One of the biggest issues many of us photographers face is the gigantic size of our photo libraries, which creates a lot of issues for backing up and restoring images. While we have written a number of articles on properly backing up images, with a recent article on a backup workflow, we have not spent much time on managing the backup size and reducing it. After-all, if the backup size itself is significantly reduced, the time it takes to back up those images improves drastically as well! Let’s talk about some of the tips, techniques and potential changes to your workflow you can administer today in order to reduce your backup needs in the future.
Noise is the sleet storm Satan drenches our photos in when we stupidly leave our tripod in the trunk thinking VR will save our lazy butt, but instead we end up shooting at quadruple digit ISOs. In this article, we will take a look at a couple of techniques on how to reduce noise and how to avoid it in the first place.
There are two kinds of photographers. Those who admit they crop, and those who claim they don’t. The latter are glistening bastions of photographic purity whose souls glow at a constant Zone 10. They graciously lecture us heathens on the evils of cropping and try to exorcise the post-processing devils from our souls. They abhor us croppers, whom they consider inferior photographers – low down scum worse than fixer stains or a piece of grit in a bulk loader. They realize that cropping leads to even more sinful behavior, such as high speed bursts and shamelessly shooting above base ISO. I could go on, but they’ll pick up where I left off in the comments section.
LED lights have been a big trend in the last few years in dance parties, Many of us have photographed events where harsh LED light was used on the dance floor, and these LED lights have flooded our images and prevented us from taking available-light photos without them looking over-saturated and alien. One obvious option is to use a flash, whether ON or OFF camera, but you may be losing those moments where the light is causing interesting shadow situations. A second option is to convert the images to black and white, which is also a good solution, however sometimes you want to show certain characteristics, for example showing a party full of people with red-hair :)
We are in the process of reviewing the Sony A7R II mirrorless camera and we thought it would be a good idea to provide our recommended settings for this camera, since many of our readers have been asking for it. With a powerful 42 MP sensor and a pretty long list of features including native 4K video recording capability, the Sony A7R II is a high-end interchangeable lens mirrorless camera designed for serious enthusiasts and professionals. In this article, we will provide some information on what settings we use and shortly explain what some of the important ones do. The Sony A7-series cameras have a myriad of different settings and buttons, which can be confusing to understand, so the below information is provided as a guide for those who struggle with the cameras.
One of the common misunderstandings in photography has to do with the focal length of a lens, or its optical distortion properties. Many photographers claim that a wider angle lens will distort facial features either because of the lens distortion, or the focal length of the lens being too short. In this article and the accompanying video (which is extracted from our upcoming Photography Life Basics Video), we will prove that focal length has nothing to do with distorting a subject’s face and the additional information on lens distortion will explain in detail exactly what gets impacted by lens distortion.
Quite a few people have emailed me in the past to write about shooting cityscapes with a long exposure and I have repeatedly asserted that while it is not especially complicated, I am certainly no expert on the subject. In fact, finding the time to write an article about it was a much greater challenge!
In this post the value of using high dynamic range (HDR) photography for landscape and particularly panorama photography will be examined. This combination of two fairly widely used photographic techniques, the making of panoramas with HDR photographs is described in books dedicated to HDR techniques. This discussion will provide the reader with some methodological starting points and provide examples showing why the extra effort is worthwhile. Previous Photography Life posts are excellent reference primers for landscape photography and should definitely be consulted for their insights. In this post the term “panoramic” is used to indicate that two or more adjacent photographs covering overlapping parts of the same scene have been combined to make the single final image. “Landscape” is used to describe final photographs produced from a single image. All of the photographs in this post are panoramas by these definitions.
This article is meant to be an extension to the Camera Resolution Explained article that I published back in February of 2015. With the release of high-megapixel cameras such as the Canon 5DS / 5DS R and the Sony A7R II, more and more photographers are getting interested in these tools. They want to understand the advantages and disadvantages that such high resolution cameras bring and what changes they can anticipate to their workflows. In this article, I want to address these concerns and talk about pros and cons of low versus high resolution cameras. Please keep in mind that the term “low resolution” refers to the least resolution we see in modern full-frame cameras. Just a few years back, what I refer to as “low” in this article was considered state of the art. Hence, such terms are relative to the highest resolution sensor available today.
For our readers in the Northern Hemisphere, it’s that time of year again — days are hotter, nights are shorter, and the air is stuffier. With the changes in weather, two different creatures are beginning to emerge from their deep winter slumbers: the insect and the macro photographer. As macro photography grows more popular, a key question arises: what is the best way to light a bug’s picture?