Mirrorless Camera Comparison

A number of our readers have been asking our team about our recommendations on different mirrorless cameras. With so many different options on the market today, choosing a mirrorless system can get very confusing. In this particular article, I would like to start off by comparing mirrorless camera systems that are available today from different manufacturers. This below charts will be updated periodically with new / updated information. Please note that the below comparisons are only for mirrorless interchangeable lens…

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Evaluating Mirrorless Camera Systems

We have so many different camera systems available today, that it is getting tougher and tougher to choose between them, especially for those who are just starting out. With mirrorless systems on the rise and advancing at a much faster pace than DSLRs in terms of technology, one might wonder which mirrorless systems are worth a serious consideration. In this article, I want to go over the different mirrorless systems and give my subjective take on each system, stating which…

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Fujifilm GFX 50S Considerations

Without a doubt, the announcement of the medium format Fujifilm GFX 50S and its revealed price of $6,500 has sent a shockwave across many different photography communities across the world, sparking many discussions and debates about the future of the camera industry. We now have a medium format mirrorless camera that is lighter and more compact than a typical full-frame DSLR, with a price point of a top-of-the-line DSLR like the Nikon D5. Significantly cheaper than any other digital medium…

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Fuji GFX 50S Sample Images

Fuji so far has only released a total of 3 full resolution sample images to demonstrate the capabilities of its new Fujifilm GFX 50S medium format camera, one from each lens. While the images were shot at relatively low ISOs, the provided sample images give us a glimpse of what to expect from both the camera and the lenses in terms of image quality. As expected, the amount of detail in the images is exceptionally high, with all three lenses…

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Fujifilm X-T2 First Impressions

Some of you may remember how pleased I was with how my little Fujifilm X100T performed on my trip to France last June (My Self-Imposed 23mm Challenge with a Fuji X100T). As an experiment, I limited myself to just this camera and its fixed 23mm focal length (35mm equivalent) lens. At that time I was feeling like my creativity was waning. However, after limiting myself to this small, light-weight camera, I began to have fun with my photography again. I…

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The Best Night Photography Lenses for Nikon Cameras

Nighttime photography is something that a lot of photographers enjoy; I certainly do, along with countless others. Modern cameras can capture more detail at night than we can see with our naked eyes, revealing entire worlds that couldn’t exist otherwise. However, more than almost any other genre, night photography also challenges your camera equipment to its most extreme. In this article, I will go through some of the top lenses for Nikon cameras if you want to take pictures at night, including information about their…

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From Dusk Till Dawn – IRIX and NiSi

The title of this article closely resembles a Tarantino movie (and I originally wrote this close to Halloween weekend), but this is another story. It is a story that speaks of lenses, filters and the people behind them. And it describes the difficulties of doing a review when time and the weather aren’t cooperating with you. What you will read is not like a classic review of the new IRIX 15mm f/2.4, but something slightly different. It may deviate from a “normal” technical…

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Nikon 85mm f/1.4G Review

This is an in-depth review of the Nikon 85mm f/1.4G AF-S lens that was announced with three other lenses in August of 2010. Ever since the manual focus AI-s version of the Nikon 85mm f/1.4 lens was introduced back in 1981, the Nikon 85mm f/1.4 lenses have been used as references for superb sharpness, best-looking bokeh and beautiful color renditions. The last autofocus AF-D version of the lens produced in 1995, the Nikon 85mm f/1.4D, was often called the “king…

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When in Doubt, Bracket!

On any photographic forum, it doesn’t take much effort to find old or new discussions on how to set the “proper” exposure while shooting, and even what exactly “proper exposure” is. The question of setting exposure was and is one of the most commonly-discussed topics on forums and blogs. Newbies (and not) bring it up again and again and receive all sorts of explanations – long and short, deeply “scientific” and completely “practical”, starting with advice to use the in-camera…

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Nikon 24-120mm f/4G VR Review

This is an in-depth review of the Nikon 24-120mm f/4G ED VR lens that was released in August of 2010. The constant maximum aperture, mid-range Nikon 24-120mm f/4 VR zoom lens was a major update to the Nikon 24-120mm f/3.5-5.6G VR, which had been known at the time for being a sub-par lens optically. Shortly after the 24-120mm f/4G VR was announced, Nikon discontinued its variable-aperture predecessor and made the 24-120mm f/4G VR into a premium kit lens to be…

