For many years, Nikon has been limiting affordable super telephoto zoom lenses above 300mm to the 80-400mm VR lens, while keeping its high-end super telephoto line of zoom and prime lenses available only for those with deep pockets. With Tamron and Sigma pushing great budget-friendly 150-600mm options, Nikon finally decided to release its first constant-aperture super telephoto zoom competitor in August of 2015. Specifically designed for beginner and enthusiast wildlife / sports photographers, the new Nikkor 200-500mm f/5.6E ED VR became the first hand-holdable Nikon lens to reach 500mm at a relatively low price point of $1,399. This offering, coupled with the upcoming Nikon D500 DSLR, makes a killer combination for action photography. With an equivalent field of view of 300-750mm and the capability to shoot fast action at up to 10 frames per second on the D500, the Nikon 200-500mm f/5.6E VR is definitely going to become one of the most popular lenses in Nikon’s lens line-up, thanks to its versatility and reach. Although our team at Photography Life has not had a chance to test this particular combination due to unavailability of the D500 in the US, we have been actively using the lens on camera bodies like the Nikon D7200, D750, D810 and D4S for this particular review. We are planning to write a follow-up article covering the use of the lens on the Nikon D500, once we get our hands on the camera. Meanwhile, please enjoy the review of the Nikon 200-500mm VR lens, along with comparisons to Tamron 150-600mm VC, Sigma 150-600mm C / Sport and Nikon 80-400mm VR lenses.
Ricoh has just posted image samples from its upcoming Pentax K-1 DSLR (see our announcement post for details). Although all of the images were shot at ISO 100 and we are yet to see high ISO image samples, the 36 MP sensor on the K-1 seems to be very similar to that of the Nikon D810 in terms of image quality and color reproduction, which is superb. At $1800, the Pentax K-1 represents phenomenal value, not only because of the sensor alone, but also because of the different technologies packed into the camera body. The “Pixel Shift” capability, in particular, deserves a lot of attention, because the camera is capable of moving its sensor in order to capture all the colors that a typical Bayer sensor is incapable of capturing in a single shot. As a result, one can get results previously only possible when shooting with a medium format camera in terms of extreme detail. This kind of technology is disruptive, because it is innovation we have previously not seen from any full-frame camera.
Although Sony has already made the fourth iteration of its RX100 camera, sadly, I have not had a chance to test and review any of the earlier models. After the Sony RX100 IV was announced, I told myself that I had to give this camera a try. Partly because our readers have been asking about it and partly because it looked like a killer camera based on its long list of features. Right before my trip to Death Valley, I was able to obtain this little monster of a camera for a real field test. I am really glad I did, because I have been really impressed by the Sony RX100 IV – it turned out to be the best pocket-friendly point and shoot camera I have used to date. Let’s take a look at this camera in more detail and see what it has to offer in its tiny body.
If you are buying your first DSLR camera, the available options that are out there can be pretty overwhelming. In this article, I’d like to walk you through the important similarities and differences between Nikon’s most basic entry level DSLR cameras, currently the Nikon D3200 and Nikon D3300. While this won’t be an in-depth technical review, it will be a practical, hands on review that should give you enough information to make an informed decision between which camera to choose.
At long last they’re all out, in stock and making every aspiring wildlife photographer on a budget scratch their head and wonder which one they should own? Of course I’m talking about the Tamron 150-600mm f/5-6.3 VC, the Sigma 150-600mm f/5-6.3 DG Contemporary and the Nikkor 200-500mm f/5.6E VR. These three budget super telephoto zoom lenses compete with each other directly at their price points, reach and heft; but the big question remains – how do they stack up optically? This was my quest when looking at the three lenses: I wanted to find out which of the three deserves the crown as the best budget-friendly super telephoto zoom. Let’s take a look at the lenses in more detail.
Since the original release of the Sony RX100 back in 2012, the company has been pushing updates to the camera and releasing one new iteration every year. Which means that as of today, we have had a total of 5 such releases: RX100, RX100 II, RX100 III, RX100 IV amd RX100 V. Sporting a 1″ sensor and superb optics from Zeiss, these point and shoot cameras have been widely popular among photographers. And thanks to their compact size and low weight, the RX100 series cameras have been highly regarded as very capable, and yet pocket-able cameras that are perfect for such needs as travel photography. Unfortunately, due to the number of the RX100 series cameras, their differences in pricing and features, it has become increasingly difficult for potential buyers to understand the main differences between these cameras. In this article, I will be comparing the key features and specifications of the RX100-series cameras, which will hopefully make it easier to see what has changed between all the releases we have seen so far.
Now that both the Nikon D5 and the Canon 1D X Mark II flagship DSLRs have been announced, we can compare the specifications of the two and see how they stack up against each other. While both cameras are very capable flagship DSLRs from top camera brands, there are notable differences worth pointing out just by looking at the specifications. Please keep in mind that in this post I won’t be comparing image quality, AF performance, and other performance characteristics between these cameras, since both cameras have not yet been released to the public yet – I will only compare already known specifications from the official press releases and technical information shared by Nikon and Canon.
The Nikon D5 has a 20.8 MP image sensor capable of shooting very high ISOs all the way to ISO 3,280,000. With the Canon 1D X Mark II now finally released, I thought it would be a good idea to post full resolution image samples from both cameras, to see how they compare. You can review the sample images from the Canon 1D X Mark II right here and see how they stack up against the Nikon D5’s. While it is too early to evaluate which one does better in terms of image quality and we are planning to provide a full comparison in our upcoming reviews, since both cameras have practically the same resolution, they are probably going to look very similar at pixel level overall.
Below are full resolution image samples from the newly-announced Canon 1D X Mark II DSLR for those who want to pixel-peep at how the camera renders images at various ISOs. Although most sample images were captured at low ISOs, there are a few images that were shot at high ISOs like 3200, 6400 and even ISO 25600. As expected, images from the 1D X Mark II look phenomenal. I have also provided full resolution sample images from the Nikon D5 right here, if you would like to compare the two. While it is too early to evaluate which one does better in terms of image quality and we are planning to provide a full comparison in our upcoming reviews, since both cameras have practically the same resolution, they are probably going to look very similar at pixel level overall.
One of my resolutions for 2016 is to do a better job at timely completion of projects, and one of such tasks is to catch up with all the long-overdue reviews of gear that I had a chance to use, but never had a chance to write about. I will start off by reviewing the Sony A6000, an interchangeable lens mirrorless camera that has been Sony’s flagship APS-C product since it was released almost two years ago (and soon to be be replaced with a Sony A6100). Sony dumped the “NEX” name in its line of mirrorless APS-C products and merged everything into the “Alpha” ecosystem with the launch of the A3000, A5000 and A6000 cameras, so it looks like all the future iterations of these cameras will be labeled similarly. Let’s take a look at the A6000 in more detail, see what it has to offer and compare it to other popular mirrorless cameras on the market.