Lightroom Classic and Lightroom CC Announced – Subscription Only

Four years is a long time in the digital realm. In the past four years, new products, services, and software have uprooted many parts of the old world and put something new in its place. It also is enough time — as many people suspected, but wasn’t confirmed until today — for a company to break a promise. I’m talking about Adobe, with their new release of two separate versions of Lightroom: a split “Lightroom CC” and “Lightroom Classic CC.”…

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Nikon 70-300mm f/4.5-5.6E VR AF-P Announcement

Today Nikon revealed its first pulse motor (AF-P) lens designed specifically for full-frame cameras, the AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR. This is a very interesting release for a number of reasons. First, it improves the already great 70-300mm f/4.5-5.6G VR budget telephoto lens by making it sharper, faster and lighter. Second, it vastly improves the image stabilization system on the lens, capable of compensating up to 4.5 stops when shooting hand-held, in addition to adding a Sport VR mode…

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Tamron SP 24-70mm f/2.8 Di VC USD G2 Announcement

Tamron announced yet another new-generation lens for both Nikon F and Canon EF mounts, the Tamron SP 24-70mm f/2.8 Di VC USD G2. The new professional-grade lens sports an impressive optical design, with a total of 17 elements in 12 groups, four of which are aspherical elements, two have extra refractive and three have low dispersion properties. Just like the recent “G2” series lenses from Tamron, the SP 24-70mm f/2.8 Di VC USD G2 comes with eBAND and BBAR coatings…

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Nikon 8-15mm Fisheye, 28mm f/1.4E and 10-20mm DX VR Announcements

Today Nikon revealed three new lenses: AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED, AF-S NIKKOR 28mm f/1.4E ED and AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR. While the latter 10-20mm f/4.5-5.6G VR is an addition to the DX line-up of lenses, the 8-15mm f/3.5-4.5E Fisheye and the 28mm f/1.4E lenses are pro-grade lenses designed specifically for full-frame cameras. Let’s take a look at these three lenses in more detail.

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Another Nail in the Coffin of Photography Software

Here’s some worrying news: Google just abandoned Nik’s software suite — the same Nik suite that it bought five years ago, and the same Nik suite that it started offering for free in March of 2016. What does this mean for the world of photography software? One discontinued product might not seem like a big deal, and you may not even be a Nik user, but this development should worry any digital photographer.

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Tamron’s SP 70-200mm f/2.8 VC G2 and 10-24mm Lenses to Challenge Nikon

It is always exciting to see great lens announcements, because lenses play such a huge role in making images and making them appear special. This week we have seen two such announcements from Tamron. Without a doubt, the most exciting announcement is the Tamron SP 70-200mm f/2.8 Di VC USD G2 designed for full-frame cameras from both Nikon and Canon. I am personally intrigued by the Tamron SP 70-200mm f/2.8, since that lens is going to retail for a mere…

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The New Nikon DL Line of Premium Compacts – Should You Be Excited?

Lost in all the recent excitement of the Nikon D5/Nikon D500/Canon 1DXMkII/Pentax K-1/Sony a6300 and Fuji X-Pro 2 announcements was Nikon announcement of their new DL “premium compact” camera line-up. The DL line-up consists of three models all sporting fixed lenses, 1.0” 20.8 megapixel sensors and the new EXPEED 6A processor. The Nikon DL18-50 with its 18-50mm equivalent lens is there to tempt the landscape and architecture shooters. Street ‘togs and all-rounders are offered the DL24-85 with a 24-85mm equivalent…

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Sigma Strikes Again with a 20mm f/1.4 Art Lens

While the new Zeiss Otus 28mm f/1.4 seems like a wonderful chunk of glass for those who do not mind a 1.35 kg beast, Sigma has just released its new 20mm f/1.4 Art-series lens, which is a much wider lens, while being as fast as the Otus. In fact, Sigma claims this one to be another “world’s first” as far as the focal length and the aperture – the next fastest lens is the Nikkor 20mm f/1.8G. With its MSRP…

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Nikon 200-500mm f/5.6E ED VR Announcement

Nikon’s last announcement today is the new Nikkor 200-500mm f/5.6E ED VR, a super telephoto zoom lens designed for sports and wildlife enthusiasts. This lens is a very interesting announcement, because it is very different from all other super telephoto Nikon lenses we have seen in the past – it is Nikon’s first zoom lens with a fixed aperture that covers such a long range. Many enthusiasts have been asking for a 400mm f/5.6 lens and one wonders if this…

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Zeiss Batis 25mm f/2 and 85mm f/1.8 Announcements

Another big announcement from last week was Zeiss Batis 25mm f/2 and 85mm f/1.8 lenses for the Sony FE mount. Compared to Zeiss Loxia lenses, the new Batis line offers autofocus capability and has a similar focus-by-wire motor as in native Sony/Zeiss lenses. The exterior look of the lenses appears to be similar to the high-end Zeiss Otus lenses, but there is one major difference – the focus scale on the lens is OLED, the first-ever lens to feature it.…

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