Infrared Flash Photos on the New York High Line

Most photographers have heard of infrared photography and many have shot with infrared film or digital cameras converted to infrared. However, few have had the opportunity to experiment with infrared flash photography. For me, the cool thing about shooting with infrared flash is that you can shoot candid street photography, and also handheld architectural night shots.

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Nikon Flash Comparison

Technically, the article is supposed to be called “Nikon Speedlight Comparison”, because Nikon calls their flash units “Speedlights”. This article is written as an introduction to the current and older line of Nikon Speedlights, specifically the Nikon SB-300, SB-400, SB-500, SB-600, SB-700, SB-800, SB-900, SB-910 and SB-5000. In addition to some basic information on each Speedlight, I will provide a comparison chart on the bottom of this article as well, to make it simpler for our readers to understand the…

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Venus Optics KX800 Macro Flash Review

Macro photographers tend to struggle with two crucial variables when lighting their subjects. First, high-magnification macro photography usually involves apertures between f/16 and f/32. To use an aperture this small, you need a high-powered flash — especially if you want to use a diffuser. The second major issue is that many macro photographers work with just one on-camera flash, meaning that the lighting can appear flat and dull, even when diffused. So, when Venus Optics announced their alien-looking KX800 dual…

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Bolt VM-110 LED Macro Ring Light Review

It’s been bugging me that I only have a handful of decent insect photos, despite owning a macro lens primarily for that purpose. When they weren’t flying or running away from me, they were biting me, and when I tried the pop-them-in-the-fridge-to-cool-them-down trick – well, let’s just say Mr. Tarantula is still napping. I felt awful about that and vowed never to ice down a critter again unless it was a penguin with heat stroke. Still I’ve been seeing tons…

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Nikon SB-500 Review

The Nikon SB-500 speedlight was announced in September of 2014 together with the Nikon D750 and Nikkor 20mm f/1.8G lens. Sitting above the compact SB-300 and below the larger and more powerful SB-700, the SB-500 is targeted at beginners and enthusiasts, who want something more capable than a built-in flash or a basic speedlight. The SB-500 comes with an interesting list of features, one of which we have never previously seen on Nikon speedlights before – built-in LED lights. Although…

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Genaray SpectroLED Studio 1000 Daylight LED Kit Review

The majority of my videography and photography work is with industrial clients, and I almost always find myself shooting onsite in warehouses, factories, and other indoor venues. In many of the buildings in which I shoot, lighting can consist of a mix of technologies such as high intensity discharge (metal halide, high pressure sodium, mercury vapour, low pressure sodium), fluorescent, and LED. To further complicate things sometimes facilities have had physical expansions and specific parts of a building can be…

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Profoto 3′ RFi Octa Softbox Review

While testing out the Profoto B1 500 flash head, I also had a chance to use one of my favorite light modifiers, a 3 foot octabox (also known as “octa softbox”, “octabank” or just “octa”), known as “3′ RFi Octa Softbox” by Profoto. Although Profoto carries a wide array of light modifiers and accessories in its arsenal of lighting equipment, I specifically wanted to get a smaller octa for outdoors photography. The primary reason was portability without compromising too much…

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Profoto B1 500 AirTTL Review

When Profoto announced their first truly portable setup with the Profoto B1 500 AirTTL battery powered flash last year, the news immediately caught my attention and I requested to get a sample unit for a review. The reason was fairly simple for me – I got tired of lugging around a huge and heavy battery pack for my Elinchrom Ranger lights when working on remote jobs. Speedlights are great for indoors and low-light environments, but they just do not have…

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When to Use Flash

Some photographers oppose the idea of using flash or light modifiers. Sometimes because it does not suit their style, sometimes because they do not feel comfortable using flash in first place. While we as photographers often love the feel of soft, natural light, knowing how to utilize artificial light can be of tremendous value in low-light environments. Not to mention that such knowledge and being ready to overcome challenging tasks in pretty much any environment can boost confidence and give…

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Impact Two Monolight Softbox Kit Review

This is a review of the Impact Two Monolight Softbox Kit. If you’re interested in learning studio photography and have looked at purchasing some gear, you know that once you start purchasing lights, light stands and modifiers, it can get expensive very quickly. Fortunately, there are some inexpensive options available out there, but are they worth it? While I don’t consider myself a master in the studio, I do have quite a bit of experience with different types of lighting…

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Impact 22″ Beauty Dish Reflector Kit Review

As you know from reading this site, Impact makes a number of excellent products that offer quite a bit of bang for your photography buck. The Impact 22″ Beauty Dish Reflector Kit represents a solid value for those that want to engage in portrait photography, but don’t want to pay more for a beauty dish kit than they paid for their portrait lens.

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How to Build an Affordable Photo Studio

Creative studio photography can be both challenging and rewarding. In the beginning, when we just start taking the first baby steps to improve our photography skills, we always start out by utilizing available light. It does not take very long for most people to figure out that it can be extremely difficult to create beautiful photographs in low light environments, especially indoors. Naturally, we start looking for answers on how to get around the low light problem and we end…

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Impact Quickbox Softbox Review

This is a review of the Impact Quickbox Softbox. It’s a 24”x24” collapsible softbox that’s made to be used with any hot shoe mountable flash unit. I was pretty excited to use this softbox, as I’ve never had a light modifier for my Speedlights that I felt was suitable for portraits. Would this be an acceptable, more portable replacement for my studio lighting kit?

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Lastolite EzyBox Speed-Lite Review

This is a review of the Lastolite EzyBox Speed-Lite, a small 8.6 x 8.6″ softbox designed to be used with a speedlight. One of the most dreaded situations for most photographers is walking into a venue that has dark walls, very high ceilings and no ambient light. No matter what camera system you shoot with, working in such environments without flash is simply not an option. Lack of light can create a myriad of problems, from focusing issues to image…

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Impact Background Support System Review

This is a review of the Impact Background Support System, along with the Impact Muslin Background, used in a studio environment or in remote locations for portrait and product photography. When taking pictures of people or products, it is often desirable to have a smooth background with a certain color. While you can accomplish this with a “Do It Yourself” (DYI) setup using a white sheet secured on a large wall, sometimes it is either impossible (in a tight space)…

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Impact Multiboom Light Stand and Reflector Holder Review

This is a review of the Impact Multiboom Light Stand and Reflector Holder, used in studio environments for holding lights, reflectors, flags and other light accessories. If you do any studio work, whether it is for photographing models or your clients, it is often necessary to use light reflectors to bounce the main light for softer shadows. Other times you might find yourself in a situation when you have too much light spill and you need to block some of…

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Indoor Portraits with a Christmas Tree in the Background

If you have been in a situation where you had a Christmas tree behind your subject and you could not take a good portrait, correctly exposing both the subject and the Christmas tree, then don’t be surprised – you are not the only person having such challenges. Many photographers have a tough time with correctly exposing images indoors, especially when dealing with a very dim room with bright objects in the background. That’s the biggest problem with photographing the Christmas…

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Indoors Flash Photography – Off-Camera Flash

I have already shown you how to take pictures with your pop-up flash and use it as a commander to trigger other remote units. A detailed Nikon Speedlight Comparison has also been posted for those who are looking into buying a flash. This time, I want to show you how you can create some amazing portraits indoors, using a Nikon Speedlight in an off-camera configuration with an umbrella.

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