India is a land of great extremes, in a multiplicity of ways. The extreme polarity of beauty and ugliness, rich and poor, are constantly reoccurring themes. The Taj Mahal vs. the slums of Calcutta. The stunning silk brocades of Varanasi vs. the rags worn by those who weave them. You get the picture.
And now for something a little different. I’m so terribly sorry it’s not yet another article about the latest camera body but it might offer a visual break and much needed respite from the torrential salivation that most of the photography community seem to be afflicted by lately (their absolute prerogative, of course). I was recently invited by friends in mid-Wales to join them at a local demolition derby race and I must say it was a thrilling affair.
I am currently traveling in Wyoming with a couple of friends and we are on our way home, after an unsuccessful attempt to stay in Yellowstone National Park – it turned out to be a complete zoo, even a couple of days after the total eclipse. I don’t know what we were thinking! Considering how many people have come from all over the world to see the eclipse, it was only natural that many of them would want to go and see the Teton / Yellowstone area. My backup plan was to go north to Montana, but pretty much the whole state is burning at the moment and the smoke is all over Wyoming as well. In the meantime, I wanted to share a few images of the total solar eclipse that my friends and I captured on August 21st. I am planning to write a more detailed article with more information, but meanwhile, I hope you enjoy these images!
Something I noticed recently made me stop and think for a moment, since, if true, it means that the modern era of photography is an especially noteworthy time: With very few exceptions, there are no scenes or subjects that are impossible to capture with today’s technology. Nearly everything you come across, from nighttime landscapes to microscopic insects, can be photographed with high levels of precision and image quality, so long as you know what you’re doing (and you pack along the right equipment). That’s a powerful fact — so, how can you make the most of it?
Life is an ever-changing adventure. We are each faced with our own unique set of opportunities and challenges. Sometimes it can be difficult to navigate our journey through the day-to-day turmoil we often face. Competing priorities. Unforeseen events and twists of fate. Moments of adulation. Periods of self-doubt. They can all be potentially found on the life roads on which we travel. Regardless of the paths, all roads do eventually end.
So I wasn’t sure that I wanted to write about shooting this location (especially since my last post was about finding local subjects) but I’ve shot a few waterfalls around the world, and plenty at home in the UK, so I thought I might offer some small, meagre insights into capturing their spectacle. Even if the insights aren’t useful to you it may stand alone as a fluff postcard piece. Niagara Falls, whose popularity is undoubtedly due in part to their easy accessibility, are not the most spectacular waterfalls I’ve ever seen. But I did spend a few hours here (on the Canadian side) looking for evermore interesting shots and, of course, in the changing light throughout the day.
The concept of personal style is a fundamental topic in all art, not just photography. Everyone has their own way of seeing the world, and everything that people create is based upon this underlying uniqueness. In terms of photography, though, even mentioning personal style can seem strange — since our work is inherently based upon the real world, is it even possible to have a unique style? This question is especially relevant for fields like landscape and wildlife photography, which often rely 100% on the scene that nature presents to you, rather than any elements you add yourself. How can you insert your own personality into an image that mirrors the way the world actually looked at one point in time? It’s a complex question. Things get even trickier if you look into all the features that must be copied perfectly in order to produce a convincing forgery (or a benign imitation) of another photographer’s personal style — and, even further, the implications of analyzing and imitating your own personal style. In this article, we will explore the topic of personal style and how you can find it in your photography.
Well, Postcards From The Woods just didn’t seem appropriate. It’s not all foreign travel for Alpha Whiskey, though (well, mostly it is). Sometimes I’m happy to amble through the forest on a bright and breezy weekend afternoon. And while it was more about the walk than the photography I thought I would try to demonstrate how even the most ordinary of environments can provide interesting photographic opportunities. We can all marvel at stunning vistas captured from a mountaintop at sunrise but that’s been done to death. Real creativity comes from challenging yourself to reveal something different from the places and subjects you see everyday. I’m not claiming to have that creativity myself but I’m willing to give it a try.
Many photographers do not like waking up very early to take pictures at sunrise, preferring to sleep in and spend the energy to shoot during the day and at sunset instead. While photographing at sunset can yield stunning photographs, there are specific advantages to photographing at sunrise that are worth discussing. Let’s take a look at the topic of sunrise vs sunset in photography in more detail and see why you might be better off shooting early in the morning.
Happy April Fool’s Day! Each year, we try to write an article or two to remind people about the lighter side of photography. Last year, when we said that our entire team was switching over to Canon and refusing to review any other equipment, a solid number of people believed us. Great! Now that it’s 2017, we’re upping the ante by writing four top tips to improve your photography this April, including suggestions that will remain relevant even if Artificial Intelligence takes over the planet and all art becomes obsolete.