Still Experimenting, Learning and Having Fun After 100,000 Images

I recently checked the shot count on my three Nikon 1 V2 bodies. Then I added up the number of photographs I’ve taken with Nikon 1 bodies like the V3 and J5 that I borrowed from Nikon Canada in order to write some reviews. I discovered that I’ve taken over 100,000 images with Nikon 1 gear since the late summer of 2013 when I bought my first V2. Hmmm…no wonder my shutter finger is sore from time to time.

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End Of Year Thoughts

As yet another new year beckons (entirely too quickly for my liking; I still vividly remember 1986!) we may be reflecting on the photography we have made this year but also on what we aspire to in the coming year. I’m sure most of us want to improve our skills and produce better images. Perhaps some of us simply want a newer camera and more pixels. Maybe those of you who do it for a living want more clients and more success for your business. Perhaps the hobbyists among us are wondering if we need to specialise in a particular genre. Is our poison landscapes, architecture, wildlife or street? Or perhaps we want to leave the camera on the shelf and spend more quality time with our families.

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The Fallacy Of Talent

I’m not sure if the premise of this article will incur the Wrath of Khan and perhaps it doesn’t belong on a site like this. But it made me think, which in turn made me write, about how easily the word ‘talent’ is bandied about in the photographic community. It has often given me pause when the word ‘talent’ is used in reference to a photographer, one who is undoubtedly skilled and capable at producing beautiful images. The idea that some people have talent where others don’t is a sure-fire way to make us feel insecure about our chosen craft and perhaps exploited into buying ever more product to compensate. But I believe we should not be so intimidated.

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Autumn Encouragement

Sincere apologies that this isn’t a gear review or announcement; undoubtedly one of those will be along shortly. In fact, in keeping with most of my articles, this probably won’t educate or inform you. But I’m hoping it will do something far more important than that. I’m hoping it will encourage you to take leave of your daily toil and do some actual photography.

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Travel Photography in Myanmar – a Photo Essay

What is most striking for a visiting photographer to Myanmar, beyond the legions of magnificent pagodas and monasteries, is its people. The 135 ethnic groups offer an extraordinary diversity of subjects to be sure, but it’s their welcoming nature and willingness to open their lives to the camera toting foreigner that never ceases to amaze. As a photography director for a travel company based in Myanmar, I have been fortunate enough to work all over this very photogenic land with its two most celebrated travel shooters, as well as a major award winning western photographer who knows it well.

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Wildlife Photography with a Short Telephoto Lens

If it isn’t obvious from the photos I share on Photography Life, the camera equipment I use makes it quite clear: I am not a wildlife photographer. In fact, my longest lens weighs in at 105mm — nowhere near the super-telephotos used by most wildlife pros. However, although I rarely seek out wildlife opportunities, animals do not avoid me. I have been fortunate enough to see everything from whales to reindeer while taking pictures, and I’ve learned some tips for photographing wildlife with a short telephoto lens along the way.

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