A couple of weeks back, AT&T sent me a ZTE Spro 2 Smart Projector to review and give away to one of our readers. I loved the idea of doing this, not only because it is a neat little smart device that you can use as a mobile hotspot and as a projector, but also because with the holiday spirit, why not gift one of these away to one of PL’s readers? After-all, our site is all about giving! Speaking of gifts, hope you’ll get what you need this holiday season, because it does not always happen. What do you do with those unwanted gifts then? I find regifting to work the best. For example, on my birthday earlier this year I received a gift card to a store I never shop from, so I decided to regift it to a friend who does. Worked out nicely and I did not even have to think much about buying a present! Now the question is, if you win this giveaway, will it be a keeper? Anyway, before I go into the giveaway details, let’s take a closer look at what the ZTE Spro 2 is capable of and what you can use it for.
I set out with a goal to find the best outdoor camera bag. For the most part all of these bags turned out to be pretty great bags with different strengths. To try out the bag it needed to hold at least one pro body, a wide angle zoom, normal zoom, telephoto zoom, flash, tripod and accessories. My kit was a Nikon D800, 17-35mm f/2.8, 24-70mm f/2.8, and 70-200mm f/2.8. Let’s take a look at a number of different outdoor camera bags and see which one is the most versatile option for shooting outdoors.
I recently purchased a set of Movo Extension Tubes for Nikon 1 as I had been experiencing some quality issues with my Vello tubes (plastic flanges cracking and breaking). I’ve been out the past week or so capturing a range of images with these new tubes and I thought I’d share some images with you. If you are wondering about what extension tubes are and what they are used for, check out this detailed article about extension tubes and how they work.
Photographers have an interesting dilemma when choosing a bag for long hikes. Camera backpacks are great at holding cameras, but they tend to be poor choices for comfort on long hikes. For some people – those who rarely need to trek with their camera equipment – a traditional camera backpack may be more than enough. For landscape and travel photographers, however, or those who need to carry their equipment longer distances, technical hiking bags tend to be the only option. The issue with these bags is that they aren’t made with photographers in mind, meaning that gear access and tripod attachment is quite difficult. One of the companies trying to fix this problem is F-Stop Gear, who makes trekking-style backpacks with separate compartments for camera equipment. I have owned the F-Stop Loka UL since it was first released, and it has never disappointed me. So, when F-Stop announced their newest line of Mountain Series backpacks, I was excited to see some of the improvements that had been made. In this review, I will take a look at the brand new Sukha bag – at 70 liters, F-Stop Gear’s second-largest backpack.
Lexar has been long known for making different type of memory cards for hobbyists, enthusiasts and professionals. Whether you need microSD, SD, CF or the newer memory card technologies like CFast and XQD, Lexar makes lines of products with different quality levels and speeds to satisfy pretty much every still camera or video storage needs. One area you might not be very familiar is Lexar’s excellent line of memory card readers. I have been personally using the Lexar Professional USB 3.0 Dual-Slot Reader for years and I find it to be the best solution when working in the field and need to access or back up my data, as stated in my earlier review. But what about a professional memory card reader for a desktop? Since I have always built my own computers, I have had a strong preference for internal readers that I can install in one of the 5.25″ bays, with the AFT PRO-77U being my top choice. And although I am pretty happy with this reader, it does have a couple of disadvantages. First, it only comes with the most common media formats like CF, SD and microSD. If I wanted to attach the newer XQD or CFast cards, I would have to get a separate reader for each one of those. Second, there is only one reader per card type – if I wanted to transfer from two cards simultaneously (and yes, you can do that in Lightroom), then I am left out without options. Luckily, Lexar makes a superb product to address such particular needs (and more) in the form of the Lexar Professional Workflow readers. Today, I am reviewing the HR1 version, which has a USB 3.0 interface. If you are a Mac user and prefer Thunderbolt, there is an HR2 version of the same reader, which has support for both Thunderbolt and USB 3.0.
We are continuing our coverage of memory card readers this week and this time I want to talk about my personal preference for internal memory card readers, or the ones one would have to install in an empty / available bay in a computer. Since I have always been building my own PCs, picking the best components for the fastest performance, I am comfortable with installing internal devices without resorting to external help. Having a memory card reader always integrated into a PC means that I don’t have to fiddle with external devices and wires dangling off my PC, which helps in keeping my work area nice and clean. In addition, it allows me to choose an all-in-one memory card reader that can read pretty much any format out there and potentially offer additional USB slots that I can use for other devices. The Atech Flash Technology PRO-77U gives me exactly that. For years I have been using the previous-generation PRO-57U model and I have recently moved up to the PRO-77U in my latest PC build and I have been happy with my decision.
One question I get asked a lot by other photographers or workshop participants, is the type of reader I prefer to use when traveling or when using a laptop. Over the years, I have tried many different types of readers and I have had my share of dead readers, bent pins, unreadable cards and other problems. After trying out the Lexar Professional USB 3.0 Dual-Slot Reader when it just came out, I have been very pleased with its performance. It turned out to be the best memory card reader I have had to date not just because of its amazing performance, but also because it has a solid build and the cable easily detaches from the back of the reader, making it an amazing travel companion.
Drone photography is an exploding market, and with good reason — an aerial perspective opens opportunities in nearly every field of photography. Despite the amazing potential of drone photography, though, it is surprisingly hard to find a kit that works well for high-quality stills. Drones built for larger mirrorless cameras or DSLRs are often unreasonably expensive and frustratingly large, forcing many photographers to compromise on image quality. With this problem in mind, 3D Robotics designed the X8+ drone, a customizable and affordable platform that is capable of carrying a large-sensor camera with ease.
For ages I’ve heeded the warnings from camera manufacturers that inserting non-OEM batteries into my camera could make the camera explode or at the very least give it a nasty case of shingles. But a year ago I purchased a Nikon D4s and wanted a spare EN-EL18 battery. The Nikon battery was 150 bucks – why I could get a fifth of 25-year old Glenfarclas for that much. I saw positive reviews of the Wasabi batteries and decided to try one of those at a third of the price of the OEM battery. It worked just fine so I got more batteries, both the Wasabi and the Watson brands, for my D4s and my D7000 and D810 bodies. I’ve been using the Wasabis for a year and the Watsons for 7 months. For the first few months, they worked so well I never give a second thought as to whether I’d grabbed the Nikon batteries or the third party batteries when I went out on a shoot.
Recently during the filming of a safety video project for a client I needed to capture some video footage looking straight down on a machine in operation. In order to film the required footage I used one of my existing tripods, which can be configured in a non-adjustable, lateral position. It occurred to me as I was fiddling around with this existing tripod that it would have been much easier to get the required video footage if I had a tripod with a range of lateral movement, rather than just one lateral position at 90-degrees. Since I’ve been pleased thus far with my other Oben tripod (CC-2491), I decided to give the Oben CC-2361L lateral tripod a try since it met my key shooting criteria for tripods.