In the past, bird photography was reserved for those with very deep pockets. With long prime lenses costing more than $8000, their high prices excluded those of us with more modest budgets from the party. However, with the advent of relatively inexpensive super-zoom lenses from Sigma and Tamron, and even some from the mirrorless camera makers, it is much easier to get into bird photography these days. In this article, I want to give you some bird photography tips for creating compelling images of these beautiful creatures. I will talk briefly about gear but will focus more on the techniques for capturing great images of birds.
If you like taking landscape photos at night, you’ll surely be familiar with one of the main challenges: successfully focusing on the stars. Often, you can’t use autofocus, since there isn’t enough light for your camera’s focusing system to lock onto anything. Unfortunately, even manual focus doesn’t always work, which means you may need to use some out-of-the-box techniques to make it work. This article goes through some of the most useful tools that you have at your disposal.
Making a change to one’s camera kit is always a good reason to go out to get some practice using it outside and indoors. I went out to Bird Kingdom in Niagara Falls Ontario a few days ago with my Nikon 1 V3 and CX 70-300mm f/4.5-5.6 lens to practice my hand-holding technique photographing birds using slower shutter speeds.
If you have not heard yet, tonight, we will experience something truly magical – the supermoon of a lifetime! That’s right, the moon will be unusually close to our planet at 356,500 km, so close that we will not see another approach like that all the way until 2034! The size of the moon will be 14% larger than typical full moon. The so called “perigee moon” will coincide will the full moon, making it appear not only unusually large, but also unusually bright (up to 30% brighter than usual). Make sure to be prepared to capture this event, since it is such a unique, potentially once-in-a-lifetime moment! In this article, we have gathered all the important bits of information you will need to capture the supermoon, so read on and let us know if you are planning to do it.
Camera shake can be a real hassle and pain when shooing off a tripod. Sometimes camera shake can be completely eliminated with a couple of simple steps and other times, it can be quite painful and sometimes even impossible to deal with. How does one reduce camera shake? Are remote shutter releases helpful in reducing camera shake? Is it possible to eliminate it completely? Since I see this issue so often in the field, I decided to write a detailed article that specifically addresses how one can reduce camera shake when shooting on a tripod.
Among the many articles I have read here, at Photography Life, the most controversial are the ones that especially call my attention. Despite being against the polemics, I am in favor of sincere dialogue, because through dialogue we can grow internally too. In my opinion, there are several steps that one can take in order to make better pictures. Therefore, I invite you all to carry out a reflection on the subject.
During the past week, I have been very busy with some university work and with preparations for a month-long road trip through ex-Yugoslavia. However, I still wanted to capture the passage of the Perseids meteors, possibly from a great location. Then, I remembered that two of my friends and I wanted to climb the Monviso, which is the third highest peak in my region at 3841 meters (12602 feet). I combined the two and there we were, driving a two-days journey in the Italian eastern Alps. Astronomers tell us that the peak of the falling star has moved from the former 10th of August to the 12th, but the weather forecast for the 12th was depressing to say the least. Unfortunately, since my camera can’t see behind clouds (yet!) and I don’t like to walk under a torrential rain, the weather was in charge and the departure was moved to the morning of the 13th. Our gear included a tent, sleeping bags and mats, not enough food and water, and some photographic gear: my tripod, a Canon 1200D/T5 and two lenses: a Canon 10-18mm f/4.5-5.6 and a Tamron 17-50mm f/2.8 VC, along with a remote and three spare batteries. My photographic goal was to make a timelapse of the shower of meteors and possibly capture some images along the way, whereas my climbing goal was to go up as high as possible and maybe coming back alive.
DIY projects are always popular, so we’ve decided to throw another one into the mix. This particular little idea comes from a problem that many photographers have – where do you get a good, small, white/gray surface to use for white balancing your RAW shots in conversion?
Earlier this summer I posted an article about cityscape and architecture photography in the City of Pittsburgh, Pennsylvania. I am extremely grateful for the positive response that article received; thank you! Many photographers specialize in one genre, but urban environments make up less than half of my subjects. Sports photography is my other passion, and it is what inspired me to begin my journey as a photographer.
“There’s such a thing as ornamental shrimp?” This is the typical response of family and friends when I speak to them about my recent hobby of keeping ornamental shrimp. Believe it or not, there is growing interest around the world about breeding and keeping these little freshwater critters as pets. In some countries, their popularity even rival traditional fish keeping! What once used to be considered another algae eater in tanks has quickly become an object of interest for aquarium enthusiasts, given their behavior, varieties, and breeding possibilities. They are marvelous to look at, and as such are wonderful subjects to photograph.