The Best Nikon Cameras for Wildlife Photography (2024)

What is the best Nikon camera for photographing wildlife in 2024? Since “wildlife” encompasses so many things, from birds to lions and everything in between, it’s a hard question to answer. If you ask a random wildlife photographer which feature is most important to them, one might say autofocus while another might say lens selection or even weather sealing. But for those of you who are getting into wildlife photography and want help choosing a camera – or for established wildlife photographers who want to validate their choices/yell at me in the comments – I’ve ranked Nikon’s best cameras for wildlife photography here for your consideration.

#1: Nikon Z8

The Nikon Z8 is Nikon’s latest stacked-sensor action camera and it’s hardly a surprise that it’s #1.

When I first wrote this article, I put the Nikon Z9 first. However, for most people choosing between the Z9 and the Z8, I think the Z8 makes more sense. You can see that the Z8 and the Z9 have very similar specifications in our comparison article.

NIKON Z 8 + AF-S NIKKOR 500mm f/5.6E PF ED VR @ 500mm, ISO 220, 1/1000, f/6.3 © Libor Vaicenbacher

The Z8 was released after the Z9 and has all of the goodies from the Z9: a blazing fast autofocus system, a natural blackout-free viewfinder, and a continuous shooting rate of 20FPS that can keep up with the best.

For people who shoot fast action, the Nikon Z8 paired with the latest Z glass is an unbeatable combination.

Of course, the Z8 vs. Z9 may be a bit of a hard choice for some, but given that the Z8 is more versatile and lighter with an optional grip and also costs $1500 less than the Z9, for the vast majority of photographers the Z8 is a better buy.

#2: Nikon Z9

Not far behind the Nikon Z8 is the Nikon Z9. If I could choose any camera on this list to go out and shoot with except for the Z8, it’d most certainly be the Z9. I’m sure it’s not a surprise that it takes the #2 spot on my list.

Like the Z8, the Z9’s autofocus is outstanding, and it equals or exceeds its DSLR counterpart, the flagship Nikon D6 in most areas (more on that in our Nikon Z9 review). Aside from its autofocus, the Nikon Z9 also has a very fast frame rate of 20 FPS when shooting RAW, and a practically unlimited buffer of over 1000 photos. It is also the first Nikon flagship to have a 45.7MP sensor, which is very useful for cropping a little when you can’t seem to get that small bird to fill the frame.

Nikon Z 9 + NIKKOR Z 100-400mm f/4.5-5.6 VR S @ 320mm, ISO 800, 1/1250, f/5.3 © Spencer Cox

There are two reasons I would choose the Nikon Z9 over any Nikon DSLR. First, the Nikon Z9 has access to Z glass like the Nikon 800mm f/6.3 and the Nikon 400mm f/4.5, as well as all the F-mount lenses, which adapt extremely well on this camera. And second, the Nikon Z9 has far superior video capabilities, which many wildlife shooters are starting to experiment with.

The Nikon Z9 has two main downsides: its size and its price. Some people love the built-in grip, and indeed as a wildlife photographer I know how hard it is to shoot vertically without a grip! However, there are other times when I prefer smaller cameras to keep the overall weight low. And as a $5500 camera, it’s out of reach for many photographers, especially once you consider the price of a good telephoto lens. Even so, I believe the Nikon Z9 is Nikon’s second-best wildlife photography camera ever made.

#3: Nikon D6

The D6 is Nikon’s most advanced DSLR. Wildlife photographers have been using the D1/D2/D3/D4/D5/D6 series for decades, and the D6 continues that tradition. It has an amazing autofocus system, tank-like build quality, and a high frame rate of 14 FPS bursts.

Like the Nikon Z9, the Nikon D6 has the potential downsides of price and weight. It actually costs $1000 more than the Z9 and weighs a bit more. The D6 has another potential downside, too: its 20.8MP sensor leaves less room for cropping. (Some wildlife photographers may prefer the smaller files, but keep in mind that the Nikon Z9 already has high efficiency RAW files that are barely larger than the D6’s file size.)

I think if you are really dead-set on using DSLRs, the D6 makes sense. Likewise, if you photograph more unusual subjects (i.e. not people, birds, or big mammals), the D6’s autofocus system sometimes beats that of the Z9 in our tests. That’s because the D6’s AF system is more “generalist,” whereas the Z9’s system is based on subject recognition.

Even so, between the two, I’d still recommend the Nikon Z9 for most wildlife photographers.

From left to right: the Nikon D6, Nikon Z9, and Nikon Z7 II

#4: Nikon D850

The D850 is Nikon’s best all-purpose DSLR, striking a great balance between capability and affordability. It is more compact than the flagship gripped cameras like the Z9 and D6, and yet it still is very capable in the autofocus department.

