Someone at Sony must be finally realizing cameras don’t make a system. As numerous and capable (crippled RAW format notwithstanding) the A7-series cameras are, the real pull of any system is the lens lineup. And so the Japanese manufacturer has announced four new FE lenses for full-frame mirrorless cameras. It is very much worth noting that just one of the lenses is a superzoom with a disappointingly slow aperture of f/6.3 at the long end – the other three are prime lenses of 28mm, 35mm and 90mm focal lengths. On top of that, Sony has also introduced two new lens converters, one for wider angle of view, the other – for fisheye effect. Let’s take a closer look at the new products.
The Nikon D7200 has been announced, but full resolution image samples are not yet available at NikonUSA or Nikon Imaging. Below are the images I was able to find through Nikon Japan. At this time there are only 5 full-resolution image samples available, but I will update this article if I find more this week. Sadly, all images below were captured at ISO 100 and there are no high ISO samples to look at yet. Nikon Asia and other regional sites do have more sample images, but none of them are at full size.
As many may have expected, Nikon has just extended the lens-only and camera rebates all the way to March 28th. And it is a good thing, too, as it gives more time for customers to get the lenses they’ve always wanted without having to purchase a camera body as well. But if you are looking for a new DSLR, the bundles are also available.
You may remember how we were thoroughly impressed with the Profoto B1 off-camera flash. Its manageable weight, ease of use and dependability were among the largest strong-points, and made the product itself very tempting, even when compared to products from other highly-regarded manufacturers, such as Elinchrom. Now, Profoto has announced a successor (or perhaps a counterpart) to the B1. As good as the “older” system is, even on paper the B2 sounds fantastic.
It has been two years since Nikon announced the D7100 and today the company announced its replacement, the Nikon D7200. A number of things have changed / improved from the D7100, most notably: improved 51-point AF system with -3 EV sensitivity, built-in Wi-Fi with NFC, faster EXPEED 4 processor, larger buffer capacity, improved battery life and a slightly modified 24.2 MP APS-C sensor with a larger native ISO range of 100 – 25,600. Looks like Nikon finally addressed the buffer concern with this release, giving a three times larger buffer that can fit 18 14-bit RAW files compared to the D7100. The sensor on the D7200 is probably a tweaked version of the excellent sensor from the D5300 (made by Sony), which should provide pretty clean images at high ISOs. The camera retains the price of its predecessor at $1,199 MSRP. Looks like it is a great update to the already excellent D7100, which we have previously reviewed and praised for its superb performance. Judging by its build / ergonomics and the same continuous shooting speed of 6 fps, the D7200 won’t directly compete with the Canon 7D Mark II, which still leaves room for the potential release of the D400 later this year.
We have just received information from our partners B&H Photo Video and Adorama that Canon is significantly dropping prices on both 5D Mark III and 6D cameras. It is hard to say whether these price drops are coming as a result of the Japanese Yen depreciation, or perhaps Canon is planning to release replacements to these cameras soon and wants to clean off the shelves before new products hit the market. Either way, these are great prices on great cameras. We have previously reviewed both Canon 5D Mark III and Canon 6D and found them to be quite solid. So if you are invested in Canon glass and accessories and need to replace that aging 5D or 5D Mark II, or want to move up to full-frame from an APS-C camera, this might be a good opportunity to do so. At $2,499 for the Canon 5D Mark III ($300 price drop and $300 instant rebate) and $1,399 for the Canon 6D, these are the lowest prices on the two cameras we have seen to date.
For the next 13 days, Nikon will again offer lens-only rebates as it has previously done in the past. This is pretty exciting news for many Nikon shooters that already own Nikon cameras and are only interested in buying lenses – many of our readers have been waiting for such a rebate for a while now. In addition to these lens rebates, Nikon is also simultaneously running its “Buy Together and Save” rebate program, where additional savings are provided if you buy one of the Nikon DSLRs. Let’s take a look at these savings in more detail.
Since many of us now consider our smartphones an integral part of our photography hobby, I thought I would give you a quick perspective regarding the much anticipated Android operating system. I realize that many in the photography arena are huge iPhone fans. The global smartphone market share numbers break down to approximately 82% for the Android operating system and 14% for Apple IOS, according to the research firm IDC. Thus I suspect a healthy percentage of our readers are using Android phones. In the USA, the market share for Android and IOS is almost a dead heat at roughly 47.5% apiece. My comments below are based on upgrading a Verizon Samsung Galaxy S5 smartphone from KitKat to Lollipop.
Just a day after Sigma announced its 24mm f/1.4 Art lens, it has now also announced both pricing and availability of the Sigma 24mm f/1.4 Art lens. I honestly expected over $1K price for this quality of the lens, so I was a bit shocked to see that the lens will be sold at $849, which is tremendous value if you compare it to Nikon and Canon 24mm f/1.4 counterparts. Another much anticipated lens, the Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary is also available for pre-order for $1,089, which is priced right around the same as the Tamron 150-600mm which we highly praised in our in-depth review. Both lenses are expected to ship around March 20, 2015.
And for those who are interested in the newly announced Nikon D810A, below you will find some sample images from the camera. Please keep in mind that aside from the last photo, all sample images were taken as composites with multiple images, then put together via special stitching software for astrophotography. That’s why EXIF data is not present in these images. As usual, you can download images to your computer to see a full-sized version.