As photographers, light is something we are constantly concerned about. We need some sort of light source coming in, but from where and how much is always the question. A soft sun glow during the early hours of the morning or right before sunset is ideal, but often times wedding ceremonies or a client’s schedule does not allow for those prime shooting times. Light can take a normally plain image and transform it into a powerful and exciting picture, but what happens when you are dealing with harsh midday, overhead lighting? Luckily, there are a couple ways of dealing with this problem while still achieving beautiful pictures that both you and your clients will be happy with.
If you took workshops and coursework on photography, chances are you’ve heard every mentor talk about understanding composition and learning to crop within the camera. Doing so will yield greatly composed photos and will limit your time in post production. But from time to time, you will come back with badly cropped photos which might have distracting elements in the background and the composition may not look spot on. If you are photographing portraits, even the slightest distraction may draw the viewer’s attention to something else than what you originally intended the viewer to concentrate on. At times like these, instead of deleting the photo, I want to give it another chance. Memories are precious and I do not mind cropping the photo to preserve what is important. Cropping images in post production will give you another chance to re-frame your shots and there are a number of different ways you can do this to achieve desirable results.
If you love astrophotography, today (06/23/2013) you will witness a unique event called “The Supermoon”, where the moon will not only be full, but will also appear larger than normal. If the skies are clear and you are lucky to see the moon, this will be a great time to get out and try some moon photography. If you have never done it before, you might be wondering what camera gear and settings you should use in order to capture the moon in its full glory. In this short article, I will give advice on how to photograph the Supermoon and explain some of the steps involved in the process.
We are continuing our education series from some of the best photographers in Colorado and this time we are proud to feature Mario Masitti, who is without a doubt, one of the most successful high school senior photographers in the nation, not just Colorado. In this article, Mario will shed some light on high school senior photography and share his technique, style, gear and provide some sound advice for aspiring photographers. We hope you enjoy reading this article and learning from him.
Ok, I know you may be thinking, “How is take a kid shooting a wildlife photography tip?” Maybe it isn’t in the traditional sense. Regardless, I was thinking about an ad campaign here in the United States that promoted fishing whose slogan was “Take a kid fishing” and it got me to thinking about photography and a similar slogan that could be “Take a Kid Shooting”. I have a grandson that has taken a liking to photography having been influenced by his father and grandfather’s love of taking photos. His interest has given me the pleasure to take him out and have him shoot with me from time to time.
My personal food photography journey started slightly earlier than my love for wedding and portrait photography. Since I cook a lot, one day Nasim suggested that I document it and possibly turn my recipes into a blog. It started with one single shot of the final look of the dish before we devoured it, and ended up developing into step-by-step recipes that started gaining popularity. Although I took a break from food photography, I still kept on getting questions regarding the craft of food photography. So, I decided to start writing articles dedicated to food photography tips and techniques and how to work with food in various situations.
Most of the cover photos for famous magazines and different publications are taken with very simple photographic tools. If you carefully look at the photos, you can probably tell what the light source is from the shadows that fall on the model and roughly understand what really went into making that specific production. While anyone can take a photo using the same tools, it, does not necessarily mean that you will end up with the same cover page.
Many people enjoy photographing wildlife but sometimes don’t seem to know where to go to find the opportunities. It doesn’t need to involve going to exotic locations or spending big money for a guided trip. Oftentimes, some of the most accessible wildlife is found if not literally in your backyard, then close by. In this quick tip for the beginner wildlife photographer, we advise you to get out and go to the park.
It’s been a while since we had a tip for beginners, so here is a quick post for the wildlife photographer. It’s not uncommon for friends of mine to see a photo like the one below and for them to ask where I took it. Quite frequently my response to them is, “From the window of my car.” They usually laugh thinking that I am joking and then I tell them that I’m serious. If you take many wildlife shots, you will quickly realize that oftentimes animals are acclimated to cars and if we stay inside them, we don’t stress them as much and they don’t flee as fast.
While a good, sturdy tripod is often best for stabilizing your gear, there are times when a monopod is more convenient and/or can be a big help in supporting larger camera/lens combinations. In keeping with Nasim’s mention in the Focus and Recompose Technique article that we would be doing some posts on basics and Tips for Beginners and since we have had a couple of monopod reviews, it occurred to us that some people may not know how to use a monopod properly, so we decided to share some pointers. The main differences between the three methods that we will discuss here is where you place the foot of the monopod.