Below are full resolution image samples from the newly-announced Canon 1D X Mark II DSLR for those who want to pixel-peep at how the camera renders images at various ISOs. Although most sample images were captured at low ISOs, there are a few images that were shot at high ISOs like 3200, 6400 and even ISO 25600. As expected, images from the 1D X Mark II look phenomenal. I have also provided full resolution sample images from the Nikon D5 right here, if you would like to compare the two. While it is too early to evaluate which one does better in terms of image quality and we are planning to provide a full comparison in our upcoming reviews, since both cameras have practically the same resolution, they are probably going to look very similar at pixel level overall.
Without a doubt, the Nikon D5 and D500 DSLR announcements have been the center of attention in the photography world this week, probably similar to the impact the Nikon D3 and D300 had back in 2007. The Nikon D5, in particular, is certainly something many sports and wildlife photographers have been waiting for. Thanks to the brand new autofocus system with a whopping 153 focus points, better focusing capabilities in low light, expanded native ISO range, brand new 180,000 pixel metering sensor, faster processor, 12 fps continuous shooting speed and many other tweaks and updates, the Nikon D5 was definitely worth the wait. For many, it will surely be a serious tool to consider moving up to. Let’s take a look at how the Nikon D5 fares against the Nikon D4s and see what advantages it brings in comparison. More details on the camera will be provided in our upcoming Nikon D5 review.
Before the D500 announcement, Nikon’s best DX camera for sports and wildlife photography has been the D7200. While the D7200 is a superb camera on its own, one might be wondering how and where exactly it differs when compared directly to the new Nikon D500. The quick answer to that question is enthusiast-level DSLR vs professional-level DSLR, but there is obviously a bit more than that to talk about. Let’s take a look at both cameras and see how they differ when it comes to ergonomics and specifications.
I am currently in Death Valley NP, shooting with a bunch of new gear including the Nikon 24-70mm f/2.8E VR, so I wanted to provide my early thoughts on this lens. Some of our readers sent me concerned emails, asking what I think about the 24-70mm f/2.8E VR, since apparently some others were quite unimpressed with this lens, even putting it into the category of “one of the worst lens releases of 2015”. I am not sure where these statements come from (sadly, my Internet connection here is really bad), but based on two samples of the Nikkor 24-70mm f/2.8E VR that I currently have access to, the new updated version seems to be an absolute gem. Based on my limited time pixel-peeping some of the images I have captured so far, it seems like Nikon has optimized the new 24-70mm differently when compared to its predecessor.
If you are interested in purchasing the newly announced Nikon D500, D5 or the SB-5000 speedlight, you can support Photography Life by purchasing through the below links. Please note that these are hot products, so the pre-order line is probably going to get huge pretty fast!
The new Nikon D500 surely looks amazing and very promising – much more exciting than the new Nikon D5 in my opinion, which is surely impressive, especially for those who need such a high-end tool. While we have written about the standard specifications of the D500 and its amazing features, like its 153 point AF system and its practically unlimited buffer, there are a few other hidden features that come in the Nikon D500, which are certainly worth looking into. Let’s take a look at these in more detail.
How does the newly released Nikon D500 flagship DX camera compare to Canon’s APS-C counterpart, the 7D Mark II? Canon was first to release its high-end sports camera over a year ago and it reigned supreme for a while, since Nikon had no equivalent product to compete with. Things have surely changed now, since the D500 is finally that long-awaited direct competitor to the 7D Mark II. This means that we can now compare these cameras directly and see which one is a better candidate for sports and wildlife photography. In this comparison, we will take a look at the specifications of the two cameras and see what their similarities and differences are. We will provide real performance differences, along with high ISO comparisons in our upcoming Nikon D500 review.
With the long-awaited and much-anticipated Nikon D500 out, one might be wondering how it compares to its predecessor, the Nikon D300S. Since there has been such a huge delay between the releases, it is a given that the D500 is a much better and more advanced camera. However, how much do these cameras differ really when we look at their specifications and what has changed in the last 7 years? Let’s take a look and see in this Nikon D500 vs D300S comparison.
In this article, I will be responding to a detailed email from one of our readers, John D, who had a bad experience moving up from a CX to a DX camera. John started out with the Nikon 1 J1, then with hopes that he would get better results, tried out a Nikon D3300. After facing a number of issues listed below, he ended up returning the D3300. Since this type of a situation often happens to many photographers, whether they move from a cropped sensor camera to full-frame, from a mirrorless camera to a DSLR or the other way around, I thought it would be useful to share my thoughts on the matter with our readers.
There must be something very rotten in the state of Denmark when Alpha Whiskey starts talking about gear. Have I completely lost my mind?! Did I give in to the Dark Side of The Force? What’s the matter with me? Joking aside, this isn’t as comprehensive a look at a camera as one of Nasim’s reviews. I’ve always had a tremendous appreciation for the Herculean effort he puts into his reviews; now that I’ve written this brief article about a camera myself that appreciation is infinite. And while our gear is secondary to our creativity, of course the latter benefits from the former; it’s just not something I usually spend my time worrying about.