In fact, for some wildlife photographers, the D850 would beat the Nikon D6 even if both were the same price (and right now, the D850 is $2800). Although the D6 might be more suitable in some cases due to its more advanced autofocus system, the D850 has that beautiful 45.7MP BSI sensor, which makes it more flexible when cropping is needed.

The sensor on the Nikon D850 performs similarly to the sensor on the Nikon Z9. So if you want that level of image quality with a still-excellent autofocus system, while saving money, the D850 remains a very appealing choice even in 2023. Be aware, however, that the camera can “only” shoot 7 FPS (9 FPS if you buy the battery grip accessory), which definitely isn’t as speedy as the D6 or Z9. I personally think that high FPS bursts are overrated for wildlife photography anyway, but not all wildlife photographers agree with me.

NIKON D850 + 500mm f/5.6 @ 500mm, ISO 5000, 1/800, f/6.3 © Libor Vaicenbacher

#5: Nikon D500

The Nikon D500 is one of Nikon’s most popular wildlife DSLRs. Not only does it have a very capable autofocus system that can handle most wildlife scenarios, it is also very affordable with a current MSRP of $1500.

I personally use the Nikon D500 for most of my wildlife photography, and I’m still impressed at how well it holds up despite being a somewhat older DSLR. And based on what I hear from other wildlife photographers, it seems like the D500 is one of those few DSLRs that people still have an interest in.

So, does it still make sense to get a D500 in 2023? I definitely think it does. It has a similar autofocus system as the Nikon D850, but arguably even better because the same system covers a wider area of the viewfinder on a crop sensor camera like the D500. It also shoots up to 10 FPS bursts, which is plenty for most wildlife photography.

Probably the biggest downside of the Nikon D500 is that it uses a cropped DX sensor instead of full-frame. This harms the camera’s low-light performance. It’s also 20 megapixels rather than 45 – although if you were planning to crop your files a lot from the D850 anyway, the difference isn’t as huge.

I still have plenty of life left on my D500, and I plan on using it for quite some time!

Nikon D500 + 500PF @ 500mm, ISO 280, 1/1000, f/5.6 © Jason Polak

#6: Nikon D5, D4, and Related Cameras

The Nikon D5 was Nikon’s flagship when it was released, and it is still immensely capable. The same is true of the previous generation D4, D4s, and even the older D3 series. All of these cameras are getting pretty old now, but they deserve to be on this list because you can buy them used at amazing prices. For example, a few months ago, I saw Nikon offering refurbished Nikon D5 cameras for around $2000 USD!

Like the Nikon D6, the D5 has a 20MP full-frame sensor. In many cases, this resolution will be fine, especially if you are using lenses that are long enough for your subject. On the other hand, even a 500mm or a 600mm lens can be a little short for small birds, and 20MP is a bit limiting when it comes to cropping.

Still, you can’t beat the prices, build quality, and high ISO performance of these cameras. Even their autofocus systems are still extremely competitive in today’s world. Considering that you can easily buy a used Nikon D4 (16 megapixels) for under $1000, I’d strongly consider these if you’re on a budget.

NIKON D3S @ 300mm, ISO 3200, 1/250, f/8.0 © Nasim Mansurov

#7: Nikon Zf

New for 2024 is the Nikon Zf, already reviewed by Libor Vaicenbacher. The reason why it has made it to the #7 spot is that the Zf got many of the autofocus improvements from the Z9 and Z8. Sure, it doesn’t have the same stacked sensor as those top cameras, but the Zf is a pretty snappy camera for wildlife.

The ergonomic design of the Zf is also not ideal for Nikon’s largest lenses, but paired with a lens like the Nikon Z 400mm f/4.5 VR S or the Nikon Z 600mmm f/6.3 VR S and you’ve got a pretty decent wildlife combo with all the advantages of mirrorless.

NIKON Z f + NIKKOR Z 24-120mm f/4 S @ 52mm, ISO 400, 1/160, f/5.6 © Libor Vaicenbacher

Later this year, Nikon may come out with a refreshed Z6 III, but until then, the Nikon Zf is not a bad choice if you’re not up to the high price tags of the mirrorless flagships!

#8: Nikon D780

Although the Nikon D780 doesn’t have Nikon’s newest 105-point or 153-point autofocus systems, it’s still more than capable of tracking fast action. It maxes out at a very impressive 12 FPS, although this is a bit of an illusion, because it’s only possible in live view (where the autofocus system is pretty weak). Through the viewfinder, you’ll get a more pedestrian 7 FPS. The buffer size is pretty good at approximately 68 photos (14-bit lossless RAW).

The Nikon D780 is a very versatile camera. It’s not meant to be the “best of the best” in any single task, but instead does a very good job at almost everything you throw its way. Wildlife photography is no exception.

If you’re on a budget, you may also want to consider the prior generation Nikon D750, which is only available used. The autofocus system is similar, although the D750’s buffer is smaller (in part because the D750 only supports slower UHS-I memory cards, rather than UHS-II like the D780).

