Many photographers who want to upgrade their tripod are stuck choosing between high-end aluminum tripods and low-end carbon fiber models. These two types of tripod tend to be similar in price, which makes the decision even more difficult. I have been trying out the carbon fiber Oben CC-2461 tripod over the past few months, along with the accompanying BE-126T ballhead. This review covers my experiences and recommendations for photographers trying to decide on a tripod at this price point.
Every once in a while, I come across gadgets that sound promising, because they serve a specific purpose that I have needs for. When browsing the web last July, I came across a post on a popular site that praised a smart tracker called ANKR. The post started out by talking about stolen gear and how unfortunate the incidents were. Then it went on to introduce ANKR and how amazing of a find it was to be able to “geolocate” (those were the words used) items such as the camera bag in case it got stolen. It all sounded really good, because it seemed to address my particular fear of getting my gear stolen, especially when traveling overseas.
While some people might consider cell phone photography inferior to using a “real” camera, there are many who strongly believe that, as Chase Jarvis says, the best camera is the one that you have with you. These days, that camera is typically going to be a phone. With that in mind, what if you could add the flexibility of interchangeable lenses to your phone’s camera? That’s exactly what Aukey’s cell phone lenses do. In this post I’ll be reviewing a Wide angle and a 2x Telephoto lens. Also, since it seemed appropriate for a phone accessory review, all photos are taken with a cell phone.
For as long as I can remember, ever since I bought my first DSLR I’ve been looking for “the perfect” casual camera backpack. For me, that means a backpack that I can take anywhere, that’s easy to use, carries enough gear for a long walk or casual hike, has room to carry non-photography items and isn’t too big and bulky. When I saw the USA Gear S17 (which I’ll just call the S17 from now on), I knew it had the potential to be a camera backpack that I’d use on a regular basis.
Every once in a while, you will hear some photographers claim that lens filters are completely useless. Some will argue that only specific types of filters such as UV and protective filters are evil, while others will also include polarizing and ND filters into the mix, claiming that one could reproduce the effects of all those filters in post-processing software. Arguments for or against filters can spark a lot of heated debates in the photography community, similar to topics such as “Nikon vs Canon”, or “DSLR vs Mirrorless”. There are certainly some passionate individuals out there who are ready to stand their ground no matter what. And there is nothing wrong with that, as that’s what typically happens when there is truth on both side of the coin, depending on what angle you are looking at – there are certainly both pros and cons to using lens filters. Having been teaching photography for a number of years now, I have come across many different photographers of all skill levels in the field and I have come to realize that there is sadly quite a lot of misinformation out there regarding lens filters and their proper use. Many of us simply don’t know enough about not just filters themselves, but also their significant effect on our post-processing workflow. Although we have previously written many articles on lens filters, let’s explore filters once again and hopefully address some of the misconceptions about these important tools.
A couple of weeks back, AT&T sent me a ZTE Spro 2 Smart Projector to review and give away to one of our readers. I loved the idea of doing this, not only because it is a neat little smart device that you can use as a mobile hotspot and as a projector, but also because with the holiday spirit, why not gift one of these away to one of PL’s readers? After-all, our site is all about giving! Speaking of gifts, hope you’ll get what you need this holiday season, because it does not always happen. What do you do with those unwanted gifts then? I find regifting to work the best. For example, on my birthday earlier this year I received a gift card to a store I never shop from, so I decided to regift it to a friend who does. Worked out nicely and I did not even have to think much about buying a present! Now the question is, if you win this giveaway, will it be a keeper? Anyway, before I go into the giveaway details, let’s take a closer look at what the ZTE Spro 2 is capable of and what you can use it for.
I set out with a goal to find the best outdoor camera bag. For the most part all of these bags turned out to be pretty great bags with different strengths. To try out the bag it needed to hold at least one pro body, a wide angle zoom, normal zoom, telephoto zoom, flash, tripod and accessories. My kit was a Nikon D800, 17-35mm f/2.8, 24-70mm f/2.8, and 70-200mm f/2.8. Let’s take a look at a number of different outdoor camera bags and see which one is the most versatile option for shooting outdoors.
We have just received the goods today (finally!), so I just wanted to let our readers know that both regular and Sony version of the Sensor Gel Stick are back in stock. We received a total of 800 units and it looks like we will have around 300 units left after fulfilling all the backorders. I apologize for all those who have been waiting for a while – we will try to replenish stock sooner next time.
I recently purchased a set of Movo Extension Tubes for Nikon 1 as I had been experiencing some quality issues with my Vello tubes (plastic flanges cracking and breaking). I’ve been out the past week or so capturing a range of images with these new tubes and I thought I’d share some images with you. If you are wondering about what extension tubes are and what they are used for, check out this detailed article about extension tubes and how they work.
Photographers have an interesting dilemma when choosing a bag for long hikes. Camera backpacks are great at holding cameras, but they tend to be poor choices for comfort on long hikes. For some people – those who rarely need to trek with their camera equipment – a traditional camera backpack may be more than enough. For landscape and travel photographers, however, or those who need to carry their equipment longer distances, technical hiking bags tend to be the only option. The issue with these bags is that they aren’t made with photographers in mind, meaning that gear access and tripod attachment is quite difficult. One of the companies trying to fix this problem is F-Stop Gear, who makes trekking-style backpacks with separate compartments for camera equipment. I have owned the F-Stop Loka UL since it was first released, and it has never disappointed me. So, when F-Stop announced their newest line of Mountain Series backpacks, I was excited to see some of the improvements that had been made. In this review, I will take a look at the brand new Sukha bag – at 70 liters, F-Stop Gear’s second-largest backpack.