This is a review of the Impact Flourescent Cool Light Two Fixture Kit. When most people think of studio lighting, they think of flash or strobe lighting. There is another option, though. Continuous light sources are a great alternative. They allow you to see exactly how the light is going to fall on your subject, you can see the ratio of light to shadow, and they are much easier to use if you’re using multiple lights and don’t have a lot of studio experience. Additionally, you can use them to light video. I was very excited to test out these Impact fluorescent lights in my studio to see if they’d be something I could add to my lighting arsenal.
This is a quick review of the Impact Portrait Kit. The kit includes a snoot and a beauty dish with accessories that include grids and colored gels. All of these modifiers are made to fit onto almost any on-camera flash. I was initially skeptical about how well they would work while shooting portraits, especially considering that on the packaging it only shows examples of product photography.
This is a review of the Impact Quickbox Softbox. It’s a 24”x24” collapsible softbox that’s made to be used with any hot shoe mountable flash unit. I was pretty excited to use this softbox, as I’ve never had a light modifier for my Speedlights that I felt was suitable for portraits. Would this be an acceptable, more portable replacement for my studio lighting kit?
This is a quick review of the Impact 7” Grid Set. This grid set comes with 10°, 20°, 30° and 40° grids that fit into standard 7” reflectors. I was happy to find that they work perfectly with my Alien Bees and I’m sure they would work just fine with most other lighting systems that use 7” reflectors (although they apparently don’t work with Broncolor or Profoto systems). I typically grid my lights to add a controlled splash of light on a background. I also use them when I shoot with a hair or rim light on my subject and want to avoid light spill and flare.
This is a review of the Impact 52” Silver/White Collapsible Circular Reflector Disc. It is commonly used for bouncing natural light or flash onto subjects when taking their portrait. I use reflectors with almost all of my portrait work and consider them to be an indispensable tool that I always have with me. I’m used to using a smaller, 30” Lastolite TriGrip by myself, so I was curious to see if I’d still be able to use such a big reflector without the help of an assistant.
This is a review of the Lastolite EzyBox Speed-Lite, a small 8.6 x 8.6″ softbox designed to be used with a speedlight. One of the most dreaded situations for most photographers is walking into a venue that has dark walls, very high ceilings and no ambient light. No matter what camera system you shoot with, working in such environments without flash is simply not an option. Lack of light can create a myriad of problems, from focusing issues to image blur due to slow shutter speed. Shooting at super high ISO is often not an option – not when you will be delivering your photographs to a business client. So what do you do? You use a speedlight, often on top of the camera, because you need to move around when photographing the event.
This is a quick review of the Nikon Wireless Close-up Speedlight Commander Kit R1C1, which has been kindly provided by B&H – the largest photo reseller in the world that we use more than any other to buy our photography gear.
This is a review of the Impact Background Support System, along with the Impact Muslin Background, used in a studio environment or in remote locations for portrait and product photography. When taking pictures of people or products, it is often desirable to have a smooth background with a certain color. While you can accomplish this with a “Do It Yourself” (DYI) setup using a white sheet secured on a large wall, sometimes it is either impossible (in a tight space) or inconvenient to do that. Other times, some people are not either uncomfortable with potentially damaging their walls with nails in order to secure a white sheet, or want a setup they can travel with. For those situations, a collapsible and lightweight background support system can be invaluable. The good news is that you can get a good background system without breaking the bank, and the Impact Background Support System is no exception.
This is a review of the Impact Digital Light Shed, used for small and medium product photography. Whether you are photographing jewelry, toys, shoes or even lenses, a good light box is essential for creating beautiful photographs of the product. While you can take the DYI route and build a light box yourself from scratch (which is what I did for years before), purchasing a solid light box setup can save you plenty of time, space and frustration.