Every photographer knows that a background can make or break a photo and for that reason a clean, non-busy background is desirable for many photos. Having a light, portable and inexpensive system is helpful for both portraits as well as product photography and the Impact Background System Kit with 10’x12′ Black and White Muslins may fill that need for you. The kit for this quick review of how it handles has been kindly provided by B&H Photo.
This is a review of the Impact Flourescent Cool Light Two Fixture Kit. When most people think of studio lighting, they think of flash or strobe lighting. There is another option, though. Continuous light sources are a great alternative. They allow you to see exactly how the light is going to fall on your subject, you can see the ratio of light to shadow, and they are much easier to use if you’re using multiple lights and don’t have a lot of studio experience. Additionally, you can use them to light video. I was very excited to test out these Impact fluorescent lights in my studio to see if they’d be something I could add to my lighting arsenal.
This is a quick review of the Impact Portrait Kit. The kit includes a snoot and a beauty dish with accessories that include grids and colored gels. All of these modifiers are made to fit onto almost any on-camera flash. I was initially skeptical about how well they would work while shooting portraits, especially considering that on the packaging it only shows examples of product photography.
This is a review of the Impact Quickbox Softbox. It’s a 24”x24” collapsible softbox that’s made to be used with any hot shoe mountable flash unit. I was pretty excited to use this softbox, as I’ve never had a light modifier for my Speedlights that I felt was suitable for portraits. Would this be an acceptable, more portable replacement for my studio lighting kit?
This is a quick review of the Impact 7” Grid Set. This grid set comes with 10°, 20°, 30° and 40° grids that fit into standard 7” reflectors. I was happy to find that they work perfectly with my Alien Bees and I’m sure they would work just fine with most other lighting systems that use 7” reflectors (although they apparently don’t work with Broncolor or Profoto systems). I typically grid my lights to add a controlled splash of light on a background. I also use them when I shoot with a hair or rim light on my subject and want to avoid light spill and flare.
This is a review of the Impact 52” Silver/White Collapsible Circular Reflector Disc. It is commonly used for bouncing natural light or flash onto subjects when taking their portrait. I use reflectors with almost all of my portrait work and consider them to be an indispensable tool that I always have with me. I’m used to using a smaller, 30” Lastolite TriGrip by myself, so I was curious to see if I’d still be able to use such a big reflector without the help of an assistant.
This is a review of the Lastolite EzyBox Speed-Lite, a small 8.6 x 8.6″ softbox designed to be used with a speedlight. One of the most dreaded situations for most photographers is walking into a venue that has dark walls, very high ceilings and no ambient light. No matter what camera system you shoot with, working in such environments without flash is simply not an option. Lack of light can create a myriad of problems, from focusing issues to image blur due to slow shutter speed. Shooting at super high ISO is often not an option – not when you will be delivering your photographs to a business client. So what do you do? You use a speedlight, often on top of the camera, because you need to move around when photographing the event.
This is a quick review of the Nikon Wireless Close-up Speedlight Commander Kit R1C1, which has been kindly provided by B&H – the largest photo reseller in the world that we use more than any other to buy our photography gear.