenge!
In this post the value of using high dynamic range (HDR) photography for landscape and particularly panorama photography will be examined. This combination of two fairly widely used photographic techniques, the making of panoramas with HDR photographs is described in books dedicated to HDR techniques. This discussion will provide the reader with some methodological starting points and provide examples showing why the extra effort is worthwhile. Previous Photography Life posts are excellent reference primers for landscape photography and should definitely be consulted for their insights. In this post the term “panoramic” is used to indicate that two or more adjacent photographs covering overlapping parts of the same scene have been combined to make the single final image. “Landscape” is used to describe final photographs produced from a single image. All of the photographs in this post are panoramas by these definitions.
This article is meant to be an extension to the Camera Resolution Explained article that I published back in February of 2015. With the release of high-megapixel cameras such as the Canon 5DS / 5DS R and the Sony A7R II, more and more photographers are getting interested in these tools. They want to understand the advantages and disadvantages that such high resolution cameras bring and what changes they can anticipate to their workflows. In this article, I want to address these concerns and talk about pros and cons of low versus high resolution cameras. Please keep in mind that the term “low resolution” refers to the least resolution we see in modern full-frame cameras. Just a few years back, what I refer to as “low” in this article was considered state of the art. Hence, such terms are relative to the highest resolution sensor available today.
For our readers in the Northern Hemisphere, it’s that time of year again — days are hotter, nights are shorter, and the air is stuffier. With the changes in weather, two different creatures are beginning to emerge from their deep winter slumbers: the insect and the macro photographer. As macro photography grows more popular, a key question arises: what is the best way to light a bug’s picture?
12-bit image files can store up to 68 billion different shades of color. 14-bit image files store up to 4 trillion shades. That’s an enormous difference, so shouldn’t we always choose 14-bit when shooting RAW? Here’s a landscape I snapped, then found out later I had shot it in 12-bit RAW. Better toss this one out, right?
A few months ago we wrote an extensive article on sensor crop factors and equivalence. In that post we covered several topics: the history of the cropped-sensor formats, brightness of the scene, perspective, depth of field, noise and diffraction. In today’s post I want to focus on (if you’ll excuse the pun) and expand on two of these topics:
I have thoroughly enjoyed the response from my first article here at Photography Life – both the encouragement as well as the advice to follow my photographic instincts than to be led sideways. It is nice to have allowed a wider audience a peek at my work and hear some constructive feedback on my images and thought process. This article is a bit of a throwback post and is intended to be a general starter guide to photographing the Northern lights. The title is perhaps misleading as the “Northern Lights” are not just a phenomenon of the Northern hemisphere but also occur in the Southern Hemisphere. In the North, it’s generally referred to as the Aurora Borealis whereas in the south, it goes by Aurora Australis. However, my experience, though not vast, has generally been shooting the Northern Lights in Norway and Iceland and this is what I will now expand upon.
Long exposure photography can produce stunning photos. Nighttime shots can bring out unexpected detail and create amazing light effects. Daytime long exposure can create images with haunting moods and ethereal imagery. None of this is actually hard to achieve, but it does take a little thought and preparation. Here are some tips to ease you into long exposure photography.
Macro photography is one of the most popular forms of photography, and with good reason. It is easily accessible, and it is a very broad genre of photography. Studio pros can enjoy taking macro shots of leaves, flowers, and sluggish insects, maintaining total control over lighting. Nature lovers can spend hours outside, searching for hidden treasures among flowers and leaves. Plus, in non-photographic locations (like most people’s backyards), macro photography makes it possible to take great images of nature without traveling at all. In this article, I will provide some tips and ideas to help you take your macro photography to the next level.
I have been shooting the night sky since my grandfather gave me my first 35mm SLR in junior high. Today’s digital SLRs allow us to shoot amazing things that I could only dream of a couple decades ago! Below are some tips and suggestions that I teach at night photography workshops for shooting the Milky Way.