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Nikon 24-70mm f/2.8E VR Review

It took Nikon nine years to finally release an update to its popular workhorse standard zoom lens in the form of the Nikon 24-70mm f/2.8E ED VR, which gained a few new features compared to its predecessor, including the much desired image stabilization. Nikon engineers have always put extra effort and emphasis on updated professional-grade lens designs, typically delivering outstanding performance. However, the release of the Nikon 24-70mm f/2.8E ED VR lens has been one of the most controversial in…

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Nikon 24-70mm f/2.8G Review

This is an in-depth review of the Nikon 24-70mm f/2.8G ED lens that was released back in August of 2007 together with the 14-24mm f/2.8G ED lens. I have owned a number of different copies of the Nikon 24-70mm for many years, pretty much from the day the lens was announced and I have probably spent the most amount of time in the field shooting with this lens. Since it is a workhorse pro-level lens, I have used it for…

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Nikon 70-200mm f/2.8E FL VR Handling Concerns

With Nikon announcing the new 70-200mm f/2.8E FL VR just two days ago, it was a bit surprising for us to see a pre-production sample circulating at the Nikon booth at the PhotoPlus Expo today. We had a chance to check out the lens and while we were not allowed to take any pictures with it, Nikon allowed us to do a quick video about the handling aspect of the lens. I was certainly concerned about the reversal of the…

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Nikon 16-80mm f/2.8-4E VR Review

Recently I’ve been experiencing one of those existential photo crises. Low motivation, cliché results, slumping Instagram likes. When I get bummed about my photography I do what any self-respecting unprofessional photographer would do – put on some soft jazz, pour myself a fine single malt, then pull out my favorite Zeiss lens chart results and pleasure myself. But even that didn’t make me feel better. What’s a listless soul-wrenched photographer to do? Ha, I know what will do the trick – no better way to…

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Pentax 645Z Review

Although the Pentax 645Z medium format DSLR has been out for a few years, I only had a chance to try it out earlier this year, during my trip to Death Valley. I have been wanting to try the 645Z for quite some time, since I heard so many good things about it. With medium format digital being traditionally out of reach in terms of cost for most photographers out there, including myself, I did not really have much interest…

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Are Smartphones Threatening the Camera Industry?

As smartphones are getting better at capturing images year after year, one might be wondering when, if at all, we will see smartphones directly competing with larger cameras. Are we at the point, or perhaps might be soon approaching one, where it won’t make any sense to buy a high-end DSLR or a mirrorless camera to capture professional-looking images? Now that smartphones like the iPhone 7 Plus are shipping with dual lenses (one standard wide-angle lens and one telephoto lens…

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Olympus 300mm f/4 – A User Experience

When Olympus first announced the M.Zuiko Digital ED 300mm f/4 IS PRO telephoto lens for the micro-four thirds format there was understandably much enthusiasm for its arrival. After all, it would give users the equivalent field of view of 600mm at F/4 in a far more compact and lighter lens than a DSLR equivalent. I wasn’t personally that aroused by the prospect but curiosity prompted me to ask Olympus if I could borrow the lens to write up a user…

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Nikon D820 Wishlist

Having been primarily shooting with the Nikon D810 ever since the camera was announced (which as of today is my primary camera for most types of photography I am engaged in), I have been compiling a list of features that I would like to see on the upcoming Nikon D820, so I decided to share this list with our readers. My goal with this article is not only to share my list of most wanted features, but also to potentially…

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Nikon D810 vs Canon 5D Mark IV

Many photographers often compare the Nikon D810 and the Canon 5D Mark IV DSLR cameras side by side in terms of specifications, since both sport high-resolution sensors and have comparable features. I have personally tested both of these cameras and found them to be excellent in their own ways, so if you are trying to decide which one to get, you certainly would not go wrong with either option. Instead of pondering about brand choices, you should just stick with…

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What Is Dual-Pixel RAW in the Canon 5D Mark IV?

Canon’s newest 5D Mark IV camera has a lot of exciting specifications — the fast frame rate and 4K video capabilities, for example — but there is more to this camera than what first meets the eye. One new feature buried in Canon’s promotional material is a technology called Dual Pixel RAW. This isn’t something that we have seen before, but it seems like it could be one of the most interesting features of this new camera. So, what is Dual-Pixel…

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