This is a review of the Impact Digital Light Shed, used for small and medium product photography. Whether you are photographing jewelry, toys, shoes or even lenses, a good light box is essential for creating beautiful photographs of the product. While you can take the DYI route and build a light box yourself from scratch (which is what I did for years before), purchasing a solid light box setup can save you plenty of time, space and frustration.
This is a review of the Impact 5-in-1 Collapsible Oval Reflector, commonly used for bouncing natural light or flash onto subjects when taking their portraits. When working outdoors or in a studio environment, a reflector can be a very effective tool for adding more light to your subject. Often used as a secondary “fill light” to compliment the primary light, reflectors come in different sizes, shapes and surfaces. While the shape of the reflector does not matter as much, the size and the type of surface of the reflector can have a significant impact on the image. In photography, the bigger the light source is, the softer the light it will produce. Hence, bigger reflectors will generally yield softer light than their smaller counterparts.
This is a review of the Impact Master Century C Stand Kit, used for holding studio lights, softboxes, flags, bounce cards and other accessories. Unlike the multiboom light stand that can only hold light reflectors and cardboard flags, C-stands are almost entirely made of metal and are designed to be very tough and sturdy, capable of holding fairly heavy equipment. The shortened term “C-Stand”, which means “Century Stand”, comes from the early days of motion picture production. Back then, filmmakers heavily relied on reflectors to light actors. The most popular one was the 100 inch or “century” sized reflector, so the stand that held this reflector was often referred to as “century stand”.
This is a quick review of the Impact Posing Stool, used in studio environments for seating clients and models to photograph headshots or half-body portraits. When photographing subjects in a studio, especially when doing corporate photography, a simple posing stool is often required. Regular chairs have backs and arms that are problematic for half-body shots, while bar stools can be too high and inconvenient to use, so an adjustable posing stool is ideal in such situations. While there are plenty of adjustable stools available from various manufacturers, most of them are quite expensive. The Impact Posing Stool accomplishes the same task, but at a much more affordable price.
This is a review of the Impact Multiboom Light Stand and Reflector Holder, used in studio environments for holding lights, reflectors, flags and other light accessories. If you do any studio work, whether it is for photographing models or your clients, it is often necessary to use light reflectors to bounce the main light for softer shadows. Other times you might find yourself in a situation when you have too much light spill and you need to block some of that light with a black card, also known as a “flag”. It is great if you have one or more assistants for these kinds of situations, because they can assist in holding reflectors and flags. But what if you work alone or need to hold multiple reflectors and flags? That’s when a boom comes in handy. I have been shopping around for a good, lightweight, portable and inexpensive boom arm + stand combo, and I think I found a perfect one for my needs.
If you have been in a situation where you had a Christmas tree behind your subject and you could not take a good portrait, correctly exposing both the subject and the Christmas tree, then don’t be surprised – you are not the only person having such challenges. Many photographers have a tough time with correctly exposing images indoors, especially when dealing with a very dim room with bright objects in the background. That’s the biggest problem with photographing the Christmas tree – most people like to turn off or dim their main lights and only keep the Christmas tree lights on. With such a low amount of light in the room, all kinds of problems arise for photographers: images come out blurry, portraits are too dark or images have a flat, point and shoot look to them when photographed with a flash. The biggest annoyance and frustration, is when flash lights up the room and makes the Christmas tree lights disappear, as if they are not even on! What is the best way to deal with these problems? How should you take pictures with the Christmas tree? In this article, I will do my best to explain what you need to do to take great family photos during holidays.
I have already shown you how to take pictures with your pop-up flash and use it as a commander to trigger other remote units. A detailed Nikon Speedlight Comparison has also been posted for those who are looking into buying a flash. This time, I want to show you how you can create some amazing portraits indoors, using a Nikon Speedlight in an off-camera configuration with an umbrella.
If you have a DSLR, you have three ways to trigger flash units wirelessly: via infrared, radio or a hybrid method that involves both infrared and radio signals. While all three options can be used for triggering off-camera flashes, they all have advantages and disadvantages for indoors and outdoors use. The infrared system works very similarly to your TV remote at home – if you are not in direct line of sight or there is an object in between, the signal will not reach the destination. On the other hand, manufacturers are able to use infrared to its limits, pushing the most amount of features through it and supporting a variety of shooting applications. Unlike infrared, the radio signal has no line of sight limitations, but comes at a rather high cost, with its own set of problems. The hybrid system simply takes the infrared signal from the commander, converts it over to radio and then converts it back to infrared on slave units. Let’s analyze these advantages and disadvantages in more detail.
Alright, since this week is dedicated to Flash Photography, I decided to post a series of photo shoots I worked on recently. It is always good to be able to use natural/ambient light if it is available. In a very low-light situation, especially if you are photographing moving subjects, it is nearly impossible to properly expose the set without having your moving subjects blurry. This particular shoot was done for the CRAVE Book, to highlight female entrepreneurs. “Hello Gorgeous” is the name of the mobile manicure and pedicure company, run by two amazing individuals – Hani and Kent.
Whether you are shooting with an entry-level or a professional Nikon DSLR, speedlights are a great way to improve your indoors photography. While fast lenses and high ISO levels certainly help to take pictures in low-light environments, they often do not work well for photographing people indoors. In low-light situations, cameras have a tough time acquiring correct focus, motion often results in too much blur and bright backgrounds can ruin the subject’s face and emotions. Speedlights are versatile tools that are designed to overcome these problems and deliver sharp, blur-free and noise-free images with beautifully exposed subjects.