Most landscape photographers, myself included, love to photograph gigantic, thunderous, raging waterfalls, quiet little babbling brooks, and just about everything in between. Successfully photographing them is not always easy, though. Here are some tips that I am constantly reminding both myself and tour participants alike while in the field:
When one thinks of landscape photography, one more often than not imagines dramatic, sweeping grand landscape scenes, which are almost exclusively taken with ultra wide-angle lenses. While these scenes can be quite stunning (and beautiful… and a lot of fun to shoot!), it is nice to make use of the drastically different perspective afforded by a telephoto lens. A telephoto lens, as you may know, is used to capture frame-filling images of faraway subject matter. This is because it has a much narrower angle of view than a wide-angle lens. While a wide-angle lens exaggerates differences in both the size of and the distance between near and far objects, a telephoto lens effectively reduces those differences. This means that a telephoto lens causes a close object to appear more similar in size relative to a further away object, even if the closer object would actually appear larger in person, and it means that a telephoto lens can cause the apparent distance between near and far objects to appear smaller, which creates a nice compression effect.
If you live in a warm sub-tropical or tropical climate, or holiday in one, you’ve likely seen many small lizards scurrying about and you may have tried to photograph them. Often times this is not as easy as it first appears as these small critters tend to be quite skittish and can disappear in a blink of an eye. In addition, they tend to be quite small so unless you can get close enough to them these lizards can end up as minor subjects in your overall image.
As a brief follow up to my Photographing Tundra Swans with Tamron 150-600 article, this piece features a small selection of bird-in-flight images taken along the Niagara River with a Nikon 1 V2 with the Nikon 1 CX 70-300 f/4.5-5.6 lens.
It is important that I state up front that I really struggled deciding to even write this article as the image quality is not up to the standard that I prefer to show to readers. Unfortunately trying to shoot white birds on greyish backgrounds accentuated the Nikon 1 system weaknesses and the lack of dynamic range is very apparent. I finally decided that since the images represent what can be expected under these particular shooting conditions that the images (hopefully) would still be of value to readers. As I stated in my review of the Nikon 1 CX 70-300 lens shooting birds in flight can be a challenge with the Nikon 1 system. People buying a super telephoto lens with the express intent of shooting primarily birds-in-flight are likely to be better served by using a DSLR combination. [Read more…]
When dealing with slow shutter speeds, a solid tripod is a must-have tool for eliminating camera shake and capturing sharp photographs. Although setting up a tripod and effectively utilizing it for photography needs at first sounds simple and self-explanatory, I often come across photographers that do not know how to properly use a tripod. Even though you could own the most expensive tripod on the market and know exactly what to do to yield razor sharp images, your images could still be suffering from poor framing choices. In this article, I want to explore the proper techniques for setting up, handling and using tripods.
I was recently asked how many concerts I’ve photographed, and realized that it is coming up on thousand in the last 15 years. Any given week you can find me shooting anything from a 20 person house concert to The Who in a 30,000 seat arena, and anywhere in between. Tonight, it will be an up-and-coming band called The Spring Standards, who I’ve shot 7 times in the past. They are a dynamic, high-energy band with a lot of emotion, character and flying hair to capture.
Small sensor cameras have their detractors, but there are specific situations where shooting with a small sensor camera has some advantages. For example, my Nikon 1 gear is ideally suited to taking photographs of captive reptiles because of its light weight, portability, and the comparatively short minimum focusing distance of 1 Nikon lenses. In this article I’ll be discussing some of the things you can do to create some interesting images when using this type of equipment.
When I submitted my photos of Acadia National Park as a guest submission on Photography Life, I was amazed at the response, especially on the fact that the majority of photos were shot using a Nikon F100 with Fuji Velvia 50. Nasim contacted me to do an article on film considerations for landscape photography as a follow up. So this is my stab at it.
Horse Polo is normally played on a field that is nine times the size of an American Football field, making it a very challenging sport to photograph. A smaller version of the game, Arena Polo, is played on a field that is slightly smaller than a Football field. For purposes of this article, I will mostly discuss the large field version of Polo.
So this time of year in the United Kingdom, many people will be enjoying fireworks displays and bonfires to celebrate Guy Fawkes Night. For those who aren’t familiar with the night, Guy Fawkes tried to blow up the Houses Of Parliament (Westminster Palace) on the 5th November 1605, but he was caught and executed. Thus every year on that date he is burned in effigy (less so nowadays due to health and safety concerns) and a fireworks display usually accompanies.