Along with the SP 85mm f/1.8 Di VC USD, Tamron also released the SP 90mm f/2.8 Di VC USD Macro lens. Unlike the newly designed 85mm f/1.8, this one is an update to the existing 90mm f/2.8 Macro lens that has been manufactured for a number of years now.
Thanks to the CP+ Camera & Photo Imaging Show 2016 that is taking place in Japan this week, we have a slew of exciting announcements from different camera manufacturers. Tamron was the first to make a big announcement last night, presenting two brand new lenses designed for full-frame cameras. The first one is a significant release, because it is world’s first image stabilized 85mm f/1.8 lens for full-frame DSLRs, the Tamron SP 85mm f/1.8 Di VC USD. This is an important release, because Tamron is now upping its game like Sigma has done with its latest-generation lenses, allowing both lens firmware and AF fine tuning to be performed using an external USB dock.
Canon has just announced its long-awaited update for the existing EOS 70D, the Canon EOS 80D. With a brand new 24.2 MP APS-C sensor, 45-point AF system, built-in Wi-Fi, updated Dual Pixel AF for live view shooting and improved HD video recording features, the 80D seems like a fairly solid incremental update to the popular camera line. While it is not by any means a significant upgrade, there are some important updates that might be worth moving up to, especially for sports and wildlife photographers. The new 45-point AF system with all cross-type focus points is a huge upgrade from the previous-generation AF system on the 70D (which only had 19 AF points), not only because of the bigger number of focus points, but also because of the much larger spread of those focus points in the viewfinder. Additionally, the center focus point on the 80D is now of dual cross-type and sensitive down to -3 EV, which should allow the camera to focus in very low-light environments. The camera will be available sometime in March for an MSRP of $1,199 for the body-only version.
Today is a big day for Pentax fans, because the company has finally announced its much anticipated full-frame DSLR, the Pentax K-1. Featuring a 36.4 MP CMOS sensor with a native ISO range of 100-204,800, PRIME IV Image Processor, 5-axis in-body image stabilization (IBIS), 33-point AF system, 3.2″ Cross-Tilt LCD, 4.5 fps continuous shooting, built-in Wi-Fi, built-in GPS, dual SD card slots, a fully weather sealed magnesium alloy body, full HD video recording and a few other extra features like AstroTracer, the K-1 looks like a tool that packs practically every feature a DSLR shooter could think of. And the best part isn’t even the list of features – it is the price! At $1,799, the Pentax K-1 is the cheapest professional-grade DSLR ever made; even Nikon’s entry-level full-frame DSLR, the Nikon D610, had an MSRP of $1,999 when it was launched. Pentax users have every reason to rejoice, because the K-1 is without a doubt, the most feature-rich and value-driven DSLR we have seen to date…
Along with the A6300 mirrorless camera, Sony today also announced three professional-grade lenses for the full-frame FE mount, the Sony FE 85mm f/1.4 GM, Sony FE 24-70mm f/2.8 GM and Sony FE 70-200mm f/2.8 GM OSS and two 1.4x and 2.0x teleconverters. Because of the premium nature of these lenses, Sony gave these lenses a new “G Master” (GM) label; which is basically one step above the current “G Series” lenses. All these lenses are fully designed by Sony engineers, have advanced optical formulas, coating technologies and other advancements that are designed specifically for Sony’s A7-series full-frame cameras, and as a result, also have rather steep price tags. Since many DSLR shooters have been staying away from the Sony full-frame mirrorless line due to the absence of truly professional f/1.4 and f/2.8 lenses, Sony decided to address that gap with the GM-series lenses. Looks like this is the first step and more GM lenses will follow in the future. Let’s take a look at these lenses in more detail and see what they have to offer.
Today is a big day in the world of photography, because Sony announced a camera that might challenge DSLRs in terms of autofocus speed in accuracy. The much-anticipated update to the Sony A6000 we reviewed earlier is finally out and it looks like it was well worth the wait. The Sony A6300 is the first mirrorless camera that is specifically aimed at capturing fast-moving action, thanks to its “4D” autofocus system with a whopping 425 phase-detection autofocus points. The camera breaks the world record in terms of the number and the spread of these autofocus points, reaching all the way to the far end corners of the frame, allowing fast-moving subjects to be tracked and captured at up to 11 frames per second. Although with its 24 MP APS-C sensor the camera probably won’t have the necessary buffer to be able to shoot action for prolonged periods of time like the Nikon D5 or Canon 1DX Mark II can, even shorter bursts with fast and accurate autofocus are going to make a huge difference. Couple all these capabilities with the 4K video capture (up to 100 Mbps) along with its MSRP of $999, and we’ve got one of the most desirably mirrorless cameras on the market.
