Normally, if you’re using a tripod, camera shake isn’t something you’ll have to worry very much about. However, there are some obvious exceptions. If you’ve ever found yourself taking pictures in heavy winds, you’ll know the difficulties of capturing sharp photos — particularly if you’re using a telephoto lens. This seems like an impossible situation; what do you do when a tripod isn’t enough to stop your camera from shaking? Luckily, there are ways to improve sharpness even in windy conditions and come away with photos that are completely usable. I’ll cover some of the most important here.
Adobe Lightroom is a massive, lumbering behemoth of photography software with enough functions and processes to make any photographer go crazy. At the simplest level, though, Lightroom was created to help you do just three things: sort your photos, post-process them, and export them. On Photography Life alone, we already have more than 100 articles about Lightroom — the equivalent of several books — and other websites have countless more. Clearly, it’s an important topic to learn, whether you’re just starting out or you’re an advanced photographer. In this guide, I will go over the process of using Lightroom for beginners, from start to finish, including tips on the topics that tend to confuse people the most.
As a busy photographer who travels quite a bit both within the USA and overseas, I have gone through many types of gear in my camera bag. While some of the gear and accessories are absolute necessities I will not leave my home without, others can be very useful in particular situations or when traveling to other countries. In this article, I would like to go over my top must-have gear for travel and discuss why you might consider including them in your arsenal in the future.
This post is the second in a three-part series dedicated to teaching sports photography at all levels of competency. In part one I covered the basics for photographers who are just getting started. This article will focus on intermediate amateurs who have masted the basics, and want to gain additional competency to bring their images to the next level. The final part will be geared towards advanced amateurs looking to build a portfolio.
Did you know that most modern digital cameras have the ability to set ISO automatically? Back in the film days, you would drop a roll of film into your camera and your ISO, or ASA as it was known back then, would be fixed for the entire roll. With digital, not only can you change your ISO on the fly, but you can also set your camera to adjust it automatically. In this article, we will explore ISO Auto in detail and learn how to you use it with different shooting modes of your camera. In addition, we will discuss scenarios where Auto ISO is advantageous and situations when setting ISO manually is more appropriate.
In this in-depth Wildlife Photography Tutorial, we put together some of the best material we have published to date on photographing wildlife. Most of the information comes from myself (Robert Andersen), but a few extra tips are shared by other talented PL team members like Tom Redd. Instead of creating separate articles on each topic, we thought it would be a good idea to compile everything into a single piece, so that our readers could get the best out of it and have a chance to follow the material in a logical progression. This tutorial is a work in progress and we will be adding more sections in the future, so make sure to bookmark it in your browser!
Four seasons is a marvelous gift of our planet to landscape photographers, at least in certain parts of the world. In the past, I preferred anything but winter. I always impatiently awaited fall colors, peaking around late October and beginning of November, or the lush green tones of mid-April. But in the past few years, I learned to love winter too. Well at least when there is snow and frost. Here are my tips on how to photograph snow in cold weather.
There are two kinds of photographers. Those who admit they crop, and those who claim they don’t. The latter are glistening bastions of photographic purity whose souls glow at a constant Zone 10. They graciously lecture us heathens on the evils of cropping and try to exorcise the post-processing devils from our souls. They abhor us croppers, whom they consider inferior photographers – low down scum worse than fixer stains or a piece of grit in a bulk loader. They realize that cropping leads to even more sinful behavior, such as high speed bursts and shamelessly shooting above base ISO. I could go on, but they’ll pick up where I left off in the comments section. For us sinners, why not explore the process of cropping images in Lightroom and understand why it is done in the first place?
This post is the first of a three-part series dedicated to teaching sports photography at all levels of competency. In part one I will cover the basics for photographers who are just getting started. Part two will focus on gaining competency for those who have mastered the basics. The final part will be geared towards serious amateurs looking to build a portfolio.
A polarizing filter is one of the most essential tools in a landscape photographer’s bag. It is typically the first filter landscape photographers buy to instantly improve their pictures by adding vividness and contrast to them. In this article, we will go through detailed information on polarizing filters, what they do, why they are important and why you should consider using them for your landscape photography.