After my review of the Tamron 150-600mm VC telephoto zoom lens appeared here at Photography Life, a number of readers had questions on how that lens compared to the long telephoto zooms from Sigma. As luck would have it, I was able to borrow a recently purchased Sigma 150-500mm OS from a friend and this article captures some initial thoughts about photographing birds, including those in flight, with this lens.
If you weren’t already aware, Nikon’s newest DSLR, the Nikon D810, was just released on July 18. For the announcement history, features, sample images and other current D810 posts, you can search Photography Life’s archives. When I saw the camera’s features, a few of them got me immediately excited. I don’t consider myself to be a photographer who has gear lust and must always have the newest camera body, regardless of how incremental the improvement may be. With that being said, as soon as it was announced I simply knew that I had to get the D810. Why? I’m glad you asked.
In our continuous attempt to improve our lens database and provide all the necessary information about various lens manufacturers as well as individual lenses, we’ve already discussed different abbreviations used to describe Sigma, Fujinon, Nikon and Canon lenses. In this article, I will talk about the most popular abbreviations used with Sony lenses.
After I received the Nikon D810 in the morning today, I thought about posting an article on the ISO performance of the camera and how it stacks up against the Nikon D800E. After Adobe announced the release of the Camera RAW 8.6 RC, I thought about using the Adobe converter for the Nikon D810 RAW files instead of Nikon’s software like Capture NX-D or ViewNX. Well, that was a really bad call on my side, because I ended up wasting the whole day trying to figure out why the performance of the D810 was coming out so bad when compared to the D800E. I ran many different tests and each one of them showed the same thing – the D800E was surpassing the D810 at every ISO above 3200. Whether it was with retaining colors and dynamic range, to plain noise – the D800E was just killing the D810 in every case. Although the D810 images were coming out about a stop brighter (with the exact same exposure settings and even custom white balance set at 4700K), I even tried to equalize the brightness both in cameras and post, only to see variations of the same problem. Nothing made sense and I simply could not believe that Nikon would release a camera that was inferior than its predecessor in image quality. That really did not make sense, but that’s what I was seeing!
I am a big supporter of the “get to know your gear” opinion. I strongly believe that the more you use something, the better you learn to take full advantage of the strengths of that particular piece of equipment, and the better you learn to manage its shortcomings without even thinking about it. To a point where they just disappear, in fact, and make the statement that gear does not matter as truthful as it is. Gear does not matter (to an extent), but knowing it and liking it does. This, I think, it the crucial link between equipment and photography itself.
Since the Nikon D810 got announced yesterday, we have been getting a lot of questions from our readers via emails, comments and Facebook messages. After answering many questions and doing some additional research, I decided to compile everything I have gathered so far in a single article. Looks like the biggest number of questions is coming from existing Nikon DX and D600/D610/D700 owners, who are considering to move up to the D810 as an upgrade. Some Nikon D800 and D800E owners like myself also find some of the new D810 features attractive, but there are still some items that remain unclear from the announcement (such as the camera buffer size), so the below article will hopefully address some of those questions and concerns as well.
One question that has been continuously asked from our readers has been regarding the buffer size of the Nikon D810. Nikon stated that the buffer has been increased, but has not yet provided any information in the official documents on the English versions of the Nikon USA and Nikon Imaging sites. After doing a bit of research last night, I found the Nikon D810 manual in Japanese language at Nikon-image.com (here it is for reference). I compared the table to that of the Nikon D800 / D800E and found out a surprise – the buffer size on the D810 appears to be doubled in comparison. What a nice surprise!
In this Nikon D810 vs D800 / D800E comparison, we will go over differences in specifications between these cameras and talk about what has been added, changed and improved. The Nikon D800 and D800E have been very popular camera models among enthusiasts and professionals for several years now. With world’s first 36.3 MP full-frame sensor, very high dynamic range, pro-level autofocus, magnesium alloy construction and weather sealing, the cameras have converted quite a few Canon and even Medium Format shooters. What does the D810 bring to the table? Let’s take a closer look at the specifications.
If you are excited about the new Nikon D810 and want to pre-order it via our trusted affiliates B&H Photo Video and Adorama, please use the below links. Detailed information about the newly announced D810 is provided earlier here and you can find the announcement, along with promotional information and videos in this post. The release date of the Nikon D810 is scheduled for July 17th, 2014 in the USA, so it is a relatively short waiting window. Please note that both B&H Photo Video and Adorama will serve orders on a first come, first serve basis depending on your spot in the pre-order queue. If you want to get the camera on the day of the announcement, I would recommend to place the pre-order as soon as possible. Those that pre-ordered the D800 / D800E probably remember that they had to wait for months for availability.
If you are interested in seeing what the Nikon D810 is capable of in terms of image quality and ISO performance, take a look at the below high resolution image samples. These images demonstrate the sensor performance from ISO 64 all the way to ISO 3200. EXIF information is included with each shot.