NIKON D780 + VR 100-400mm f/4.5-6.3E @ 122mm, ISO 1100, 1/2000, f/5.6 © Spencer Cox

#9: Nikon D7500

The Nikon D7500 has a very solid autofocus system, and I wouldn’t hesitate to rely on it, even though it’s less powerful than the systems in the other cameras above. It has a good burst rate of 8 FPS and a reasonably large buffer of about 50 photos (in 14-bit RAW) before the camera starts to slow down.

Earlier cameras in the same series, especially the D7200, could also be good wildlife choices if you’re on a budget. The D7200 has a good autofocus system, but the downside is the smaller buffer capacity (18 photos in this case). If you pick your moments carefully rather than firing burst after burst, you definitely can save money and get the D7200.

NIKON D7500 + 300mm f/4 @ 300mm, ISO 720, 1/800, f/4.0 © Spencer Cox

#10: Nikon Z7 II

The Z7 II is a bit different than the other cameras on this list. It does not have a very advanced autofocus system, and so it’s not ideal for fast action. However, wildlife encompasses more than just fast action. For slower scenes like large mammals, macro photography, or perched birds, the Z7 II is a very good camera.

Some of its best features for wildlife photography are the 10 FPS burst, 45 megapixel sensor, and solid buffer (about 7 seconds of continuous shooting before the burst rate slows down). The autofocus system won’t win any awards, but it’s also not as bad as some reviews make it out to be – it’s very accurate and fast, just not good at tracking.

The Z7 II is relatively small compared to the Z9, so it would be great if you prefer smaller cameras. And of course, as a mirrorless camera, it has access to Nikon’s latest Z telephoto lenses. A combination like the Z7 II with the Nikon 400mm f/4.5 would be a very compact combination for handheld wildlife photography.

NIKON Z 7 II + AF-S NIKKOR 500mm f/5.6E PF ED VR @ 500mm, ISO 110, 1/500, f/5.6 © Nasim Mansurov

#11: Nikon Z6 II

The Z6 II is very similar to the Z7 II, which means it’s good for slower animals. I only put it lower on the list because it has fewer megapixels: 24MP versus the 45.7MP of the Z7 II. In my experience as a wildlife photographer with the original Z6, there are just too many instances where I would have liked to have a few more pixels.

On the other hand, I actually prefer using my original Z6 to the D500 at times, especially when I want low-level shots taken where the camera is on the ground. The Z6’s tilting screen works very well for birds that are feeding in the grass or on a mudflat like shorebirds. So although people sometimes dismiss the autofocus of the Z6 and Z6 II, it is more than capable for many wildlife situations.

The Z6 II also has slightly better video quality than the Z7 II. Since both cameras shoot the same resolution of video, if you see yourself filming a lot of wildlife videos, the Z6 II would be a superior choice over the Z7 II (and actually superior to any camera on this list except for the Nikon Z9).

Note that for this list, I’m specifying the Z6 II and Z7 II simply because they are Nikon’s current models in these lines. But the previous generation Z6 and Z7 are also capable cameras and sell for very good used prices. They lack a few features like dual memory card slots, and the autofocus system isn’t quite as good. So it depends on your balance of budget versus requirements.

For most photographers, the Nikon Z6 II and Z7 II wouldn’t be a good first choice for wildlife photography. But if you mainly photograph something like landscapes or travel photos, and want to do some wildlife photography on the side, I’d recommend them pretty highly.

NIKON Z 6 II + AF-S NIKKOR 500mm f/5.6E PF ED VR @ 500mm, ISO 200, 1/320, f/5.6 © Nasim Mansurov

Other Cameras

There are a few cameras that didn’t make this list. These cameras could be still very capable in specific situations, and are worth considering if you are on a budget.

For example, the Nikon Z30, Z50, and Zfc are Nikon’s DX (APS-C) sensor cameras for Z-mount. These, too, are roughly on the level of the Z6 II or Z7 II in terms of autofocus, so they could be great for slower wildlife encounters without breaking the bank. The Z5 shares a similar autofocus system but only shoots 4.5 FPS. Finally, Nikon’s older 39-point autofocus system isn’t represented by any of the cameras in the list above, but it was still pretty capable for autofocus. It’s found on DSLRs like the Nikon D610 and Nikon Df, which today are only available used.

Nikon is definitely planning to release more mirrorless Z cameras. They may even follow Canon and Fuji and release an advanced APS-C model dedicated for wildlife photography, although Nikon has not confirmed that as of early 2023. Thus, if none of the cameras on this list tick all your boxes, you can keep shooting with what you have and wait for a more suitable camera to appear later!

Conclusion

Nikon has always been a very good choice for wildlife photography, and there are quite a few models to choose from – either with the mirrorless Z-mount or the DSLR F-mount. Nikon’s lenses for wildlife photography are also some of the best out there.

Did I forget your favorite camera? Would you recommend something else for wildlife? Please let me know in the comments!

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