For the next 13 days, Nikon will again offer lens-only rebates as it has previously done in the past. This is pretty exciting news for many Nikon shooters that already own Nikon cameras and are only interested in buying lenses – many of our readers have been waiting for such a rebate for a while now. In addition to these lens rebates, Nikon is also simultaneously running its “Buy Together and Save” rebate program, where additional savings are provided if you buy one of the Nikon DSLRs. Let’s take a look at these savings in more detail.
Since many of us now consider our smartphones an integral part of our photography hobby, I thought I would give you a quick perspective regarding the much anticipated Android operating system. I realize that many in the photography arena are huge iPhone fans. The global smartphone market share numbers break down to approximately 82% for the Android operating system and 14% for Apple IOS, according to the research firm IDC. Thus I suspect a healthy percentage of our readers are using Android phones. In the USA, the market share for Android and IOS is almost a dead heat at roughly 47.5% apiece. My comments below are based on upgrading a Verizon Samsung Galaxy S5 smartphone from KitKat to Lollipop.
Just a day after Sigma announced its 24mm f/1.4 Art lens, it has now also announced both pricing and availability of the Sigma 24mm f/1.4 Art lens. I honestly expected over $1K price for this quality of the lens, so I was a bit shocked to see that the lens will be sold at $849, which is tremendous value if you compare it to Nikon and Canon 24mm f/1.4 counterparts. Another much anticipated lens, the Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary is also available for pre-order for $1,089, which is priced right around the same as the Tamron 150-600mm which we highly praised in our in-depth review. Both lenses are expected to ship around March 20, 2015.
And for those who are interested in the newly announced Nikon D810A, below you will find some sample images from the camera. Please keep in mind that aside from the last photo, all sample images were taken as composites with multiple images, then put together via special stitching software for astrophotography. That’s why EXIF data is not present in these images. As usual, you can download images to your computer to see a full-sized version.
It has only been 8 months since Nikon announced the D810 and today the company announced a very specialized camera for astrophotographers, the Nikon D810A. In essence, the D810A is pretty much identical to the existing D810 – the camera has exactly the same body build, ergonomics, sensor, etc. What has changed is the filter stack in front of the sensor, which contains a modified infrared filter that is more sensitive to super low light emitted by the stars and nebulas (specifically, the hydrogen alpha wavelength). In addition, Nikon implemented additional shutter speeds (4, 5, 8, 10, 15, 20, 30, 60, 120, 180, 240, 300, 600 and 900 seconds) to give more flexibility for astrophotography needs. While the announcement is certainly big for astrophotographers, because it is world’s first full-frame astrophotography DSLR camera, I do have a few concerns about this particular release. Having done a bit of research in astrophotography last year (my primary interest was in deep space object photography using specialized mounts and CCD sensors), I learned a little bit about the tools and what’s needed.
Adobe has been enjoying their place in the software industry for a very long time now. It’s a monopoly, isn’t it? Despite the effort made by Corel, DxO, PhaseOne and others, the benchmark is still Photoshop and Lightroom (even if the latter does not actually lead in every area). In fact, Photoshop has actually become a synonym to the word “post-process” or “edit”. “To photoshop something”, how many times have you heard someone say it? Exactly. And all of this is well deserved, because there simply isn’t any better alternatives. But for us, the users, monopoly is not such a good thing. Lack of proper competition puts the developer in a rather lazy state. Fortunately, an alternative might be in the works, called Affinity Photo (currently in Beta stage). Unfortunately, it is only available for Mac at this time.
Later this week Canon will be announcing its first super high resolution cameras, the Canon EOS 5DS and the EOS 5DS R, which will feature a 50.6 MP sensor. After the current 22.3 MP sensor on the 5D Mark III, this will be quite a jump for Canon, something that many did not expect would actually happen. With Nikon dominating the DSLR market with high resolution 36 MP sensors for a number of years now with its D800, D800E and D810 cameras, Canon has been getting a lot of heat from its loyal fan base for not releasing a true competitor. The 5DS and 5DS R cameras are Canon’s response – with the former sporting an anti-aliasing / low pass filter and the latter not having one, similar to what we had previously seen on the D800 / D800E cameras. With such a high resolution jump, it will be interesting to see where the market will trend in the next few years. Sony and Nikon will probably follow suit, releasing their versions of 50+ MP sensors. The megapixel race is still on…
Since Sports Illustrated’s (SI) announcement that it would lay off its staff of 6 professional photographers last week, there has been the traditional wailing and gnashing of teeth in the media. The responses have ranged from the stereotypical demonization of capitalism to lamentations for a skill set no longer appreciated. Others predict SI’s demise due to the inevitable (so they claim) decline in the quality of its photos that will result from this decision. You may recall a similar outrage when the Chicago Sun Times laid off its entire staff of full-time photographers.
Back in December of last year, we reported the Nikon D750 Flare Shading Issue that occurs on some D750 camera bodies and talked about the cause of the problem. Although we found the issue to be insignificant due to the fact that it only occurs at a particular angle when pointing at a very bright light source, and showed that other cameras can also be potentially prone to the same issue, some of our readers expressed their disappointment and wanted Nkon to address this issue. If you own a Nikon D750 that is affected with this problem and it has been bothering you, Nikon USA today issued an official statement, in which the company announced that it will inspect and service all affected Nikon D750 cameras at no charge starting from the end of January, 2015.
DSLR customers have had a nagging sense that manufacturers were far more interested in having them upgrade their cameras than providing additional capabilities to the customers that already purchased DSLRs. Back in the days of mechanical film cameras, it would have been a challenge for OEMs to deliver upgraded capabilities to existing customers. Customers would have had to bring their equipment into a local shop or send it to the camera manufacturer to be retrofitted with new capabilities – a prospect not very practical or financially attractive for manufacturers or customers. In a digital world, however, enhancing just about any product has become a simple software download and installation process. Thus the idea that any digital product (particularly a sophisticated and expensive one) should remain relatively static over its lifetime has become obsolete. It appears that Nikon may be ready to acknowledge and address this growing concern.