I was sitting at home today, playing with the newly received Fuji gear, when my brother stormed into the house and told me to go outside and see the rainbow. I grabbed the Fuji X-E1, with the Zeiss 12mm mounted on it and ran towards my car. I drove about a mile north to an open area and took the below shot:
If you have been reading some of the articles during the last couple of days, you might have noticed that we now have a text box under each post that is asking you, our dear readers, to support Photography Life. I am not going to repeat the same message since it is on the bottom of this post, but in summary, we need your support to continue operating the website ad-free. We also want to grow bigger by adding more contributors, which means more unique content, and running routine contests / giveaways that will add more readers and expand our reach.
A week ago, I started a Lightroom Q&A Session where I offered to help you solve any problems you may have with Lightroom and answer other questions. I was delighted to see some many inquiries and hope that I managed to help out at least some of you. I’ve just finished updating the article with more answers. I did my best to contact some of you in the comments section in earlier updates. Those who still haven’t heard from me personally, please see the updated article.
We have been working hard on building the lens database during the last few weeks, so I would like to apologize for not being able to provide updates, reviews and new articles on the site. We want to make the lens database as comprehensive and as useful as possible for our readers, which is why we have been putting a lot of our effort into it. Thanks to your valuable feedback from our announcement, we have made significant changes to the database and added a few great features:
I am excited about presenting a new addition to our Photography Life family – please welcome Laura Murray! Laura is a very talented wedding photographer from right here in Denver, Colorado and she will be joining our team to share her beautiful work along with some useful tips and techniques on how to photograph portraits and weddings.
We have been incredibly busy during the last few months, working on building our very own Lens Database. As of today, the database contains 400 lenses and we are continuously working on adding more lenses from different manufacturers. You might be wondering about why there is a need to have our own database at Photography Life, when there are plenty of them on the Internet. After I went through a dozen different sites about a year ago, I realized that most sites contain very little information about lenses. While manufacturer specifications are mostly there, such important data as lens construction and MTF charts is typically missing. On top of that, very few sites provide image samples from lenses – images are often too small to look at even on a mobile device.
Today we are announcing the lucky winner of the Nikon D7100 Giveaway that we hosted until April 5, 2013. We had about 7500 candidates, but unfortunately, only one of them gets to win the camera. Rafflecopter, the platform we used for this contest generated a random number for us from the final list of candidates and the winner happens to be entrant #3818.
Well, the month of wait is nearly over. The winner of Nikon D7100 will soon be announced, with only 8 hours left to submit entries. If you haven’t yet taken part, hurry, not much time is left! You can enter the contest by clicking this link – the rest of the rules are also listed there. We want to remind you that leaving a comment under this article is necessary, but leave only one – multiple comments will result in disqualification. Make sure to type your real name and email address and write what you are planning to do with the D7100 once you win it.
I’ve never been much of a fan when it came to Instagram and the currently popular “artistic filter” trend many photo-editing software developers as well as camera manufacturers tend to include with their products. Perhaps because I saw such one-click manipulations contradictory to the word “artistic” – they’re too accessible, too wide-spread. To such an extent, in fact, that there’s often no input from the actual person behind the image left. You could go as far as say most of the images enhanced with the mentioned filters look as if they were made by one person, and not thousands and millions who took those photographs. I find such filters, when used by masses of inexperienced photographers, rob their work of anything other than basic, technical look, character of the filter used. There’s no artist left, no person, no photographer, just the simple, instant effect of the filter. “Artistic”, in my dictionary, stands somewhere close to “unique”. It’s hard to call something unique when it’s used about a million times every day. Or more. Possibly much more. As if that isn’t enough, most of the time these filters are used to turn mediocre photographs into something that’s “deeper”, with a concept, with an idea behind it, even if it’s yet another “duck face” (a rather funny terminology) portrait. In the same way as some people use B&W conversion just because it looks more “artistic”. The look – whether it’s a grainy, high-contrast B&W or one that distorts color in an attempt to mimic cross-processing from film days – covers up all imperfections (often with different, aesthetically pleasing imperfections). You look at the image and you see effects, not the content. The filter fools you if you allow it to. It’s sometimes rather hard not to be fooled, frankly, given the fact that there are indeed some awesome images on Instagram.