While I wait until quarterly data is available from CIPA to do full camera market updates on my photography blog, I thought Photography Life readers may like to have a quick look at how 2017 is shaping up for the digital camera market. The charts in this short article are based on April YTD 2017 CIPA statistics. I’ve included YTD actuals for 2017 as well as my market estimates for 2017. These estimates were calculated after examining some basic trends that the camera market has been demonstrating for the past decade.
Today Nikon revealed three new lenses: AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED, AF-S NIKKOR 28mm f/1.4E ED and AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR. While the latter 10-20mm f/4.5-5.6G VR is an addition to the DX line-up of lenses, the 8-15mm f/3.5-4.5E Fisheye and the 28mm f/1.4E lenses are pro-grade lenses designed specifically for full-frame cameras. Let’s take a look at these three lenses in more detail.
Here’s some worrying news: Google just abandoned Nik’s software suite — the same Nik suite that it bought five years ago, and the same Nik suite that it started offering for free in March of 2016. What does this mean for the world of photography software? One discontinued product might not seem like a big deal, and you may not even be a Nik user, but this development should worry any digital photographer.
Step aside Canon 1D X Mark II and Nikon D5 – Sony has just announced its A9, a high-end, full-frame sports camera. With a 24 MP stacked CMOS sensor, a whopping 20 fps continuous shooting rate without blackouts, up to 1/32,000 shutter speed (electronic, mechanical up to 1/8000), a 241 RAW image buffer, 693 on-sensor phase detection autofocus points occupying 93% of the viewfinder, AF joystick, full-frame 4K video capture, in-body five-axis image stabilization, fully weather sealed body, larger battery capacity, a built-in Ethernet port and dual SD card slots, the Sony A9 is one serious monster aimed at directly competing with the top-tier DSLR cameras. It is a pricey camera at $4,500 MSRP, but it is still $2K cheaper than the Nikon D5 and offers features the D5 simply cannot compete with. The Sony A9 is a very exciting release for a number of reasons.
There have been some interesting shifts in the relative importance of various segments of the camera market over the past number of years. I thought readers may like to view a few charts based on CIPA data as they relate to the relative importance of various regional camera markets.
As a brief follow up to Nasim’s excellent post, Sony “Overtakes” Nikon in Full-Frame Sales, this brief article shares some recent CIPA statistics regarding the shipment of mirrorless interchangeable lens cameras. Depending on how a person interprets this data will determine whether the mirrorless interchangeable camera market is ‘growing’.
Another day, another headline-grabbing click-bait title we see surfacing all over the Internet on photography blogs and forums. Apparently, Sony overtook Nikon and came second in full-frame sales. And the source of all these titles is none other than Sony itself, who used data from a company called “NPD Group”, which researched the months of January and February to come up with the stats. The company was quick to issue a press release (you can see it below) and as expected, these news were picked up very quickly by many websites. Let’s take a look at these so called “news” and analyze the information in a little more detail.
Last night Nikon unveiled the new D7500 DSLR camera. The much anticipated update to the D7200 that was announced back in March of 2015 comes with a few updates that puts it close to the Nikon D500 in terms of features and speed – the same 20.9 MP APS-C sensor and EXPEED 5 processor, fast 8 fps continuous shooting (vs 6 fps on the D7200), a larger buffer that can accommodate up to 50 RAW images, the same 180K RGB metering sensor as on the D500 (although the AF system is still the good old 51-point Multi-CAM 3500DX II), a tilting touchscreen, a deeper and improved grip, Bluetooth + WiFi (SnapBridge), improved weather sealing and 4K video recording. In addition, the D7500 also gains some of the firmware functionality of the D500, such as “Auto AF Fine Tune” that allows to automatically calibrate focus on lenses. Overall, it looks like a very welcome update. Except for two disappointing blunders – Nikon dropped the second card slot and took away the ability to use a battery grip on the D7500.
We are happy to announce a rather significant update to the Photography Life design, which is focused on delivering a much cleaner user experience optimized for both both desktop and mobile use. We got rid of the large headers and the enormous slider on the front page and re-tweaked every part of the website to look very polished and distraction-free. A lot of the older content has been updated with more up-to-date information and we will be continuing our efforts in making sure that all the content stays relevant on the site, whether you are looking at articles published 5 years ago or today.
Ever since Sigma decided to revamp its line of lenses with its “Art”, “Contemporary” and “Sport” editions, we have seen a number of innovative lenses from the company, some of which claimed the “world’s first” title. Sigma has been working hard on producing fast, high-performance and durable lenses for Nikon, Canon and Sigma mounts at very attractive price points, allowing the company to quickly grow and establish itself as a reputable lens manufacturer. Today, the company revealed yet another amazing set of lenses in the form of Sigma 14mm f/1.8 DG HSM Art, 135mm f/1.8 DG HSM Art, 24-70mm f/2.8 DG OS HSM Art and 100-400mm f/5-6.3 DG OS HSM Contemporary – four lenses designed specifically for full-frame cameras.