Composition and Art Category Archive

The Subtle Art of Blocking in Landscape Photography

A fundamental idea in composition is that you should exclude anything from your photo that doesn’t add to your message. An errant branch, footprints on the ground, whatever harms your story – leave them out of the composition, and you’ll get a stronger photo. But… what if you can’t exclude them completely?

Five Compositional Ideas for Bird Photography

Some principles apply to every genre of photography, including many of the creative and compositional techniques that you use. However, I find that each genre has its own nuances and differences. Today, I'd like to share five compositional techniques that are especially relevant in bird photography. These aren't rules - instead,...

Landscape Photography on a Cloudless Day

Photographers may be some of the only people with a negative opinion of blue skies! But who can blame us? Harsh sunlight doesn’t complement a lot of subjects very well – if anything, just the opposite – and an empty, blue expanse usually doesn’t add much interest to the top of a landscape photo.

Small Adjustments Can Lead to Big Changes in a Photo

In photography, you compose shots by moving your camera to a physical position in space and time. That's obvious. But what isn't so obvious is that very slight changes in space and time can substantially alter a composition. As a wildlife photographer, I know it's tempting to take shots immediately...

Searching for Fractal Beauty in Landscape Photography

There are two impossible questions I like to ask myself as landscape photographer. Although they’ll never have perfect answers, the closer I try to get, the more I see my photos improve. They are: “What makes a good landscape?” and “What makes a good landscape photo?”

Visual Echoes: The Threads of Personal Style in Photography

One year ago, we changed the tagline of our website to say “Photography Life: AI-Free Since 2008.” Even though it was largely a statement against generating our articles and photos artificially, it was also a statement for something I consider essential in photography, perhaps today more than ever: personal style and artistic expression.

The Obvious Shot and the Hidden Shot

Often in photography, there is what I’d call the “obvious shot.” The obvious shot can sometimes be a cliché image that tons of people have photographed before, but it doesn’t have to be. Instead, it’s really just the most straightforward view of a particular scene.