As promised, Fujifilm has made the new firmware versions for some of its mirrorless cameras available starting today. For those who missed our previous article, the following cameras are eligible for the new firmware: Fujifilm X-T1 (both black and silver edition), X-E2, X-Pro1 and X-E1. It is important to note that all cameras receive slightly different updates with the X-T1 gaining the largest number of improvements and new features.
It reminds me of Goldoni’s “Servant of Two Masters“; only masters are now more than two and quite often they are not only capricious but they do not know what they want. First, any comparison is open to critics because even in a well-equipped lab it is impossible to repeat the shooting conditions from a year ago, or even from a day before while shooting to compare a newer model to an older one; the criteria for necessary accuracy is not set, or not made public, or not recognized by the community. Second, one single body in the testing opens the door for sample variation questions; and once again tolerances are not brought to the light. Third, using different lenses for different mounts does not help leveling the field. Using lens adapters to shoot with the same lens is often suggested, but it opens another can of worms: adapter alignment problems and different amounts of internal flare added by different adapters skew the results.
Last month, Fujifilm announced firmware updates for several of its high-end X-mount compact system cameras. No less than four cameras will receive such attention from the famously generous (when it comes to updates) manufacturer come December the 18th – Fujifilm X-T1 (both black and silver versions, which should really not be treated as a separate release), Fujifilm X-E2 and even the now-already-quite-old X-Pro1 and X-E1. That said, it is not all good news, since the firmware updates are very different for X-T1 and the rest of the cameras.
It did not take long for Sony to bring its new A7 II full-frame camera to the US market. But then, even from the Japanese announcement article, it is clear that the A7 series of mirrorless cameras are very popular among photographers, and this new model adds the very welcome sensor-based 5 axis image stabilization that works with any lens. Ought to be a real success for the manufacturer, especially at this price.
Sony is very, very serious about the full-frame mirrorless cameras and would seem they plans no break for the competition. The Japanese giant has just announced a replacement for the first and (currently) cheapest full-frame compact system camera, the A7. Dubbed the A7 II, it brings, more than anything, refinement to what is essentially the same core feature set. Mind you, so far it has only been announced in Japan. It is still interesting to see where the manufacturer is going with all the full-frame offerings.
I had a chance to play with the new Canon 7D Mark II this past weekend and I wanted to provide a little bit of feedback regarding the performance of this speed monster. I received my copy of the camera earlier last week, along with the Canon EF 400mm f/5.6L lens, so that I could exclusively photograph wildlife with this setup. The Canon 7D Mark II is specifically targeted at sports and wildlife photographers, so I did not think it would make much sense to evaluate the camera for everyday photography needs. With the Canon 6D being in the same price range, it is a given that a full-frame camera would be much more desirable in terms of image quality for other photography needs.
As part of my field work for my upcoming hands-on review of the 1 Nikon CX 70-300 f/4.5-5.6 telephoto zoom lens I went to the Niagara Butterfly Conservatory to take a few images. I spent a few very enjoyable hours at the conservatory taking photos of the various butterfly species and ended up with many usable images.
I would like to preface this article by saying it is not intended as a “do this, don’t do that” sermon from the mount. To me, using a camera is akin to playing a guitar. It is simply an instrument that a person uses to achieve a particular outcome. And, like a guitar, there are many styles and approaches in how to “play it”. What works for me may not work or feel comfortable for you. So, if this article provides a few useful tidbits for some readers, it will have served its purpose.
There’s quite a bit of text in this article so I will be showing a range of images shot with my Nikon 1 V2 to provide some visual breaks, and also to help illustrate the capability of the Nikon 1 system.
Have you ever traveled to the shopping mall in search of a product, only to be met by dozens of similar options to choose between? Lowest-price vs best-value, long-lasting vs quick-acting, eco-friendly vs cost-effective: we are drowning in possibilities that years ago didn’t exist. Perhaps nowhere is the epidemic of choice more prevalent than in the digital camera world today. Since I began reviewing mirrorless cameras a couple of years ago with my partner Mathieu Gasquet, I’ve been surprised by just how many models exist for each brand. For instance, in the six years since mirrorless cameras first began to appear on the market, a total of thirty-six Micro Four Thirds system cameras and nineteen Sony E-mount cameras have been released, an astonishing number if you consider that new film cameras would be released only every two or three years.