Last night Canon unveiled its much anticipated top-of-the-line DSLR, the Canon EOS 1D X Mark II. Packing very powerful features aimed at sports and wildlife photographers, the Canon 1D X Mark II is a direct competitor to the recently announced Nikon D5 DSLR. Canon developed a brand new 20.2 MP CMOS sensor with Dual Pixel AF technology for improved low-light performance and phase detection focusing in live view mode (via the rear LCD touchscreen), dual DIGIC 6+ processors to provide more throughput for both 4K video and the insane 16 fps continuous frame rate, a revamped 61-point AF system with 41 cross-type sensors, a brand new 360k-pixel RGB+IR metering system, built-in GPS capability and a rugged, fully weather-sealed magnesium alloy body. Without a doubt, this will be one powerful speed demon, the best of the breed in the Canon world. And with its MSRP of $5,999, it is $500 less than what Nikon is asking for its flagship D5. Let’s take a look at the Canon 1D X II in more detail.
Today Adobe released a bunch of updates to its Creative Cloud suite, along with a new Lightroom 6.4 update. Aside from the regular bugfixes and new camera and lens profiles, Adobe introduced a new feature to its panorama stitching option within Lightroom called “Boundary Warp”, which is basically a tool that allows straightening the curves we usually see in panoramas. As we have seen before, while bugfixes and camera / lens profiles are available for all versions, new features are only available for Creative Cloud subscribers, so the Lightroom 6.4 standalone update won’t include the “Boundary Warp” feature. In addition, Adobe promises to double the speed of the panorama merging process, as well as much faster thumbnail updates when settings are copy pasted to multiple images at once. I have been running Lightroom CC 2015.4 for a few hours today and while I cannot yet state if it is more stable than the previous version, the panorama stitching process is indeed much faster in comparison. Let’s take a look at the new “Boundary Warp” update in more detail.
Every once in a while, I bump into a great idea that I wish I came up with myself. Recently, I came across such an idea – a website called “KeepSnap” and I thought that the concept behind it was very smart. Many of us photographers often go to the streets and events armed with cameras, in hopes of finding something or someone interesting to photograph. And sometimes we do indeed come across fascinating people that we immediately get attracted to, wanting to take their pictures. Many of us can relate to such situations. While I was photographing a beautiful sunset in the mountains last fall, I saw a couple, sitting on chairs and enjoying the sunset and the surrounding beautiful scenery. I approached them and asked for a permission to photograph. They not only immediately agreed, but also requested me to take more photographs, because they had not been photographed for many years! I took a few photos, including some close-ups. When I showed the photos to them, they were really excited and they were ready to pay me for preserving their moment of happiness and joy.
A couple of days ago Fujifilm finally announced its long-awaited flagship camera, the Fuji X-Pro2. I have been personally waiting for this to happen for a while, because the X-Pro1 has been out for way too long – 4 years, which is a huge stretch of time if you consider how quickly the mirrorless market has been moving in the past few years. I have just gotten back from my 3 week trip to Death Valley and while I have a lot of catching up to do, I did not want to miss on this important announcement. Being a proud owner of the superb Fuji X-T1, I have been wondering what Fuji would do with the X-Pro1 successor. The X-Pro2 is finally out and it looks like it was well worth the wait. While the overall design of the camera has not changed much, Fuji has made a lot of improvements to the interiors of the X-Pro2. With its brand new 24.3 MP X-Trans CMOS III sensor (highest resolution X-Trans sensor we have seen to date), pushing native ISO sensitivity by a full stop from ISO 200-6400 to 200-12800, an improved focal plane shutter capable of handling 1/8000 sec shutter speed (electronic shutter up to 1/32000 sec), 1/250 flash sync (finally!), a brand new Hybrid AF system with a whopping 273 focus points (77 phase detection points covering 40% of the frame) that promises to be Fuji’s fastest AF system to date, a fully weather-sealed camera construction, dual memory card slots (finally!) and an amazing hybrid viewfinder, the X-Pro2 looks like a very serious tool for professionals. Although its pricing of $1,699 might not sound particularly attractive, Fuji has never been a cheap brand in the first place and it has been known to make attractive, functional and enjoyable cameras that many photographers are willing to pay a premium price for.