Composition and Art Category Archive - Page 6

Negative Space in Photography

You already know a great deal about the composition choices that I make. You know my thoughts on what matters most in photography, the rule of thirds, central composition and element placement at the edges of the frame. Whichever preference is yours, I certainly hope you’ve learned something from reading…

Explore the Edges

If we see the rule of thirds as the default, “bread and butter” sort of composition guide, I can think of at least two ways to break that rule and distance your work from it. The first one is to use, against the advice of many photographers, central composition. It…

The Sin, the Evil, the Horror of Direct Sunlight

Any photographer will tell you – you do not take portraits in direct sunlight. It’s ugly. It’s much too contrasty. It wreaks havoc on automatic exposure and tests all sorts of other boring technical aspects of a camera to the limit. It’s difficult to pose in, difficult to see in;…

Introduction to Black and White Nature Photography

What makes a good black-and-white photograph, how do I take one, and why should I try when I have this nifty hypersaturation preset that makes even my lamest photos look awesome? I’ll answer the last question first – your oversharpened oversaturated photos stink. Their gaudy colors may suck the eye…

Central Composition is Brilliant

Central composition is considered by many as downright boring. Here is what I say in return: cliché. When used well, I absolutely adore central composition, there’s nothing else quite like it. Of course, there is a strong reason why so many photographers, when giving advice to beginners, start with the…

Using Foreground Elements to Create Added Depth

Often when we are creating images, especially landscapes, we can get so focused on the main subject that we forget to think about incorporating a foreground element to help add depth and drama to our scene. There are a number of different approaches we can use. In this short article…

The Weston Dream

She posed atop a sand dune with wind-gnarled cypress trees clinging to a rocky precipice in the distance. She was nude of course, and sitting on a bedpan. A dead pelican lay at her kelp-entwined feet. In one hand she held a nautilus, in the other the most sensuous bell…

Challenging Yourself to Improve

I believe it was Cartier-Bresson who said that your first 10,000 photographs are your worst. For many hobbyist photographers, myself included, it may be much more than that, as improving our craft means constantly shooting, experimenting, reassessing, and continually culling our very best from our best.

Open and Closed Composition: Assignment Discussion

A few months ago, I started the Mastering Composition series of articles. The goal of these articles was not only to give some useful composition tips for beginners, but to also engage our readers with small assignments. The assignment given to you in the first article of the series has…