In this guide, I will provide detailed information on what settings I use on my Nikon Z6 and shortly explain what some of the camera buttons and controls do. Although the Nikon Z6 is practically identical in its build, button layout / design and ergonomics to the Z7, there are some important differences between the two cameras worth going over. In addition, since we are providing our readers a downloadable settings file that can be loaded directly into the Z6,…
Nikon’s entry into the full-frame mirrorless market came in the shapes of Nikon Z6 and Z7 cameras. The Nikon Z7 is the high megapixel version of the two, sporting a 45.7 MP BSI CMOS sensor and a more sophisticated autofocus system with 493 phase detection autofocus points. Since much of the camera capabilities of the Nikon Z7 comes from high-end cameras like the Nikon D850, and due to the fact that mirrorless cameras introduce new features previously not found on…
Hyperfocal distance can be a confusing topic, both for beginning and expert photographers. However, if you want to take the sharpest possible images, particularly landscape photographs, it is simply invaluable. In this article, I will explain hyperfocal distance and give several methods to get the sharpest possible photographs with maximum depth of field. This article covers hyperfocal distance charts, as well as other, simpler methods to find your hyperfocal distance.
In this week’s video, I’m going to show the story behind a photo I took a few days ago in Great Sand Dunes National Park. Because it’s our first case study video at Photography Life, I wanted to shoot an image that I already had in mind – hopefully lowering my chances of returning empty-handed. In the end, I definitely got a photo I liked. But it didn’t happen quite how I had expected.
Hello everyone! My name is Lee and I am a cultural travel photographer. I would like to share my experience in taking artistic travel photos. No complicated theories here, just some practical approach I use. I hope it will be helpful to some of the readers who are in their early stage of developing their skills. Comments and discussion are welcomed.
Landscape photography goes hand in hand with black and white. It isn’t just because of famous landscape photographers like Ansel Adams, but also because the intricate shapes that attract our attention in nature often “just feel right” in monochrome. Want to take better black and white landscape photos? This article explains why such images work so well, including how to make your own black and white landscape photography as strong as possible.
Photographing a lightning is a dangerous hobby. Not everyone understands that a lightning storm is highly unpredictable, and a strike could occur any time, anywhere. At the same time, taking a picture of a lightning can be very rewarding, especially if the pattern is unique or the picture is taken at an extraordinary location. The tips below will show you how to photograph a lightning storm and take your pictures to the next level.
Although macro photography is very accessible – no exotic destinations or expensive gear required – it is often tricky to choose the best camera settings for macro work. If you want sharp, well-exposed photos, you’ll have to push your camera system to its limits. Luckily, this guide covers everything you need to know about camera settings for macro photography, including camera mode, aperture, flash, shutter speed, ISO, and focusing, plus two detailed checklists at the end.
Every so often the Moon falls into the shadows of the Earth, resulting in a lunar eclipse. Although lunar eclipses take place more often than solar eclipses, you might still want to experience watching and potentially photographing this somewhat rare and stunningly beautiful phenomenon. I have been taking pictures of both partial and total lunar eclipses for a number of years now and I decided to document my experiences and the challenges I encountered for the benefit of our readers.…
There are four major factors that cause blurry photos, and all four of them are important to remember for every picture you take. Here, I will explain how to avoid each type of blur, or minimize them as much as possible, in your photography. Specifically, the four sources of blurry photos are motion (from the camera or subject), out-of-focus blur, diffraction, and lens aberrations.